Toovey’s Blog – Page 93 – Latest news, photos and updates from Toovey's Antique and Fine Art Auctions in Sussex

Celebrating our Quintessential Affair with the Garden

Sweet peas in the cut flower beds at Parham

This week I am visiting Parham House in West Sussex as preparations for their 22nd annual Garden Weekend are in full swing. For me this quintessential celebration of our passion for gardening is one of the highlights of the Sussex summer calendar. This year’s event will be opened by the celebrity gardener and broadcaster, Rachel de Thame.

Head Gardener, Tom Brown, at Parham House

As I arrive at Parham the scene is one of great activity. An enormous cherry picker fills the courtyard, they have been tending the ancient roses on the walls of the house. Lady Emma Barnard greets me with a wave from the far side of the fountain as Head Gardener, Tom Brown, welcomes me. Tom and I walk through an ancient wooden archway and door, its russet paint complimenting the silver grey of the stone buildings. On the other side the stillness which gathers you at Parham is immediately apparent.

As we walk towards the walled garden Tom begins to talk about the gardens and his role as Parham’s Head Gardener. His face is alive with enthusiasm as he says “The garden is bigger than all of us. It’s humbling to look at how this garden behaves and its needs.” I remark on how I have always loved the naturalistic planting at Parham. Its swathes of colour and textures interact with the movement of light and a gentle breeze in the walled gardens. Tom responds “The palette of the plants is very important to the ‘Parham way’, as are the big opulent artistic borders. But this is underpinned by a rigour in the way we approach our work in the garden.” It quickly becomes apparent that I am in the company of an accomplished and sensitive horticulturist who has the rare gift of observing well. He describes how he is attentive to the way that plants respond to the garden and also people’s reactions to it. There is a quality of the relational, a deep sense of stewardship, in Tom’s approach. It is also clear that he has an awareness of his place in the ongoing story of this ancient house and garden and an understanding of the responsibilities of his position.

The Greenhouse at Parham being tended by Peta and Henry

Our conversation turns to Tom’s team and the creativity it embodies. He talks with obvious respect and pride as he describes how Peta, Henry, Max, Jake and Sam bring different gifts and experience. He remarks “There is a sense of ownership for all of us with belonging to a team.” This is a team defined by respectful dialogue. There is respect both for the members of the team and the garden.

As we talk a visitor approaches us. She expresses her pleasure in the garden and Tom is clearly delighted. He stands and listens carefully to her question about planting in the shade of her garden. He responds generously and with expert advice.

Tom is clearly grateful for the time he spent at Wisley but his pleasure in the ‘canvas’ of these gardens, that Lady Emma’s patronage has given him to work on, is unmistakeable. Tom brings his generosity of spirit and depth of expertise to his role as he facilitates and leads the ongoing vision for these gardens. He loves the domestic qualities of his position too. He always ensures that there is a basket of fresh vegetables for Emma and her family when they return home and wonderful cut flowers for the house. That the gardens bless the family is very important to him. His generous care for the gardens, his team, the visitors, Lady Emma and her family is underpinned by the relational in all that he does. Tom is richly deserving of our thanks.

Parham House and Garden’s ‘Garden Weekend’ is on this coming Saturday and Sunday, 11th and 12th July 2015, 10.30am to 5.00pm. For more information go to www.parhaminsussex.co.uk or telephone 01903 742021. Tickets include the wonderful gardens and entry to the house and its superb collections. There will be a number of specialist nurseries and the opportunity to be inspired and take home some wonderful stock for your gardens. Don’t miss out on the marvellous cut summer flower arrangements in the house and the flower festival in St Peter’s church. I hope to see you there!

By Revd. Rupert Toovey. Originally published on 8th July 2015 in the West Sussex Gazette.

In the Café this July…

Mozzarella and Nutbourne tomato salad — Mozzarella, basil and Nutbourne tomato salad

We can’t believe it’s been over a year since we last featured the café on our blog, it seems like only yesterday we were drooling over lemon tart brulées and ginger parkin cake. The café is only open on viewing and auction days and, other than on the Saturday morning view, serves breakfasts and lunches throughout the day.

04a HomemadeTomatoSoup — Homemade Tomato Soup

Will Murgatroyd continues to develop the menu depending on the season, if you click the menu at the bottom of the page it will appear much larger enabling you to view everything available this month. This month on the special’s board at £5 is a delicious tomato, mozzarella and basil salad using delectable locally-sourced Nutbourne tomatoes.

The Nutbourne Nursery is considered one of the best, if not the best, grower of tomatoes in the UK. Insecticide free and never refrigerated these seasonal tomatoes are full of flavour and when they arrive with Will each morning they have that distinctive aroma. With such a great ingredient the soup of the day will also be a homemade Nutbourne tomato soup served with a roll for £5. Also on the Special’s blackboard this month is a mozzarella and tomato toasted sandwich.

Utilizing these local tomatoes is the classic combination of bacon, lettuce and tomatoes, giving a local twist to the classic B.L.T. sandwich.

These join a number of familiar favourites and new additions to the main menu. The staff favourite of coronation chicken with a drizzle of mango chutney and topped with a sprinkling of almonds returns as a sandwich and jacket potato filling. Brie and grape sandwiches are a popular vegetarian option, available as a toasted sandwich too, making the mature brie melt a little.

Homemade quiche at Toovey's — Homemade quiche with salad and coleslaw at Toovey's

The quiche changes every month, this July Will has a homemade goats cheese and watercress quiche served with a salad and homemade coleslaw replacing the asparagus and feta quiche served in June.

Those with a sweet tooth are well looked after as always. Ma’s famous rock cakes, Eccles cakes and Valerie’s lemon drizzle cake remain as popular as ever. Homemade and slightly oversized Jammy Dodgers have proven popular since their introduction a few months ago.

Apple and summer berry crumble cake has just returned after a seasonal break, as has the traditional Victoria sponge. Those needing a chocolate treat will not be disappointed with the rich chocolate and brazil nut gluten-free brownies with an almost torte-like centre.

Click on an image below to enlarge.

Chocolate and Brazil nut gluten-free brownie

Jammy Dodgers, Chocolate Chip Shortbread and Eccles Cakes at Toovey's — Jammy Dodgers, Chocolate Chip Shortbread and Eccles Cakes

If that has tantalised your taste-buds we will look forward to welcoming you this forthcoming sale week. Viewing starts on Saturday 11th July 2015 between 9.30am and 12 noon and continues on Monday 13th July 2015 between 10am and 4pm. Our auctions commence on Tuesday 14th July with our Specialist Sale of Toys, Dolls and Games and continue throughout the week.

Visit www.tooveys.com for more information on our auctions.

I do like to be beside the Seaside…

Arthur H. Buckland - 'Brighton from Hove', oil on board

I really do like to be beside the seaside! The shingle beaches of the Sussex coast have delighted me since I was a small child. If ever life seems a bit hectic I only have to head to the seaside. Within a short while the whoosh and clatter of the waves breaking upon the pebbles and the salty wind stills me.

The famous seaside music hall song ‘I do like to be beside the seaside’ was written in 1907 by John A. Glover-Kind and made famous by the singer Mark Sheridan. In those same years, before the First World War, artistic activity in Britain was largely London based, though this did not prevent artists from venturing outside the city to paint.

The New English Art Club was started in 1886 to provide an exhibiting body for painters sympathetic to the artistic innovations emerging from France. By 1888 the Club had become factional. Amongst their subjects they painted the English seaside with a broken touch and increasingly brilliant colours influenced by French Impressionism. Alongside the art schools and galleries there were a number of circles which promoted work of a ‘modern’ nature. Amongst these were the Fitzroy Group and the related, but more famous, Camden Town Group. These two societies would eventually become known as the London Group. In the winter of 1913 and early 1914 they held an exhibition which was titled ‘English Post-Impressionists, Cubists and Others’.

Many followed in the footsteps of Post Impressionists like Lucien Pissarro, Anthony Devas, and Edward Le Bas in celebrating the coast of Sussex and her Downs. Their depictions of the Sussex landscape are not wholly representational, rather they allow us to see beyond our immediate perception of the world around us. As we glimpse the hidden rhythms and beauty in creation we come to understand something of our place in it.

Others, too, found a communion with the Sussex Landscape. Take for example the delightful oil shown above by the painter and illustrator, Arthur Herbert Buckland (1870–1927). In this summer scene people promenade and sit on the beach at Hove beneath their parasols. Brighton and her piers shimmer distantly in the heat and light. The handling of paint heightens the viewer’s sense of light and movement leaving room for the scene to come alive in our imaginations.

Henry Bishop - View of a Promenade and Beach at Deal in Kent, oil on canvas

The oil on canvas by the artist Henry Bishop (1868-1939) is thought to depict the promenade and beach at Deal in Kent. Here once again the artist depicts that particular summer light which presents a paler palette to the eye. This is an early morning scene. A few cars are parked and figures walk past a row of bathing huts upon the beach. The air is still cool with the promise of a warm summer’s day ahead.

Joseph Henderson - 'Ayrshire Coast', oil on canvas

In the late 19th and early 20th centuries artists across the country painted Britain’s wonderful coastline and not just in the South-East. The Scottish artist Joseph Henderson (1832–1908) painted portraits, marine pictures, genre and coastal scenes. The cool light of his oil on canvas ‘Ayshire Coast’ is reflected in the blue of the sea. The two figures on the beach, together with the sail on the horizon once again draws us into the landscape and narrative of the scene.

In these paintings we see the continuing renaissance of the British Romantic Tradition, often articulated with a fresh voice. Prices at auction for oils by these artists range from middle hundreds to tens of thousands of pounds.

As I sit writing this the weather forecasters are predicting a heat wave this week! Perhaps these paintings will inspire you to revisit the Sussex coast. I hope that the whoosh and clatter of the waves breaking upon the pebbles and the salty breeze will bless you as they do me.

By Revd. Rupert Toovey. Originally published on 1st July 2015 in the West Sussex Gazette.

Pallant House Gallery Exhibition unites St Ives & Sussex

Terry Frost, Blue, Black, White, 1960 - 61, oil on canvas, Pallant House Gallery, The George and Ann Dannatt Gift (2011) © Estate of Terry Frost. All Rights Reserved, DACS 2015

Pallant House Gallery’s latest exhibition ‘St Ives and British Modernism – The George and Ann Dannatt Collection’ celebrates these two remarkable individuals through their art collection.

The collection reflects George and Ann’s particular tastes in which they were almost always united. But the art also speaks of their friendships with the artists themselves. They stood against the sort of country house taste and way of life expressed at Charleston House for example. Their home, East End, in Cornwall, provided what has been described as an English ‘abstract aesthetic’. There was always new art to delight the visitor but it was hung and displayed so as not to be crowded. There was a quality of careful composition in the interiors, as though in a painting.

St Ives and British Modernist pictures telling the story of the Dannatt’s home, East End, in a Georgian interior. — St Ives and British Modernist pictures telling the story of the Dannatt’s home, East End, in a Georgian interior

The care with which this current exhibition has been hung in the 18th century part of the galleries provides an intimate context. It allows us to understand how the composition and domestic quality of the interiors at East End informed the viewer’s engagement with the art.

Ben Nicholson and Barbara Hepworth, together with a number of others, drew many significant artists to Cornwall before the Second World War. St Ives would become a refuge for modernism in England and a beacon for a new generation of younger artists.

John Wells, Project, 1942, gouache ink and pencil on card, Pallant House Gallery, The George and Ann Dannatt Gift (2011) © Jonathan Clark Fine Art, Representatives of the Artist's Estate

Throughout the 1950s and 1960s Barbara Hepworth dominated sculpture in St Ives. Between 1949 and 1959 Denis Mitchell assisted Hepworth. By about 1960 Mitchell’s sculptures combined Cubist geometry with converging contours, angles and mass, redolent of the landscape. His polished bronze sculptures are often vertical in form but ‘Selena’, shown in the foreground here, represents a body of work in the horizontal. It was bought by the Dannatts from the Marjorie Parr Gallery in 1969. These optimistic works responded to the predominate taste of the time for hard edged balanced forms. Taste shared by the Danatts.

In the foreground is Denis Mitchell’s polished bronze ‘Selena’, from 1969, set in the 18th century Pallant House Gallery, from the George and Ann Dannatt Gift (2011)

The Dannatts had met Denis Mitchell in 1963 through Terry Frost and their patronage was enormously important to the sculptor as he established himself. Terry Frost’s ‘Blue, Black, White’ from 1960-61 is evocative of St Ives. When you visit this seaside town the light which inspired artists of the 19th and 20th centuries cannot fail to speak to your heart. The light dances off the sea whilst lines of shadows, cast by scudding clouds, move swiftly and dramatically across the landscape. This wonderful oil painting on canvas captures the essence of this elemental experience. For me it is one of the highlights of the show.

From 1960 Denis Mitchell shared a studio in Newlyn with his friend, the artist, John Wells. Both where great encouragers to George Dannatt as he began to work as an artist himself. John Wells lived in Ditchling in Sussex until 1921. He studied medicine at University College Hospital, London between 1925 and 1930, attending St Martin’s School of Art in the evenings of 1928 and 1929. Like George Dannatt he pursued his artist career later in life. John Wells arrived in St Ives in 1940 from the Scilly Isles where he had been a GP. His work ‘Project of 1942’, shows an openness and sensitivity to the sensations of the landscape. Natural forms would continue to awaken textures and shapes in Wells and remain central to his work.

This fresh and exciting exhibition explores the George and Ann Dannatt Gift, one of the most significant donations Pallant House Gallery has received. It includes a body of largely unseen and newly conserved paintings, drawings, sculptures and prints by key figures associated with the St Ives Group of Artists in the 1950s, 1960s and 1970s. These include works by Terry Frost, Roger Hilton, Peter Lanyon, Ben Nicholson, Wilhelmina Barns-Graham, Denis Mitchell, John Wells and John Tunnard.

‘St Ives and British Modernism – The George and Ann Dannatt Collection’ runs until 20th September 2015 at Pallant House Gallery, 9 North Pallant, Chichester, PO19 1TJ. For more information go to www.pallant.org.uk or telephone 01243 774557.

By Revd. Rupert Toovey. Originally published on 24th June 2015 in the West Sussex Gazette.

200th Anniversary of the Battle of Waterloo Remembered

After W. Heath - 'The Battle of Waterloo June 18th 1815', colour aquatint

This week sees the 200th Anniversary of the Battle of Waterloo, a moment in British history bound up with our national psyche.

The defeat of Napolean Bonaparte and the French at Waterloo, on the evening of Sunday 18th June 1815, brought to a close decades of conflict which began with the French Revolution in 1789 and continued with the Napoleonic Wars.

Napolean had been exiled to the island of Elba after his defeat by the Allies in 1814. He escaped from Elba in February 1815 and returned to Paris.

The Duke of Wellington was in command of the Allied forces in the Netherlands. In response to Napolean’s return he assembled the British forces from garrisons there and urgent reinforcements were sent from England. Although many British soldiers were away in America his forces totalled some 40,000 men. The remaining 100,000 were hired from the smaller powers as was customary. Each of the Allies mustered a quota similar in number. As the Russians and Austrians moved slowly towards the French borders the Prussians, under the command of Gebhard von Blucher, came up in May.

Napolean left Paris on the 12th June 1815 intending to drive a wedge between the British and the Prussians in order to divide and defeat them and regain Belgium.

On the 15th June Napolean attacked the Prussians on the Sambre driving them back to the North-East. The Belgians were also forced back towards Brussels as far as a farm house known as the Quatre Bras. Wellington ordered his forces to meet at Quatre Bras. He too was attacked but determinedly held his positon before drawing back and establishing himself at Waterloo.

On the 18th June column after column of Napolean’s forces fell upon the British only to be repelled by Wellington’s defensive technique and the discipline and courage of his troops. Evening brought the sound of the Prussian guns. Blucher had evaded the French forces deployed to keep him from the field of battle.

Now certain of his ally’s aid Wellington advanced his whole line of infantry under the support of artillery and cavalry. The French were driven from the battle field in confusion. Napolean’s power was broken. He fled to Paris and surrendered to British forces before being imprisoned on St Helena.

A Waterloo Medal with impressed naming to 'Quar. Mast. Ben. Sweeten, 1st Batt. 52nd Reg. Foot.'

Objects which make history tangible and alive are highly prized by collectors. This is particularly true of collectors of militaria and medals. Take for example the rare Waterloo Medal with impressed naming to ‘Quar. Mast. Ben. Sweeten, 1st Batt. 52nd Reg. Foot.’ It came with its original adapted steel clip but lacked the suspension ring. Together with a newspaper cutting relating to the Sweeten Family it sold for £4600 in a Toovey’s specialist medals auction to a Horsham based collector.

Circle of William Grimaldi - Oval Miniature Head and Shoulders Portrait of a British Military Officer in Uniform, decorated with a Waterloo Medal, early 19th Century watercolour on ivory

However, a lot of militaria remains much more affordable. For example the colour aquatint titled ‘The Battle of Waterloo June 18th 1815’, after W. Heath would sell for around £120. The oval miniature head and shoulders portrait of a British Military Officer in Uniform, decorated with a Waterloo Medal, dates from the early 19th Century and is a watercolour on ivory. It was sold at Toovey’s for £300.

If you would like to know more about the background to this most famous battle Horsham Museum and Art Gallery’s exhibition, ‘Waterloo: 100 Days’, explores the events that led to the final defeat and exile of Napolean Bonaparte. Horsham Museum is fortunate to have many original documents from the period including the plan of the barracks drawn in 1815 when the barracks were sold and dismantled. The exhibition features documents which illustrate how the town was dramatically affected by the soldiers giving a flavour of the period through costume, books, prints, china and glassware. The exhibition runs until 11th July 2015.

Toovey’s next specialist auction of Edged Weapons, Firearms, Medals, Awards and Militaria will be held on Wednesday 9th September 2015. To find out more telephone 01903 891955 or go to www.tooveys.com.

Revd. Rupert Toovey. Originally published on 17th June 2015 in the West Sussex Gazette.