Toovey’s End of Year Sale 2013, Tuesday 31st December

Robert Thornton Vinaigrette
A Victorian silver vinaigrette, Birmingham 1876 by Robert Thornton, already consigned for the End of Year Sale at Toovey's

Our annual End of Year Sale is always a highly popular event in the auction calendar. Toovey’s are one of only a handful of UK auction rooms to hold a sale between Christmas and the New Year and, indeed, the only one in the South this year! For that reason, there is always particularly enthusiastic support for the sale, from both the antique trade and private collectors. Traders are always keen to return to work and seek out new stock as soon as possible after the Christmas period. Many of our private clients, who are not always able to attend weekday auctions, are still on their festive break and the sale always attracts a new audience of curious browsers, eager to experience their first auction and escape the Christmas television!

There will be a good selection of art, furnishings, silver, jewellery, collectors’ items and rugs on offer and it will be a lively and full day of sales. As always, our café will be open throughout the view day and the sale day.

All are welcome for viewing of the sale at our Spring Gardens Auction rooms on Monday 30th December between 10am and 4pm. We open at 9am on Tuesday 31st December for a quick preview before the auction starts at 10am. The catalogue will be online for a digital preview by Friday 20th December. We are closed for the festive period from Friday 20th to Sunday 29th December and all email enquiries regarding the sale will be replied to after our return to work on Tuesday 30th December.

If you would like to enter items in the sale, we’ll need to view and value them by Friday 13th December at the very latest. The sale is always oversubscribed so bring them sooner, if you can, to be sure of inclusion. Our valuations reception is open between 10am and 4pm from Monday 9th to Friday 13th December.

We look forward to seeing you!

Eric Ravilious, Exhibition of Prints at Pallant House Gallery

Eric Ravilious, Newhaven Harbour, 1937, Lithograph, Private Collection.
Eric Ravilious, Newhaven Harbour, 1937, Lithograph, Private Collection.

An intimate exhibition of prints by the artist Eric Ravilious, who lived and worked in Sussex, is on show at Pallant House Gallery in Chichester until 8th December. The exhibition highlights prints and book illustrations from Ravilious’ oeuvre. His work is rooted in the landscape and life of pre-war and early wartime England, especially the South Downs where he grew up.

Eric Ravilious was born in 1903. As a very young boy he moved with his parents from Acton to Eastbourne in Sussex. There his father ran an antique shop. Ravilious was educated at Eastbourne Grammar School. In 1919 he won a scholarship to Eastbourne School of Art and in 1922 to the Royal College of Art (RCA) in London, where he met his lifelong friend and fellow artist Edward Bawden. Both men studied under the artist Paul Nash at the RCA. Nash was generous in encouraging and promoting their work and he helped Ravilious to acquire some of his first commissions for prints and book illustrations. Ravilious subsequently taught part-time at both art schools.

Eric Ravilious, Commander of a Submarine, Pallant House Gallery
Eric Ravilious, Commander of a Submarine looking through a Periscope from the Submarine Series, 1940-41, Lithograph, Pallant House Gallery, The Dennis Andrews and Christopher Whelan Gift (2008).
Eric Ravilious, Manor Gardens, 1927, Wood Engraving, Towner, Eastbourne
Eric Ravilious, Manor Gardens, 1927, Wood Engraving, Towner, Eastbourne
Eric Ravilious, Amusement Arcade, 1938, Lithograph, Private Collection
Eric Ravilious, Amusement Arcade, 1938, Lithograph, Private Collection

Alan Powers, in his excellent and beautifully illustrated new monograph Eric Ravilious, Artist and Designer, maintains that “Ravilious was a printmaker and illustrator first and a painter afterwards”. Ravilious was to excel in both mediums. Certainly, the exceptional textural quality he gives to the play of light upon surfaces is given life through his characteristic use of line and colour.

The print Newhaven Harbour perfectly illustrates Ravilious’ strong connection with Sussex. Here the westerly wind causes the clouds to move across the sky and the light dances on the gentle incoming tide, which brings an ocean liner safely to harbour. Texture, light and movement connect the artist’s work to the English Romantic tradition but with a particular and fresh voice. It is at once figurative and yet highly stylized. The life in this print is made possible by the process of autolithography, which was being promoted by the Curwen Press and others in the 1930s. This process allowed the artist to draw directly on to stone or printing plates, rather than relying upon an intermediary to transfer the image from a drawing. It is evident that Ravilious was trying to recapture his watercolour. The small brush strokes demanded by the viscous lithographic ink are combined with the effects of sponging in the treatment of the sky. There is a hopeful, joyous air to the scene depicted in this large poster-size print.

The mood of the pre-war Newhaven Harbour contrasts with the lithograph Commander of a Submarine looking through a Periscope from 1941. Here, the view from the periscope is abstracted into the shadows of the submarine, the flash of blue connecting this vignette to the commander’s eyes.

Wood engraving was Eric Ravilious’ first medium for print. It allowed for fine lines to be drawn against the black ground. The revival of wood engraving in the early 20th century provides a connection to 18th century artists like Thomas Berwick and William Blake, and to 19th century artists of the Arts and Crafts Movement, who worked in the same medium. By 1927, the date of the wood engraving Manor Gardens, Ravilious displays the line, flecking and crisp edging which define his woodblocks.

Illustrations by many artists are often viewed as being secondary to other aspects of their output. With Ravilious, however, his consistent and particular voice always shines through. Take, for example, the illustration Amusement Arcade from the book High Street, published by Country Life in 1938. Once again the luminosity of light is created by line and tone, creating an image of an arcade at night which is alive with movement and texture.

Entrance to this jewel-like exhibition is free and it is on show until 8th December 2013 at Pallant House Gallery, Chichester. Further details of this and the gallery’s other current exhibitions (which are really worth the ticket price) can be found at www.pallant.org.uk. The Pallant House Bookshop has copies of Eric Ravilious Artist & Designer at a special price to visitors of £30 – the perfect start to your Christmas shopping!

By Revd. Rupert Toovey. Originally published on 27th November 2013 in the West Sussex Gazette.

The Fine Art of Smoking ~ Cigarette Cards at Toovey’s

A.A. Milne first alluded to ‘Smoking as a Fine Art’ in his 1920 essay of that title. He was referring to the pleasure of smoking a pipe and his view came from the perspective of a generation unaware of the health risks of smoking. Indeed, if you believed the advertising of Philip Morris in 1943, you would think smoking was actively good for you, as they claimed ‘tests showed three out of every four cases of smokers’ cough cleared on changing to Philip Morris’. Twenty-three years later, America banned cigarette advertisements on the television.

24 (of 50) Allen & Ginter extra large-size 'The American Indian' cigarette cards, blog.tooveys.com
24 (of 50) Allen & Ginter extra large-size 'The American Indian' cigarette cards, circa 1888, sold for £1900 at Toovey's

In 1875, almost a century prior to the television advertising ban, an American tobacco company, Allen & Ginter, started issuing cards to advertise their brand and to stiffen the somewhat flimsy cigarette packaging. The British firms of Wills and Players started issuing similar cards in 1887 and 1893 respectively, quickly followed by Ogdens in 1894. These advertising cards soon changed to pictorial images, which could be collected in sets of 25, 50 or even 100, and with this change generations of cartophilists, aka cigarette card collectors, were born. These cards were the hidden gems inside packets and were perhaps the ‘fine art of smoking’.

Sets of cigarette cards were intended to educate and entertain with pictorial fronts and descriptive backs. Some were collected, others played with by children in the street. As a fairly ephemeral item, a surprisingly high number survive in very good condition. It is fair to say that the majority of cigarette cards are common and are not particularly collected, more so now in the days of the internet, when supply can outweigh demand very quickly. The majority of collectors have these common sets already and may upgrade to particularly fine examples but otherwise can afford to be fussy, which reflects in the value of more common material. With this in mind, it should be noted that the majority of sets of cigarette cards are not worth consigning to auction individually and are often sold in collections with other sets.

25 (of 50) Allen & Ginter 'The World's Champions' cigarette cards, blog.tooveys.com
25 (of 50) Allen & Ginter 'The World's Champions' cigarette cards, sold for £600 at Toovey's
Set of 50 Franklyn Davey & Co 'Birds' cigarette cards, blog.tooveys.com
Set of 50 Franklyn Davey & Co 'Birds' cigarette cards, circa 1896, sold for £550 at Toovey's

There is still a great number of collectors of cigarette cards deriving pleasure and interest from the hobby. The web has created a global market and, like all of Toovey’s auctions, their specialist sales of Paper Collectables are marketed online via www.tooveys.com in addition to currently being marketed via four other major collectors’ websites around the globe. They are even translated into Chinese on a website servicing the antique and collectors’ market across mainland China, an opportunity that would not have been possible twenty years ago. While the internet has clearly shown the commonness of certain sets, it has also highlighted the rarity of others and it is these scarce cards that still attract major attention from traders and collectors alike when they are offered at auction. Cigarette cards continue to sell well at Toovey’s, one of the few auctioneers still holding specialist sales of cigarette cards. The auctions are dates in the diary for everyone interested in the hobby. “Because Toovey’s hold regular auctions, it is easier to keep an eye on the market and adjust estimates accordingly to maintain our excellent sale rate and provide appropriate valuations for our vendors,” says valuer Nicholas Toovey.

25 Taddy 'Royalty Series' cigarette cards, blog.tooveys.com
A set of 25 Taddy 'Royalty Series' cigarette cards, circa 1903, sold for £200 at Toovey's

Toovey’s sale of Paper Collectables on 5th November 2013 included a number of particularly rare cards, causing fireworks between the frenetic bidders, both in the room and online! Specialist dealers and collectors from around the country competed for some of the seldom-seen cards offered at the auction. The cigarette card section boasted an impressive 100% sold rate of all 107 lots in the cigarette card section.  The top hammer price of £1900 was achieved for 24 extra-large size Allen & Ginter cigarette cards from the set of 50 ‘The American Indian’, issued circa 1888. While albums of rare-type cards also achieved four figures, the next highest price for a small group was £600 for more Allen & Ginter cigarette cards, this time 25 from the set of 50 ‘The World’s Champions’, issued circa 1888. Some serious scuffing to the backs of a set of 50 Franklyn Davey & Co ‘Birds’, issued circa 1896, did not deter bidders for this extremely rare set and, although it would have been worth considerably more in better condition, it achieved £550. It was not just the early American cards that were hotly competed for; many cards issued by British manufacturers also attracted attention, such as a set of 25 Taddy ‘Royalty Series’ which sold for £200, factoring in the good condition of the set from one of the most collected British cigarette card manufacturers.

Toovey’s hold three specialist sales of Paper Collectables a year, all of which include a good selection of cigarette cards.

Remember, Remember the Fifth of November…

Concilium Septem Nobilium Anglorum Coniurantium in Necem Jacobi I, blog.tooveys.com
Concilium Septem Nobilium Anglorum Coniurantium in Necem Jacobi I (The Gunpowder Plotters conspiring), monochrome engraving by Crispijn van de Passe the Elder, circa 1605, auctioned at Toovey’s for £700.

Bonfire Night is an event that many of us look forward to with a sense of excitement and anticipation. The beauty of sparkling light, the whizzes, pops and bangs, the mist of drifting smoke and the smell of gunpowder on a cold, still November night are, for me, truly evocative. As a nation, fireworks also form part of our celebrations of major occasions: the New Year, Royal Jubilees and the Olympics, to name but a few. Amidst our excitement, though, it is easy to forget that fireworks on Bonfire Night commemorate a particularly bloody and turbulent time in our island’s history.

The Gunpowder Plot of 1605 is widely regarded as an attempt by provincial, English Roman Catholics to blow up the House of Lords during the State Opening of Parliament, in order to assassinate James I of England (VI of Scotland) and install his nine-year-old daughter, Princess Elizabeth, on the throne as a Roman Catholic head of state. The plot, led by Robert Catesby, was revealed by means of an anonymous letter. Famously, Guy Fawkes was discovered with thirty-six barrels of gunpowder during a search of the House of Lords at midnight on 4th November 1605. He and his seven surviving accomplices were tortured, tried for and convicted of high treason and sentenced to death by hanging, drawing and quartering.

The print shown here was published around 1605 by a leading Dutch printmaker, Crispijn van de Passe the Elder, and shows eight of the thirteen conspirators, including Guy Fawkes. A copy of this print is in the National Portrait Gallery, London. It is an extraordinary depiction of some of those involved, giving life to this particular moment in history.

Traitors,-Garnet-a-Jesuite-and-his-Confederats, blog.tooveys.com
A True and Perfect Relation of the Whole Proceedings against the late most barbarous Traitors, Garnet a Jesuite and his Confederats, first edition, published by Robert Barker, London 1606, auctioned at Toovey’s for £350.

The book illustrated is a first edition of A True and Perfect Relation of the Whole Proceedings against the late most barbarous Traitors, Garnet a Jesuite and his Confederats, which tells the story of the Gunpowder Plot. Published in 1606, it is the earliest account of these events and centres on the story of the Roman Catholic priest Henry Garnet, who was hung, drawn and quartered in connection with the Gunpowder Plot. Many historians believe that having heard of the plot during confession, Garnet felt bound to tell no one. Instead, they claim, he wrote secretly to Rome, urging the Vatican to dissuade Catholics from such action but, sadly, there was no response to his plea. When fear overtakes understanding and tolerance, it is often innocent and good people who bear the consequences. Toovey’s were fortunate enough to auction this volume some years ago. Many of you will remember Brocks Fireworks and, rather wonderfully, the book had once been the property of the late Frank Arthur Brock, director of the firm in the early 1900s.

It is the cause for much celebration, especially for me as an Anglican priest, that these prejudices and misunderstandings are broadly behind us and that Christian people of all denominations now journey together, holding their differences, and one another, in a spirit of love, rather than fear.

Eileen Soper November 5th blog.tooveys.com
November the Fifth, monochrome etching by Eileen A. Soper, auctioned at Toovey’s for £320.

The delightful Eileen Soper monochrome etching shown probably best captures our contemporary experience of Bonfire Night. Eileen Soper illustrated wildlife and children’s books for many authors, including Enid Blyton. Her etchings often depict children and in this example, titled November the Fifth, their faces, lit by the sparklers against the night sky, display wonder and excitement.

It is vital that, as a nation, we guard against replacing past animosities with new mistrust and prejudice between faiths and peoples. If we do not, it will be the innocent who bear the consequences. Perhaps Bonfire Night can be a time to acknowledge the contemporary diversity in our ancient nation in a spirit of fondness and celebration.

By Revd. Rupert Toovey. Originally published on 6th November 2013 in the West Sussex Gazette.

The Percy Cox Archive at Toovey’s Auctioneers

Percy Cox
Percy Cox seated at his desk, compiler of the fascinating archive

Advance notice of a fascinating archive to be sold at Toovey’s Fine Art and Antique Auctioneers.

Winston Churchill's presentation copies to Percy Cox
Lot 3271. Winston Churchill's presentation copies to Percy Cox

Toovey’s Specialist Sale of Paper Collectables includes The Percy Cox Archive. This interesting archive of material relating to the Churchill family will be sold at Toovey’s Spring Gardens auction rooms in West Sussex. The archive will be offered in two lots as follows:

Lot 3271. CHURCHILL, Winston Leonard Spencer. A History of the English-Speaking Peoples. London: Cassell and Company Ltd., 1956-1958. First edition, 4 vols., 8vo (242 x 152mm.) Occasional maps. (Some spotting.) Original cloth (extremities lightly bumped). Provenance: Percy Walter Cox (presentation inscriptions signed by the author to front-free endpaper of vols. I & II, signature to half-title of vol. III and presentation inscription to preliminary blank of vol. IV); and thence by descent. Note: part of The Percy Cox Archive.

Lot 3272. THE CHURCHILL FAMILY. – Sir Winston Leonard Spencer CHURCHILL (1874-1965), Clementine Ogilvy Spencer CHURCHILL, Baroness SPENCER-CHURCHILL (1885-1977), Mary SOAMES, Baroness SOAMES, and others. A small archive of photographs, telegrams, autograph letters, signed letters, notes and cards, most relating to the Churchill family’s relationship with Percy Cox, O.B.E., circa 1945-1974. Provenance: Percy Walter Cox and thence by descent. Note: Percy Cox (1888-1975), was the Estates Manager at the Churchills’ home, Chartwell, in Kent in the late 1940s and the 1950s. This interesting archive throws some light on Mr Cox’s work for Sir Winston Churchill and the personal esteem in which he and his wife were held by Winston, his wife, Clementine, and their youngest daughter, Mary. Further details on the contents of this archive are available on request.