Gerard Dillon (1916-1971) started to paint in 1936. He worked predominately in Belfast, where he was born, as well as Dublin and Connemara. The work, titled ‘High Cross Panel’, is a large mixed media painting with oil, gouache and pastel comprised of fifteen sheets of paper laid on board. It dates from around 1949. The ‘High Cross Panel’ is inspired by Celtic relief sculptures that Dillon had sketched during his visits to Monasterboice and Mellifont Abbey with his friend and fellow artist Nano Reid. The picture’s series of vignettes depict scenes from the life of Christ and the Old Testament. Dillon grew up in the Roman Catholic Church but became disenchanted with it. Here Dillon incorporates Celtic Christian iconography as he seeks to position his work within the broader context of Ireland’s artistic and religious heritage.
This large seminal work was sold in Toovey’s recent specialist fine art auction for £27,000.
The painting was first owned by P.J. Carroll & Co. Ltd who provided vital support for many leading Irish artists at a time when general interest in the visual arts was limited. The P.J. Carroll art collection was widely regarded as one of the pre-eminent collections of 20th century Irish art and was originally hung in their factory in Dublin Road, Dundalk, Co. Louth. A large portion of the P.J. Carroll collection is now to be found in the Irish Museum of Modern Art, Dublin. High Cross Panel was lent by the Carroll collection to the Gerard Dillon Retrospective exhibition held at the Municipal Gallery of Modern Art (now the Hugh Lane Gallery) in 1973.
The piece was purchased from the P.J. Carroll collection after 1973 by Sir John Galvin, a self-made Australian multi-millionaire. Sir John, who amassed his wealth through ventures in media and mining, was born in Tasmania in 1908. A passionate patron of the arts, Sir John Galvin amassed an art collection that included significant works from his native Australia. He relocated to Ireland in 1959 and added numerous Irish works to the collection. Galvin was a generous a philanthropist in Ireland helping financially to construct St Vincent’s Hospital in Dublin. He also contributed to the arts and was a Trustee at the National Library of Ireland. The High Cross Panel remains one of Dillon’s most seminal works.