Events in Sussex – Toovey’s Blog

Bringing the Outside In at Parham

Designer Elin Steele with theatrical artists Aleks Carlyon and Lizzie Calvert

It is always a joy to return to Parham with its beautiful house and gardens.

When I was last here there was great excitement about a series of murals being painted in what was called the “old cow byre” in old Parham plans. This is now a lovely space for visitors to sit in and enjoy tea and cake. The design of these new murals draws inspiration from the famous theatrical set and costume designer Oliver Messel’s ceiling in the Long Gallery, commissioned by the Pearsons in the 1960s. The pre- and post-war years witnessed a renaissance in mural and wall painting, and the Long Gallery ceiling is an eloquent example of the genre.

The joyous new murals at Parham have been designed by the young set and costume designer, Elin Steele. James Barnard, who together with his family calls Parham home, was introduced to Elin through his work as a trustee of the Linbury Trust, the grant-making foundation started by Lord and Lady (John and Anya) Sainsbury. In 2019 Elin won the prestigious Linbury Prize, the only nationwide prize for stage design in the UK, created by Lady Sainsbury (herself a former ballerina) in 1987. Sir Nicholas Hytner (former Director of the National Theatre) said that the prize “has become indispensable to the British theatre and is invariably a source of undiluted optimism about the future of stage design”.

Elin works predominately in theatre and ballet, producing the designs and then collaborating with a team in the theatre to deliver them.

At Parham, Elin worked closely over many weeks with her friends, scenic artists Aleks Carlyon and Lizzie Calvert. The design was arrived at after much consultation on themes and details with the Barnards, then marked up and painstakingly painted freehand by Aleks and Lizzie, employing a mixed-method including watercolour overlaid with pencil and gouache.

The design in the room gives you the impression that you are sitting an orangery, as though the outside has been brought in. It’s engaging and fun, drawing inspiration from the Garden and the colours of Parham’s remarkable collection of textiles and needlework.

Outside in the Walled Garden, I visit the newly re-planted Blue Border with its Salvias, Nicotiana, Eryngium, Nepeta and Selinum playing in the breeze, their palette echoed in the summer sky with its flashes of blue and scudding clouds.

Whether you are visiting for the first time or returning, Parham never fails to captivate and delight anew. For more information go to www.parhaminsussex.co.uk.

Beauty and Innovation at the Sussex Prairie Garden

Along the path that leads you into the Sussex Prairie Garden you pass some happy pigs under the canopy of oaks and as you break into bright daylight your senses are immediately captured by the scale, colour, light, texture and movement expressed in the planting and design. It is really beautiful!

In the first border I come to swathes of raspberry pink and white Echinacea play against the Helenium’s flash of orange and red. Beyond, the Deschampsia cespitosa ‘Goldtau’ grasses, with their gossamer like flower plumes, have matured into a warm golden colour which contrasts with the strong vertical of the white Sanguisorba canadensis.

I catch up with the garden’s owners and creators, Pauline and Paul McBride, on the farm terrace amongst the nursery plants for sale outside their splendid tearooms. The terrace overlooks the gardens.

I explain that their garden feeds my heart. Pauline is delighted and says “It is a beautiful thing – people are moved by it.”

I am always fascinated by the way that the garden invites you into itself and the synergy of the planting. Wherever you are your eye is met by stunningly conceived views with layered perspective. Pauline recalls “It’s to do with the big spiral design. We drew up huge plans for the garden – each designed in minute detail – we had to think how it would work together, the structure, plants and use of grasses. The garden enfolds you, allows you to be close to the bees and insects, brush against the plants, engage with them, touch them and experience the fragrance and a freedom as the garden takes on a life of its own and becomes something extraordinary.”

Preparations are underway for the annual Indian Summer Bazaar. Marquees are being filled abundantly with exotic clothes in cottons and vintage sari silk, semi-precious designer jewellery, scarves, home furnishings and gifts – all ethically traded from India and for sale. This bazaar is at the heart of a month long festival supported by food and talks. It runs from Friday 4^th August until Saturday 2nd September.

It is the vision and gentle patronage of Pauline and Paul McBride, as well as their desire to share their garden which has seeded such beauty in in this place.

Gardens are places of blessing, invitation, hospitality and encounter, and none more so than the Sussex Prairie Gardens, Morlands Farm, Wheatsheaf Road, Henfield, West Sussex, BN5 9AT. To find out more, check opening times and to plan your visit go to sussexprairies.co.uk.

Foraging and Halloween at Borde Hill

Head of Horticulture at Borde Hill Garden and Parkland, Harry Baldwin

As autumn approaches the change of season always seems to bring a burst of golden light and where better to enjoy this than Borde Hill gardens.

This week I am in the generous company of Borde Hill’s current custodians, Andrewjohn Stephenson Clarke and his wife Eleni.

The gardens at Borde Hill were first laid out by Andrewjohn’s great grandfather, Colonel Stephenson R. Clarke. He purchased the house and land in 1893. Between 1893 and 1937 he sponsored many of the Great Plant Collectors’ expeditions. They returned with rare specimens brought back from their travels in the Himalayas, China, Burma, Tasmania and the Andes. Many of these plant species are still at the heart of the collection which make up the seventeen acres of formal gardens.

This spirit of adventure is still apparent today. Eleni, a geologist and trained horticulturalist, admits that it is the gardens which most inspire her. She says “This has always been an experimental garden, a place to try new plants. Borde Hill is constantly changing and looking to the future.”

We walk out into the gardens in search of Head of Horticulture at Borde Hill Garden and Parkland, Harry Baldwin, and find him tending a border filled with vibrant colour, texture and movement. His enthusiasm for the collection and gardens is infectious. He and his team are busily preparing for a series of autumn events.

This coming Saturday morning, 8th October, Sussex Forager Sarah Watson will lead a guided woodland foraging walk through Borde Hill’s Warren Wood so you can find out how to use autumnal shoots, roots, seeds and fruits as flavourings in your dishes and drinks; and how to forage responsibly and safely, identifying edible plants and fungi. Sarah will also be giving tips on how to use foraged fare in delicious recipes, as well as a chance to try some wild preserves like vinegars and syrups.

Half-term at Borde Hill provides a week of activities centred on Halloween with trails, prizes and adventure for budding young Ghost Hunters and their families. The Ghost Hunters will have to answer riddles, solve clues and navigate ghost ships as fast as they can to solve the secret of the hauntings for poor Sir Haunt-A-Lot and Miss Crimson Nightshade in her mysterious library! And if your little Ghost Hunters still have energy to spare after that then there’s always the Adventure Playground and the Gardener’s Retreat Café with its autumn treats.

To find out more and to book your tickets visit www.bordehill.co.uk/events.

Amberley Museum’s Inaugral Sculpture Trail

Contributing artists at the 2020 Amberley Museum Sculpture Trail

The first flash of spring sunshine broke through as Amberley Museum launched its inaugural Sculpture Trail. The Sculpture Trail provides a natural bridge between the artist and artisan. Many of the traditional crafts and skills preserved and maintained at the museum are employed in creating sculpture.

20th century Britain witnessed a great revival in the Renaissance idea of the artisan artist. In Sussex artists like Paul Nash, Eric Ravilious, Edward Bawden and others worked as designers and woodblock illustrators as well as painters of fine art.

As we walk up through the museum we reach a fork in the path and nestling amongst the dappled light of the still bare Silver Birch we discover a stone form titled ‘Cell’. The artist Will Spankie explains “The sculpture is inspired by bees. I love bees – the way that they live.” Will and his wife Lucy keep bees. The textural cells carved in Purbeck stone reflect the mass of prismatic wax cells built by honey bees in their nests to hold their stores of honey, pollen and as nurseries for their brood larvae. The changing light plays on the contrasting textured and smooth surfaces of the worked stone creating an impression of stillness and movement.

We walk with the sculptor Michael Joseph and his wife Jane down a wooded path as they talk passionately about wild flower meadows and bees. We round a corner and find Michael Joseph’s sculpture ‘Serene’ bathed in sunshine. Its bold figurative outline is repeated by its shadow against a crisp white wall. Michael loves the technical challenges of making his sculptures. I ask him about the creative process of this piece. He says “I made a maquette by bending the metal, but this larger finished work is made from tubing which can’t be bent without distorting it. So I made a number of cuts through to the outer face to very high mathematical tolerances then I welded it. It’s dressed and patinated with powder coating.”

Michael Joseph with his sculpture ‘Serene’

Works by the blacksmith partnership of Sarah Blunden and Ben Fraser, as well as blacksmith Alex Smith give real voice to calling and vocation in creativity expressed by the artisan artist – for them there is no peace without making. The inspiration of nature and its rhythms is beautifully articulated by the sculptor Simon Probyn. His steel abstract ‘Pebbles’ greets you as you arrive. And then there is the architect sculptor Lester Korzilius’ mixed method ‘Vortex’ with its bold palette and abstract form which plays with light and its enviroment.

I often return to the Amberley Museum for its brilliant railway, vintage car, and craft weekends as well as to ride on its fantastic vintage buses and trains. The sculptures are an exciting addition to this industrial landscape allowing us to see the familiar anew.

Amberley Museum’s 2020 Sculpture Trail runs until the 28th June 2020 and there is a celebration of James Bond on the weekend of the 28th March. For more information visit www.amberleymuseum.co.uk or telephone 01798 831370.

Gilbert White’s Tercentenary Celebrated at Pallant House

John Nash, A pair of Hoopoe Birds from‘The Natural History of Selborne’, c.1972 © Estate of John Nash

Pallant House Gallery’s exhibition Drawn to Nature: Gilbert White and the Artists celebrates 300 years since the birth of the Revd. Gilbert White and the centenary of the Society of Wood Engravers. It runs from the 11 March to the 28 June 2020.

The Revd. Gilbert White (1720-1793) was a remarkable man, a pioneering naturalist who hugely influenced the development of the science of natural history, an author and a gardener. He is perhaps most famous for his book ‘The Natural History and Antiquities of Selbourne’. A man of God with a love and interest in science and the natural world sits well with me. It is often argued that White’s study of earthworms and their vital role in creating topsoil influenced Charles Darwin’s thinking around evolution.

White’s Natural History recounts his daily observations of the animals, birds and plant life found on his doorstep in Hampshire and nearby in the South Downs in Sussex. Published in 1789 it was an immediate success.

Gilbert White’s Natural History has also inspired artists over the centuries and never more than in the 20th century as highlighted by the works on display.

In the 20th century many artists rediscovered their role as artisan artists and designers whilst working as painters and sculptors of fine art. One of the ways that this was expressed was by making printed woodblock illustrations for fine books printed by private presses.

Eric Ravilious, The Tortoise in the Kitchen Garden from ‘The Writings of Gilbert White of Selborne’, ed., H.J.Massingham, London, The Nonsuch Press, 1938

The artist Robert Gibbings influenced the revival of wood engraving by artists. In 1920 he founded the Society of Wood Engravers. Members working in Sussex included Eric Ravilious and John Nash. The society ignited a revival of wood engraving where the designs and the blocks were created by the artist, making that vital connection between the artist and the final print.

Eric Ravilious displays the line, flecking and crisp edging which define his woodblocks in The Tortoise in the Kitchen Garden. It depicts Gilbert White in his garden. A keen gardener from his youth, White increasingly took a close interest in the natural world around him, and grew a wide range of traditional and experimental fruit and vegetables, recording weather, temperature and other details.

Clare Leighton, Hop-pickers from‘GilbertWhite, TheNatural History of Selborne’ c.1941, wood engraving on paper © Estate of Clare Leighton

Clare Leighton also belonged to this revival of wood engraving. Her work combines a deep understanding of life and love informed by her Christian faith, with a captivating simplicity and honesty. Many of her compositions are characterized by the use of a series of underlying curves which at once unite the subjects in her pictures while articulating movement, qualities which are apparent in the composition of Hop Pickers.

Against some opposition from her family Clare Leighton persuaded her parents to allow her to attend the Brighton School of Art. She was friends with Hilaire Belloc, who lived at Shipley windmill near Horsham, and Eric Gill, who was at this point living in Ditchling.

John Nash’s Pair of Hoopoe Birds is one of a series of joyful illustrations to White’s natural history.

The exhibition Drawn to Nature: Gilbert White and the Artists brings together a wonderful collection of images, each inspired by Gilbert White’s Natural History. It runs at the Pallant House Gallery, Chichester from 11 March – 28 June 2020.