Single Owner Collection – Page 2

“One More Sir!” A Sussex Connoisseurs Collection

The late John Young, gentleman, motor racer and collector

Toovey’s Christmas series of specialist auctions include an exceptional range of silver, furniture, collectors’ items and works of art from the estate of the Sussex collector, the late John Young.

My friend John was not only a gentleman motor racer and classic-car enthusiast but also a connoisseur of art and antiques. His taste matched his glamorous lifestyle and he created an elegant but comfortable home in the heart of Sussex.

He had a passion for life and loved the theatre of a sale day at Toovey’s. His bidding often ended just before the gavel fell with the raise of a finger and his customary call, “One more, sir!”

John Young was educated at Dulwich College and subsequently joined the R.A.F. He once told me: “I wanted to fly a Spitfire but there were too many pilots just after the war for me to get a look in, so I left and joined the family firm, Rose & Young. We were agents for Mercedes-Benz.”

John was a man whose life was closely bound up with the fortunes of motor racing and automobiles. A works driver for the Connaught team in the 1950s, with drives at many of the great motor racing circuits, he was part of that glamorous and courageous cohort of racing drivers in the years after the Second World War.

Louis-Ernest Barrias - Nature unveiling Herself before Science, a late 19th/early 20th century gilded and silvered cast bronze figure of a standing maiden — Louis-Ernest Barrias – Nature unveiling Herself before Science, a late 19th/early 20th century gilded and silvered cast bronze figure of a standing maiden

Amongst his collection is a beautiful gilded and silvered cast bronze by the famous French sculptor Louis-Ernest Barrias. This well-known sculpture is titled ‘Nature unveiling Herself before Science’. The Art Nouveau figure is allegorical and dates from the late 19th/early 20th century. It is modelled as a standing maiden representing nature as she reveals her hidden secrets to science. It is estimated at £5000-8000.

A Napoleon III kingwood and floral marquetry inlaid meuble d'appui, circa 1860 — A Napoleon III kingwood and floral marquetry inlaid meuble d’appui, circa 1860

John loved fine French furniture and there are a number of examples from his collection in the sale. They include the Napoleon III kingwood and floral marquetry inlaid meuble d’appui (cabinet) seen here. It was made in 1860. The two bronzed plaques after the sculptor Clodion compliment the fine ormolu mounts and inlay. It is an exceptional piece and carries a pre-sale estimate of £4000-6000.

It was always a treat to spend time with John at his home. Once, as we drank champagne on the terrace, I asked him why he didn’t live in Monaco with his peers and he gestured towards the South Downs beyond and replied, “Oh, I’ve had yachts down there but I love England. Look at that view – why would you want to be anywhere else?” His delight in sharing a story and his infectious enthusiasm were balanced by his modesty. A generous man, John Young epitomized the best of his era: a gentleman, a racer, a collector and an enthusiast with a deep love of life, cars, animals and the Sussex countryside. I am privileged to have counted John as a friend. Collections of this quality are rare and I am looking forward to the sale. The auctions are on view at Toovey’s Washington salerooms from Saturday 25th November 2017.

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.

The Coin Collection of the Late Frederick Sydney Clark

Fred Clark, as he was always known, was born to publicans in South London. Sometime later, the whole family moved to Seaford in East Sussex.

Fred’s greatest passion in life was collecting and, following the family move, he loved nothing more than field-walking in Seaford and on the Peacehaven Downs. These areas were rich in fossils and prehistoric flints. Such was his passion for collecting that he would, on occasions, ride all the way to Suffolk on his BSA Bantam motorbike, following in the footsteps of his predecessor Dr William Allen Sturge and those of his great friend, the collector Dr Hugh Fawcett, who was well-known for his lithic collections.

Lot 892 a Byzantine Empire Heraclius with Heraclius Constantine (610-641AD) gold solidus, the obverse with two busts, Constantinople mint. — Lot 892: A Byzantine Empire Heraclius with Heraclius Constantine (610-641AD) gold solidus, the obverse with two busts, Constantinople mint.

Once again the family moved, this time to Woking in Surrey, and in the 1960s Fred decided to open a shop in nearby Guildford selling collectables. These included fossils, minerals, prehistoric tools and coins. His shop was to become very popular with collectors and he continued to trade there until he retired in the mid-1980s.

Following his retirement, he moved to Worthing, where he stayed for many years until he sadly passed away following a short illness.

A Roman Empire Balbinus (238AD) antoninianus, the reverse with clasped hands beneath 'Concordia Augg'. — Lot 807: A Roman Empire Balbinus (238AD) antoninianus, the reverse with clasped hands beneath ‘Concordia Augg’.

Fred Clark was meticulous with recording. Every artefact he found would be written on with a location and his monogram ‘FC’, which remains well-known by academics and collectors to this day.

Fred formed his coin collection predominantly during the 1960s and 1970s.

Coins from Classical Antiquity

The late antiquarian and collector, Fred Clark

A remarkable collection of coins, predominately from Classical Antiquity, have been entered for auction at Toovey’s and is expected to realise tens of thousands of pounds. This single owner collection of coins was formed during the 1960s and 1970s by the late Fred Clark, a gifted and meticulous antiquarian.

Fred rode his BSA Bantham motorcycle all over Suffolk and the South East of England collecting not only coins but fossils and prehistoric flints too.

When his family moved to Woking in Surrey in the 1960s Fred opened a shop in Guildford which became a favourite haunt for collectors.

The study of the ancient civilisations of Greece and Rome have had a profound influence on Western Civilisation and thinking over millennia. As we look through this remarkable collection it becomes apparent that nearly all the Roman Emperors are represented in the coins. Fred Clark was a gifted classicist.

A Roman Empire Hadrian (117-138AD) sestertius, the reverse with Ceres standing left, holding corn ears and a long torch

Toovey’s specialist, Mark Stonard, draws my attention to the Roman Empire Hadrian (117-138AD) sestertius. He explains that on the reverse Ceres is depicted standing to the left, holding corn ears and a long torch. Mark says “Hadrian is such a well-known character to us. The natural patination of this bronze sestertius coin and its condition is very good.” There is an accompanying letter from the British Museum, dated 17th July 1970, remarking that this coin is ‘even better than their own example’. The finely penned label written by Fred Clark describes the coin and its history. Mark comments “Fred was meticulous with his recording.”

The coin reminds me that the Emperor Hadrian was a brilliant administrator and travelled the Empire visiting the Provinces and ensuring discipline in the Roman armies which he held in such high regard. Hadrian was also renowned for his love of architecture and building. The Pantheon which he rebuilt in Rome still stands.

Hadrian left his mark in Britain too. The Vallum Hadrian, known today as Hadrian’s Wall, was built around 122AD. It stretched from coast to coast and its ruins can still be seen today.

The British Empire looked to the Classical Antiquity for inspiration in its arts, architecture and objects.

This influence is apparent in the George IV crown dated 1821 which depicts the King as an Emperor from antiquity which is in fine condition.

With estimates ranging from the low hundreds into the thousands the collection is expected to realise tens of thousands of pounds. The Fred Clark coin collection will be auctioned at Toovey’s on Wednesday 1st November 2017 in the afternoon.

Coins connect us with the procession of human history in a remarkable way and delight in the quality of their aesthetic and manufacture. No wonder that they are a boom market.

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.

Hidden Antiquarian’s Collection Revealed

A group of antiquarian objects including: an Elizabeth I indenture on vellum, hung with the second Great Wax Seal, used between 1586-1603 and a 17th Century silkwork and rosewood banded table cabinet

An important single-owner collection will be sold at auction by Toovey’s, at their Washington salerooms, on Tuesday 14th June 2016. This exceptional private collection reflects the diverse interests of a very private gentleman collector. The collection has never been seen by the public.

The connoisseur’s eye of this gifted antiquarian is apparent in the quality and breadth of an eclectic group of fine collectors’ items, needleworks, ceramics, furniture and silver dating from the 16th century to the present day.

All good collections, however varied, must reflect the personality of their collector. The objects in this collection clearly represents a lifetime of delighting in the aesthetic value, and narratives bound up with the history that objects represent.

Take, for example, the Elizabeth I indenture on vellum, hung with the second Great Wax Seal, designed by Nicholas Hilliard, which was used between 1586 and 1603. Nicholas Hilliard was a goldsmith and limner. He painted remarkable portrait miniatures, with a very English voice, of members of the courts of Elizabeth I and James I. His paintings provide a remarkable window into the Tudor world.

The seal dates from the time of the Babington Plot of 1586 which sought to assassinate Elizabeth I and replace her with the imprisoned, Catholic, Mary, Queen of Scots. Mary wrote from captivity in support of the plot but her letter was intercepted. Elizabeth is said to have initially resisted calls for, her cousin, Mary’s death. But these events would result not only in Mary’s execution but also the death of her suitor, the Duke of Norfolk.

This historical narrative is united with the exquisite 16th Century ebonized and verre églomisé table chest which is reputed to have belonged to Mary, Queen of Scots. The drawer fronts and sides are inset with glass panels and ebonized astragals, backed with coloured papers decorated with birds, leaves and flowers, mirrored hearts and stars.

The needleworks and textiles are amongst the earliest and finest pieces in the collection.

A 16th Century ebonized and verre églomisé table chest reputed to have belonged to Mary, Queen of Scots

The 17th Century and later silkwork and rosewood banded table cabinet’s hinged lid and sides are finely worked in coloured silks on an ivory silk ground. The figures and landscapes are joyful. So, too, are the small, fine needlework panel and purse. One is decorated with figures delighting in a garden and the other with birds, flowers and lemons.

A pair of late wing back armchairs in the 17th century taste, upholstered in overall verdure tapestry panels

This gifted collector’s love and eye for textiles is echoed in the pair of wing back armchairs in late 17th Century taste. The verdure tapestry panel upholstery is complimented by the gilded bases.

A fine 17th Century stumpwork rectangular panel depicting a group of five ladies, representing the senses

The 17th Century stumpwork rectangular panel, depicting an allegorical group of five ladies representing the senses, is set against the backdrop of a delightful hillocky landscape with citadel. It is a particularly fine example of needlework of the period.

Accompanying passionate collectors in their pursuit of acquiring new acquisitions and sharing their collections with them remains one of the great privileges of my life as an auctioneer.

This exceptional private collection reflects the diverse interests of a very private gentleman, a collector whose friendship I have valued for more than thirty-three years. Estimates range from a hundred or two into the thousands of pounds. The sale provides a remarkable opportunity to view and acquire objects rarely seen at auction today. I hope to see you at the sale!

For more information on the sale visit www.tooveys.com or telephone 01903 891955.

Twenty Years of Fine Art at Toovey’s

Rupert Toovey with gavel in hand ©Toby Phillips/Toovey's — Rupert Toovey with gavel in hand

I started Toovey’s Fine Art Auctioneers twenty years ago this month, with a dedicated team of people who remain passionate about the company and the work we do. We opened on a stormy Valentine’s night in 1995 and were delighted when more than 700 guests braved wind and rain to support us and celebrate this new venture. I set out to create a family firm where people are valued, both clients and staff – a regional auction house providing a centre of expertise for the valuation and sale of art and antiques, with leading specialists and international marketing. Today, the salerooms are on the A24 at Washington, in sight of Chanctonbury Ring and the Sussex Downs, though we travel across London and the South East of England advising clients on their possessions, and our website attracts hundreds of thousands of potential clients from around the world.

Reflecting on the last twenty years, it is the passionate collectors who stand out. These individuals often collect in the pursuit of knowledge. They are continually refining and adding to their depth of understanding of a particular field or period, while training their eye to the subtle details which set apart exceptional objects. In an age which increasingly confuses information with knowledge and understanding, this is an exciting and refreshing group of people to accompany.

'La Cullure des Tulipes’, oil on canvas by George Hitchcock, 1889

The De La Rue Collection from Rusper gave Toovey’s its first truly world-class results in 1998. The remarkable collection came from the famous De La Rue family, who printed money and stamps for the British Empire. It had lain undisturbed for some seventy years. Among the wonderful paintings, furniture and objects was this late 19th century oil on canvas of a young woman gathering tulips in a garden by the American artist George Hitchcock (1850-1913). Although the canvas was holed and in a poor state, it broke all records for the artist at the time when it sold to an American buyer. His agent flew in on Concorde especially for the sale and, against stiff competition from a telephone bidder in London, bought it for £345,000. The news of the sale was reported in the New York Times.

Many of the most memorable collections speak of the particular collectors. Take, for example, our Little Thakeham House Sale in 2000. I wrote in the catalogue introduction that the contents of Little Thakeham were in keeping with the stylistic quality of this important Edwin Lutyens house. They reflected the passion which this Arts and Crafts period building inspired in Tim and Pauline Ractliff, who had preserved and celebrated the property for many years. The auction was packed, with people parking in the orchard. On the lawn the marquee filled with bidders and a bank of telephones. Pre-sale estimates were quickly overtaken as prices soared and the gavel fell.

Toovey’s has remained the first choice for the sale of single-owner collections in Sussex. In 2006 our sale of The Bolney Lodge Collection saw buyers spend well over a million pounds on furniture and works of art from the estate of the late Judge Coles QC.

Single-owner sales often reflect a very personal and particular insight into the lives of the individual collector. Take the sale of The Library Collection of The Late W. Leslie Weller MBE, DL, FSA, which Toovey’s held in December last year. The books, pictures and effects reflected a man whose lively mind was directed towards his love of Sussex, its history, countryside and people. A generous and encouraging man, he worked tirelessly for the auctioneering profession and art world, as well as numerous charities. His friendship, support and advice I valued highly throughout my career.

Provenance and the human story behind individual objects or collections add a frisson which, though unpredictable, always has an important and positive effect on the prices achieved for them at auction. This has been reflected at Toovey’s sales again and again over the years.

I remain a passionate advocate for art, heritage and culture, sponsoring Pallant House Gallery, Shipley Arts Festival and the wonderful Horsham Museum and Art Gallery, amongst many others, through Toovey’s. Our company continues to invest in the Sussex community which I love, supporting numerous charities and groups with talks and fund-raising.

Twenty years on, I am proud that Toovey’s has fulfilled my hopes and aspirations. It remains a family firm employing a team of specialists and it now has a long-established reputation for expertise in valuing, marketing and auctioning art and antiques. None of this would have been possible, though, without the generous support and encouragement of the collectors, our clients, friends and supporters. Thank you all for the first twenty years!

By Revd. Rupert Toovey. Originally published on 4th February 2015 in the West Sussex Gazette.