Horsham Museum & Art Gallery – Page 7

Geoffrey Sparrow, Horsham Doctor, Artist and Huntsman

Dr Geoffrey Sparrow (image courtesy of Horsham Museum & Art Gallery) — Dr Geoffrey Sparrow on horseback (image courtesy of Horsham Museum & Art Gallery)

Geoffrey Sparrow was a doctor living in Horsham with a particular talent for drawing. His pictures often express his love of horses and hunting and provide a witty insight into country life in and around Horsham between the wars.

An Illustrated Alphabet by Geoffrey Sparrow — An Illustrated Alphabet, hand-illustrated book by Geoffrey Sparrow

The letter 'H' from the Illustrated Alphabet

My family moved to Horsham in the 1960s from Pinner and Harrow, a story common to many at that time. In those days Horsham was still very much a provincial market town with its wonderful, faded, Regency theatre and houses where Swan Walk stands today. The town centre was on a human scale, rich in its vernacular architecture and independent shops. I have fond childhood recollections of watching the Crawley and Horsham Hunt riding out from the Carfax on Boxing Day. The smell of the horses, the colours of the hunting coats and the sounds of hooves on the road, huntsmen’s horns and barking hounds all remain vivid in my memory. I imagine that the town’s atmosphere then had changed little since the days between the First and Second World Wars, when Geoffrey Sparrow was practising as a doctor and making his prints, paintings and drawings.

Geoffrey Sparrow was born on 13th July 1887 in an age of trains and horses, not cars. He grew up in Devonshire and lived for foxhunting. He studied medicine at Cambridge and Bart’s but the Great War disturbed the procession of his life, as it did for many others of his generation. Sparrow volunteered and was accepted by the Admiralty as a temporary surgeon in the Royal Navy in September 1914, bearing the rank of Surgeon-Lieutenant. He served with distinction in numerous campaigns and was awarded the Military Cross, though he never described the events that led to this decoration.

Sparrow was demobilised in 1919. He had thought to specialise in London after the war but his former chief advised that, as he was then thirty-three and unknown in medical circles, he would be better off taking his Edinburgh Fellowship and practising in the provinces. Sparrow enjoyed his time in Edinburgh, which for him had the added appeal of a bit of grouse-shooting!

In those pre-NHS days, Dr Sparrow journeyed south to Horsham, where he joined the old family practice of Messrs Vernon and Kinneir. Well-liked and well-respected, he served prosperous families and schools in the area, like Christ’s Hospital. In addition, he attended to local tradespeople, undertook Poor Law work and public vaccinations and held a part-time position at the infirmary. Foxhunting with the Crawley and Horsham Hunt remained his passion.

During the Second World War he again engaged in military service. At the end of the war he retired from medical practice to devote time to his hunting and art until his death in 1969. Geoffrey Sparrow’s evocative pictures represent a warm and witty commentary on his times. The work is of exceptional quality with a sense of movement and line which delights collectors, especially from Sussex.

A Scurry in a Pewy Country by Geoffrey Sparrow

I am excited that a private collection of some twenty-one examples of his work have been entered into Toovey’s Christmas auction of fine paintings and prints to be held on Wednesday 4th December 2013. Pre-sale auction estimates range from £50 to £500. One of my favourite entries is this book, An Illustrated Alphabet, estimate £300-500, with hand-painted illustrations by Sparrow in watercolour and gouache; the page “H for the Huntsman who rides a grey mare” seems particularly apt. The hunting theme continues with the dry-point etching A Scurry in a Pewy Country, estimate £150-250, which shows Sparrow’s skill as a printmaker.

Dr Geoffrey Sparrow’s work, like the man himself, is regarded fondly around Horsham and further afield. It is worth mentioning how fortunate we are that the wonderful Horsham Museum and Art Gallery has a fine collection of his work, as well as his war medals. For more information, visit www.horshammuseum.org

By Revd. Rupert Toovey. Originally published on 20th November 2013 in the West Sussex Gazette.

The Dalek is coming…

2D Adventures Daleks — Dalek artwork circa 1960 from the exhibition

Excitement is building amongst Whovians as the 50th Anniversary of Doctor Who approaches. Fans of Doctor Who will know that in the stories it was the evil Davros who created the deadly Dalek race. However, it was in fact the writer, Terry Nation, who dreamt up the Daleks. But few will be aware that the man who gave the Daleks form was prop-designer and artist Raymond Cusick. Raymond Cusick lived in Horsham securing the town a place in the Doctor Who story. This important connection is being marked by an exhibition at the Horsham Museum & Art Gallery of Doctor Who memorabilia including a Dalek! The exhibition, ‘2D Adventures in Time and Space: An Unofficial Doctor Who Exhibition’, is the perfect half-term treat, entry is free and it runs until 1st January 2014.

We all know what a Dalek is but what sort of Doctor Who creature is a Whovian? In recent years a teenage generation have grouped themselves into fandoms. So if you can’t resist Benedict Cumberbatch as Sherlock Holmes you are a Sherlockian. But if the debate in your household is whether you are most looking forward to seeing Matt Smith, David Tennant or John Hurt as the Doctor, in the 50th Anniversary Special to be screened on 23rd November, then you are Whovians.

The exhibition is the inspiration of Horsham Museum Curator Jason Semmens who has been a fan of the show since he was three years old. “Doctor Who was the hero of a range of cartoon strips published in various comics and annuals from the mid-1960s onwards” Jason explains, “The artwork for the comics are much larger than the comic books and have real visual impact.” I ask him what his particular favourites are, he responds “The TV21 magazine Dalek cartoon strip from the 1960s is vibrant and fun and the weekly cartoon strips from 1980 with Tom Baker in them are also really good.”

For me the highlight of the exhibition is the Dalek shown here with Horsham District Council’s Head of Museums and Heritage, Jeremy Knight and Whovian, Emma Toovey. I still find them menacing. An episode of Doctor Who is guaranteed to make me jump out of my skin in fright. Laughing Emma says “You’re as frightening as the Doctor Who monsters when you do that Dad!” She has a point.

Jason Semmens’ favourite Doctors are Tom Baker and the earlier Patrick Troughton. Each generation will have their favourite Doctor but what unites us is our delight in the stories and our shared experience of hiding behind the sofa. For me the latest batch of Doctors have been exceptional with the alien quality of Christopher Eccleston, David Tennant’s emotion, passion and energy and Matt Smith’s compassion, courage, determination and humour, not to mention his Harris Tweed jacket and catch phrase “bowties are cool”, I could not agree with him more.

You don’t need a Tardis to travel back in time just a trip to the Horsham Museum & Art Gallery as witnessed by Emma Toovey and K9 transported back to late Victorian Horsham’s P. Williams & Co pharmacy from West Street.

Many of us now come from generations where our shared memories are often caught up with TV and Film. The ‘2D Adventures in Time and Space: An Unofficial Doctor Who Exhibition’ captures something of our own childhood stories brilliantly. Toys also reflect childhood memories. For example, model railways speak to a generation whose childhoods were defined by a passion for steam engines and an ambition to drive them. For the TV and Film generation toys as iconic as a James Bond 007 Corgi Aston Martin DB5, or a Corgi Batmobile, capture their imaginations in a similar way. Indeed Toovey’s toy sales are a boom market!

The Horsham Museum & Art Gallery, according to published information, is the third most visited heritage attraction in Sussex. This is an extraordinary achievement which speaks of the importance all of us place on our common history and heritage. The economic impact of these visitors is profoundly important to Horsham and the broader Horsham District’s businesses and economy. Councillors like Jonathan Chowen understand this. Thanks to them The Horsham District Council continues its important involvement in supporting the museum, the hard work and dedication of its Curator, Jason Semmens and Head of Museums and Heritage, Jeremy Knight. All involved deserve to be applauded.

Be transported back in time this half term at the Horsham Museum & Art Gallery and delight in ‘2D Adventures in Time and Space: An Unofficial Doctor Who Exhibition’. Don’t miss that marvellous Dalek – entry is free! For more information go to www.horshammuseum.org or telephone the museum on 01403 254959.

By Revd. Rupert Toovey. Originally published on 23rd October 2013 in the West Sussex Gazette.

V&A Cloisonne at Horsham Museum

Jeremy Knight and Philip Circus at the opening of Japanese Treasures

One of the jewels in the crown of Sussex heritage is Horsham Museum & Art Gallery under the passionate leadership of its curator Jeremy Knight. It has been my pleasure to work with Jeremy over many years, supporting both him and the museum. Over recent years Jeremy and his team have delivered a number of exhibitions worthy of national attention and this latest show ‘Japanese Treasures: Cloisonné Enamels from the V&A’ is very much of that calibre.

Japan was a society closed to the outside world for almost all of its Edo period (1600-1868) but American gunboat diplomacy by Commodore Perry in 1854 opened Japan to trade with the outside world. The Japanese were determined not to be a subjugated nation and during the Meiji period (1868-1912) they embarked upon a commercial and manufacturing revolution. Alongside this, Japan promoted herself through her cultural heritage at the international trade expositions which proliferated after the British Great Exhibition of 1851. Japan first exhibited at the Paris Exposition in 1867. On display was the brilliance of Japanese craftsmanship, including cloisonné wares.

Alan & Rupert Toovey — Rupert and Alan Toovey, directors of exhibition sponsors Toovey’s, at the opening

The majority of the cloisonné on display at Horsham has been generously given to the V&A by Edwin Davies, CBE, together with funding to enable the collection to travel and be exhibited. Such acts of patronage in our contemporary age deserve to be celebrated. The exhibition features examples of the very finest quality by leading makers like Namikawa Yasuyuki (1845-1927).

Enamel is a vitreous substance like glass, which is bonded to a metal surface under heat. Cloisonné describes a particular decorative process where enamel is poured into compartments, known as cloisons, formed of a network of metal bands. The tops of the bands remain exposed, dividing one area of colour from another. It is thought that cloisonné arrived in China from Byzantium in the 14th century. The renaissance of the technique in Japan came in the early 1800s and developed quickly. By the 1870s the Japanese were able to produce wide areas of colour and intricate decorative motifs.

Many western travellers visited the studios of the cloisonné manufacturers. Among them was Sussex author Rudyard Kipling, who in his book From Sea to Sea and Other Sketches wrote of his visit to Namikawa Yasuyuki’s studio in the late 1880s: “It is one thing to read of cloisonné making, but quite another to watch it being made. I began to understand the cost of the ware when I saw a man working out a pattern of sprigs and butterflies on a plate about ten inches in diameter. With the finest silver ribbon wire, set on edge, less than a sixteenth of an inch high, he followed the lines of the drawing at his side, pinching the wires into tendrils and the serrated outlines of leaves with infinite patience… With a tiny pair of chopsticks they filled from bowls at their sides each compartment of the pattern with its proper hue of paste… I saw a man who had only been a month over the polishing of one little vase five inches high. When I am in America he will be polishing still, and the ruby-coloured dragon that romped on a field of lazuli, each tiny scale and whisker a separate compartment of enamel, will be growing more lovely.”

Japanese cloisonné by Namikawa Yasuyuki — Japanese cloisonné vase and cover by Namikawa Yasuyuki

Japanese cloisonné vase by Namikawa Yasuyuki

To find out why Namikawa Yasuyuki’s work is so revered, I turn to Toovey’s Oriental works of art specialist Tom Rowsell, who comments, “His technical ability and artistic sense for decoration, proportion and the form of the object is extraordinary. Take the signed vase and cover shown, finely decorated with flowers, trailing stems and floral mon on vari-coloured vertical cartouche panels. The decoration is perfect for the size and shape of the vase, which is only 10cm high.” Turning his attention to a later piece by Namikawa Yasuyuki, the 9cm-high vase also shown, Tom enthuses, “By the 1890s he was producing dark grounds, which required a much higher level of technical skill than the yellow and green grounds. I think the way the butterfly hovers above the purple and yellow flowers on that midnight blue ground is brilliant and the drama of the dark ground is heightened by the silver mounts.” Both pieces went under the hammer in specialist Oriental sales at Toovey’s, realising £4000 and £1700 respectively.

Toovey’s and I are really delighted to be supporters of this exhibition – the cloisonné on display is exceptional. It is a testament to Jeremy Knight’s skills and Horsham District Council’s support for the museum that we have this national exhibition here in West Sussex. ‘Japanese Treasures: Cloisonné Enamels from the V&A’ at Horsham Museum and Art Gallery runs until 22nd September 2013 and entry is free. I hope it will excite you as much as it has me. For more information visit www.horshammuseum.org

By Revd. Rupert Toovey. Originally published on 26th June 2013 in the West Sussex Gazette.

Japanese Treasures at Horsham Museum & Art Gallery

Image Copyright Victoria and Albert Museum, London — FE.40-2011 Vase. Vase, Nagoya, mark of Hayashi Kodenji, c.1880-90. Cloisonné enamel. V&A: FE.40:1-2011. Gift of Edwin Davies. © Victoria and Albert Museum, London

Thanks to the generosity of Mr Edwin Davies CBE, who gave his outstanding collection of Japanese Cloisonné enamels to the V&A, Horsham Museum & Art Gallery are going to display some of the finest, most jewel-like objects ever made. It was Davies’ vision that a selection of items should tour the country and with the help of the Victoria and Albert Museum, London, it is being made a reality. Horsham District Council’s Horsham Museum & Art Gallery is one of just ten venues nationwide that will be able to display these masterpieces of Japanese art and craft. The exhibition Japanese Treasures: Cloisonné enamels from the V&A opens on 15 June and runs until 22 September.

The exhibition highlights the ability of a country in turmoil to create artistic masterpieces through the 61 objects on display at the museum. For the golden age of the craft was the era portrayed in the 2003 film The Last Samurai, when Japan’s old feudal society rapidly transformed itself. The craftsmen who made the celebrated Samurai armour and weapons were metaphorically not beating swords into ploughshares, but into exquisite enamels. Some of their patrons, the Samurai class, became acknowledged masters of this new craft, reflecting the degree that the society was changing.

Over a century ago, as this revelatory exhibition shows, the Japanese were perfecting enamelling, the art of wire in-fills, of creating deeper colours, of polishing to a higher gloss the finished surface and then making objects that appealed to the west. Enamel vases are decorated with Japanese images known to appeal to the western aesthetic: peonies, chrysanthemums, swallows, carp, dragons and butterflies are featured against a range of deep colours. Each item is like a treasure and so unsurprisingly whilst in the west we link the name to a manufacturing process, the cloisonné, in Japan, is linked to the ‘Seven Treasures’ mentioned in Buddhists texts.

Horsham, an ancient market town noted for its stone roofs in the heart of Sussex, may seem a strange venue to host such an exhibition. Yet at the very same time the Japanese were creating these highly sophisticated superbly designed masterpieces residents of the town were visiting the remote lands. Robert Henderson and his wife Emma, who lived at Sedgwick Park, toured Japan, as the old order was being subsumed in a dash to modernise. They brought back photographs of the people and places to remind them, some of these will be on display. The exhibition itself would not have been possible without the good will and support of the local community including the auction house Toovey’s.

Edwin Davies CBE, OBE is one of the V&A’s most generous benefactors and has been a trustee of the Museum since 2007. Until 2006, he was Chairman of Strix, a leading manufacturer of electronic heating controls for kettles and other water-heating appliances. The company won many prestigious export and innovation awards and Davies was awarded an OBE in 2000 for services to industry and a CBE in 2012. A prominent philanthropist, he has supported a wide range of institutions.

The Victoria and Albert Museum, is the world’s greatest museum of art and design. It has been collecting Japanese Cloisonné enamels since 1867.

Dr Geoffrey Sparrow (1887-1969)

A nationally important comic artist and illustrator is given a one man show at Horsham Museum and Art Gallery this September. Dr Sparrow pursued his hobby while serving the residents of the ancient market town of Horsham for half of the 20th Century. His importance on the national scene was recognised back in 2001 when Horsham Museum obtained a grant from the V&A Purchase Grant fund to buy some of his prints, aquatints and original artwork. 11 years later the Museum is holding a major retrospective on an artist who follows in the tradition of Rowlandson, Leech and Alkin, in capturing the foibles and characters of both man and beast.

Dr Sparrow grew up in a Devonshire Home, as his autobiography ‘Foxes and Physic‘ states “in such an atmosphere of red coats, horses, hounds, terriers and old sporting prints on the wall I became thoroughly soaked in the tradition of fox hunting and have always held old Jorrocks’ opinion that all time not spent in hunting is wasted.” He studied medicine at Cambridge and Barts, going into medicine as “something had to be chosen… I was offered the law, medicine or the church: didn’t like an uncle who was a solicitor, so that was out; our parson was rather stout and greasy and preached long and dull sermons, and away with that, so there remained medicine.”

Dr Sparrow arrived in Horsham in 1919 having served as a doctor in the First World War where he was awarded a Military Cross. He co-wrote a book about the campaigns he fought in: ‘On Four Fronts with the Royal Naval Division‘. The volume was peppered with comic masterpieces, many of which were taken from his diaries which now reside at the Imperial War Museum. Once settled in Horsham he observed everyday life and developed a fond affection for the place and people. During the Second World War he saw military service and at the end of the war he retired from medical practise devoting his life to hunting and art. He joined Brighton and Hove Art School where every Friday he would learn etching and aquatinting.

The exhibition of over 35 works of art collected over the last 20 years reveals a quality of illustration, line and observational skills that mark out Dr Sparrow’s drawings from the humdrum. Through his quick sketches he spans some 50 years of life in Horsham town and field with a fascination for the hunting, the absurd and the ironic. The illustrations were always done with a sense of soft humour , making them sketches that could delight the wall of the Horsham gentlefolk rather than the savage satire that appeals to the lovers of Gilray.

'The West Street Nuisance, Horsham', etching by Dr Geoffrey Sparrow

The exhibition ‘A Host of Sparrows’ (for a grouping of Sparrows as ornithologists and the Doctor would know is called a Host) opens on Tuesday 4th September and runs until 13th October 2012 at Horsham Museum and Art Gallery, located in the Causeway, which Dr Sparrow referred to as “a curious old cul-de-sac leading to the church”. Toovey’s forthcoming auction of Selected Fine Oil Paintings, Watercolours, Drawings and Prints on 12th September, also includes four works by Dr Geoffrey Sparrow, each highlighting the mastery and wit of this Horsham-based artist.