Community and the Arts Celebrate the Queen’s Birthday

Andrew Bernardi plays the 1696 Stradivarius in the company of conductor, David Bevan, and choir © Graham Franks
Andrew Bernardi plays the 1696 Stradivarius in the company of conductor, David Bevan, and choir © Graham Franks

The 2016 Steyning Festival provided the perfect prelude to the remarkable celebrations of Her Majesty the Queen’s official 90th birthday last weekend.

The festival was the largest ever held in Steyning. It represented three years of hard work by a dedicated team of volunteers under the chairmanship of Christine Aubrey. This biannual event gathered leading authors, musicians and artists.

Steyning Festival Chairman, Christine Aubrey with supporters from the Festival and Steyning Parish Church © Graham Franks
Steyning Festival Chairman, Christine Aubrey with supporters from the Festival and Steyning Parish Church © Graham Franks

I asked Christine Aubrey what has been at the heart of her vision for the Steyning Festival. She replied “Bringing the community together – to provide something for everyone.” At moments of great celebration it is often the Arts which bring communities together.

Sara Bowers and the Steyning Bookshop once again ensured a remarkable literary line up.

The festival included Theatre Trails, walks on the Downs and the Art Trail. Star attractions included Craig Charles, Steve Knightley, Vince Cable, The Comedy Store Players, Frank Gardner, Alison Weir, Cressida Cowell and Steyning’s very own Julia Donaldson of Gruffalo fame!

My own contribution was to bring the Steyning and Shipley Arts Festivals together with Steyning Parish Church to put on a performance of one of the finest classical works ever written, Bach’s Mass in B Minor. The Bernardi Music Group and The Choir of Our Most Holy Redeemer St Thomas More were conducted by David Bevan. This work is one of the greatest pieces of music in the Baroque canon. It was an exceptional performance which was both reflective and alive with great vigour and energy. It blessed the sell-out audience. It really was a fitting celebration of the Christian feast of Corpus Christi which marks the Institution of Holy Communion.

The Rt Revd. Mark Sowerby, Bishop of Horsham and the Revd. Rupert Toovey celebrating Her Majesty the Queen’s 90th birthday with Steyning’s community
The Rt Revd. Mark Sowerby, Bishop of Horsham and the Revd. Rupert Toovey celebrating Her Majesty the Queen’s 90th birthday with Steyning’s community

Steyning Parish Church is at the heart of its community and this was reflected in the generosity of those attending concerts and events throughout the festival with some £2000 donated towards the tower restoration fund through retiring collections. Estimates for the urgent restoration are upwards of £150,000 and all contributions are most welcome.

Her Majesty Queen Elizabeth II’s 90th Birthday was celebrated with a service of thanksgiving at Steyning Parish Church, led by the Revd. Fr. Neil Roberts. The Rt Revd. Mark Sowerby, the Bishop of Horsham, reflected on the role of the arts in bringing our community together and the richness with which they bless our lives. He spoke movingly of the Queen’s contribution to our nation’s life and identity.

After the service Steyning’s community gathered outside the church and the Festival Big Top, on St Cuthman’s field, to celebrate the Queen’s 90th birthday with music and picnics.

I was interested to know what the highlight of the 2016 Steyning Festival was for Christine Aubrey. She smiled and exclaimed “The pleasure of watching everybody enjoying themselves!” This generosity of spirit has been evident throughout this wonderful event and Christine Aubrey and her team of volunteers are deserving of our thanks and congratulations!

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.

Her Majesty The Queen at 90

A Dorothy Wilding photographic portrait of Queen Elizabeth II and a Royal Worcester brown cast bronze Silver Jubilee figure of Her Majesty
A Dorothy Wilding photographic portrait of Queen Elizabeth II and a Royal Worcester brown cast bronze Silver Jubilee figure of Her Majesty

This weekend the nation will come together to mark Her Majesty Queen Elizabeth II’s official 90th birthday.

A Victorian giltwood open armchair of Neoclassical Louis XVI design, covered in Royal Windsor tapestry
A Victorian giltwood open armchair of Neoclassical Louis XVI design, covered in Royal Windsor tapestry

Up and down the land people will be engaged in street parties and watch events unfold on their televisions. The weekend celebrations begin on Friday 10th June with a service of thanksgiving at St Paul’s Cathedral. A fitting start as the Queen’s Christian faith has been one of the cornerstones of her life and reign and is central to her sense of calling to the position of monarch. It has given life to the qualities of service, respect and duty with which she has blessed us all. Our monarchs have often inspired our nation’s tastes through their patronage as well as their reigns. The first official photographs of HM Elizabeth II were taken on the 26th February 1952, just twenty days after her accession, by the English society photographer, Dorothy Wilding. Wilding’s photographs are striking in their simplicity. She often employed a plain white background, as in her portrait of the young monarch shown here. The backdrop ensures that our attention is entirely focused on the sitter. There is a timeless quality to the patinated, cast bronze figure of HM Queen Elizabeth II. It was modelled by Ronald van Ruyckevelt for Royal Worcester to commemorate the Queen’s Silver Jubilee in 1977.

An Edwardian satinwood display cabinet-on-stand, probably housed originally at Sandringham
An Edwardian satinwood display cabinet-on-stand, probably housed originally at Sandringham

The Edwardian satinwood display cabinet-on-stand is an example of Royal patronage. It was manufactured by Queen Alexandra’s Carving School and was probably originally housed at Sandringham. It is marked with a manufacturer’s stamp and inscribed ‘From Sandringham’ to the inside of one of the doors. An accompanying letter from the Estate Office at Sandringham, confirms that the impressed mark on the drawer indicates that it was ‘constructed by pupils at Queen Alexandra’s Carving School’. The Victorian giltwood open armchair of Neoclassical Louis XVI design is covered in Royal Windsor tapestry. It was given as a wedding present to Prince Leopold, Duke of Albany, Queen Victoria’s youngest son, and his bride, Princess Helen of Waldeck and Pyrmont. They were married at Windsor on 27th April 1882 and lived at Claremont near Esher, where the Duchess of Albany died in 1922. These wonderful objects form part of an eclectic single-owner collection to be auctioned at Toovey’s Washington salerooms on Tuesday 14th June 2016. They reflect the notable passion for British Royalty of a very private gentleman collector. The array of royal related pieces date from Tudor times to the present day. Information on the sale is available at www.tooveys.com. Our fascination with these objects reflects a love and gratitude for our Royal family and especially HM Queen Elizabeth II. In a recent interview with the BBC royal correspondent, Nicholas Witchell, Prince William spoke for many of us when he said: “The Queen’s duty and her service, her tolerance, her commitment to others – I think that’s all been incredibly important to me and it’s been a real guiding example of just what a good monarch could be.” We wish Her Majesty a very happy birthday, giving thanks for her continuing Christian life and example to us all. May God continue to bless her and her family.

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.

Geoffrey Godden’s Reference Collection to go under the gavel

An example of Geoffrey Godden's reference collection

Lots 1401 to 1421 in our June auction of British and Continental Ceramics and Glass were consigned by the celebrated Sussex ceramics historian, the late Geoffrey Godden (1929-2016). Geoffrey was a keen supporter of Toovey’s and a friend to many of us here over the years.

For more than fifty years he made an outstanding contribution to our understanding of the specialist field of British pottery and porcelain. Among his many publications is the Encyclopaedia of British Pottery and Porcelain Marks, which was first published in 1964 and remains in print today.

Geoffrey Godden remained inquisitive to the end of his days. When I interviewed him for an article in January this year, I asked him what advice he would offer to ceramic collectors and historians. He replied with his usual enthusiasm: “You have to handle and view pieces closely – possession is almost vital to understanding.”

The opportunity to handle and own pieces from Geoffrey Godden’s reference collection comes at Toovey’s specialist auction of British and European Ceramics at 1.00 pm on Thursday 16th June 2016. For more information and to preview these lots, go to www.tooveys.com or telephone 01903 891955.

The Studio Collection of Claude Muncaster

Claude Muncaster painting at Littlehampton
Claude Muncaster painting at Littlehampton

Toovey’s are delighted to include the Studio Collection of Claude Grahame Muncaster, RWS, ROI, RBA, SMA (1903-1974) in their June auction of Fine Art on Wednesday 15th June 2016. The collection consigned for sale by a descendant of the artist.

Lot 33 Claude Muncaster 'Downs from Bury Gate Marshes', oil on canvas
Lot 33 Claude Muncaster 'Downs from Bury Gate Marshes', oil on canvas

Claude Muncaster was born in West Chiltington, West Sussex, the son of artist Oliver Hall RA. Born Grahame Hall, he changed his name for exhibitions and later by deed-poll to stop any comparisons or confusion with his father’s work.

Lot 37 Claude Muncaster 'View from the Fifth Tee, Cowdray', watercolour
Lot 37 Claude Muncaster 'View from the Fifth Tee, Cowdray', watercolour

He is equally well known for his marine subjects as his depictions of the British landscape and enjoyed great success in his own lifetime. He immortalised the Sussex landscape in his watercolours and oils. His work is represented in many public collections, including the Royal Academy of Arts, Tate, National Maritime Museum Cornwall, National Railway Museum and Royal Air Force Museum.

Lot 13 Claude Muncaster 'Majorcan Shipbuilding Yard (Palma)', watercolour
Lot 13 Claude Muncaster 'Majorcan Shipbuilding Yard (Palma)', watercolour

Claude Muncaster published a number of books, including ‘Rolling Round the Horn’ in 1933, a narrative of a voyage on a sailing ship from Australia to the British Isles, and ‘Landscape and Marine Painting’ in 1958 on painting techniques.

Lot 2 Claude Muncaster 'The Frozen Thames in December', watercolour
Lot 2 Claude Muncaster 'The Frozen Thames in December', watercolour

‘The Wind in the Oak’ was written by his son, Martin Muncaster, which covered the life, work and philosophy of his father. In his foreword for the book, H.R.H. Prince Philip, Duke of Edinburgh, wrote: ‘… I look at Claude Muncaster’s landscape watercolours at Sandringham and Balmoral and the one big landscape in oils and I wonder in hopeless mystification just how he managed to do it. It is not that he just had a talent for applying paint, he had an unerring instinct for a subject and with some sort of secret antenna he was able to sense the atmosphere and then incorporate it into the picture in a way which was uniquely his. Technique and observation obviously played their parts, but there is more to it than that. Attitude, experience, application; certainly, but in the end there is no other word for it than sheer talent.’

Hidden Antiquarian’s Collection Revealed

A group of antiquarian objects including: an Elizabeth I indenture on vellum, hung with the second Great Wax Seal, used between 1586-1603 and a 17th Century silkwork and rosewood banded table cabinet
A group of antiquarian objects including: an Elizabeth I indenture on vellum, hung with the second Great Wax Seal, used between 1586-1603 and a 17th Century silkwork and rosewood banded table cabinet

An important single-owner collection will be sold at auction by Toovey’s, at their Washington salerooms, on Tuesday 14th June 2016. This exceptional private collection reflects the diverse interests of a very private gentleman collector. The collection has never been seen by the public.

The connoisseur’s eye of this gifted antiquarian is apparent in the quality and breadth of an eclectic group of fine collectors’ items, needleworks, ceramics, furniture and silver dating from the 16th century to the present day.

All good collections, however varied, must reflect the personality of their collector. The objects in this collection clearly represents a lifetime of delighting in the aesthetic value, and narratives bound up with the history that objects represent.

Take, for example, the Elizabeth I indenture on vellum, hung with the second Great Wax Seal, designed by Nicholas Hilliard, which was used between 1586 and 1603. Nicholas Hilliard was a goldsmith and limner. He painted remarkable portrait miniatures, with a very English voice, of members of the courts of Elizabeth I and James I. His paintings provide a remarkable window into the Tudor world.

The seal dates from the time of the Babington Plot of 1586 which sought to assassinate Elizabeth I and replace her with the imprisoned, Catholic, Mary, Queen of Scots. Mary wrote from captivity in support of the plot but her letter was intercepted. Elizabeth is said to have initially resisted calls for, her cousin, Mary’s death. But these events would result not only in Mary’s execution but also the death of her suitor, the Duke of Norfolk.

This historical narrative is united with the exquisite 16th Century ebonized and verre églomisé table chest which is reputed to have belonged to Mary, Queen of Scots. The drawer fronts and sides are inset with glass panels and ebonized astragals, backed with coloured papers decorated with birds, leaves and flowers, mirrored hearts and stars.

The needleworks and textiles are amongst the earliest and finest pieces in the collection.

A 16th Century ebonized and verre églomisé table chest reputed to have belonged to Mary, Queen of Scots
A 16th Century ebonized and verre églomisé table chest reputed to have belonged to Mary, Queen of Scots

The 17th Century and later silkwork and rosewood banded table cabinet’s hinged lid and sides are finely worked in coloured silks on an ivory silk ground. The figures and landscapes are joyful. So, too, are the small, fine needlework panel and purse. One is decorated with figures delighting in a garden and the other with birds, flowers and lemons.

A pair of late wing back armchairs in the 17th century taste, upholstered in overall verdure tapestry panels
A pair of late wing back armchairs in the 17th century taste, upholstered in overall verdure tapestry panels

This gifted collector’s love and eye for textiles is echoed in the pair of wing back armchairs in late 17th Century taste. The verdure tapestry panel upholstery is complimented by the gilded bases.

A fine 17th Century stumpwork rectangular panel depicting a group of five ladies, representing the senses
A fine 17th Century stumpwork rectangular panel depicting a group of five ladies, representing the senses

The 17th Century stumpwork rectangular panel, depicting an allegorical group of five ladies representing the senses, is set against the backdrop of a delightful hillocky landscape with citadel. It is a particularly fine example of needlework of the period.

Accompanying passionate collectors in their pursuit of acquiring new acquisitions and sharing their collections with them remains one of the great privileges of my life as an auctioneer.

This exceptional private collection reflects the diverse interests of a very private gentleman, a collector whose friendship I have valued for more than thirty-three years. Estimates range from a hundred or two into the thousands of pounds. The sale provides a remarkable opportunity to view and acquire objects rarely seen at auction today. I hope to see you at the sale!

For more information on the sale visit www.tooveys.com or telephone 01903 891955.