Penny Black Stamps at Toovey’s Auction

Penny Blacks
Penny Blacks from Toovey's Auction on 12th August. From left to right: Lots 3017, 3018, 3019 & 3020

The Penny Black is one of the most famous stamps in the world. Not many dates are as important to a philatelist as the 6th of May 1840 – it was the first day that the Penny Black was allowed to be used to send mail through the postal system. The Penny Black has always captured the public’s imagination, with obscure rarities achieving record prices. These headline stamps are few and far between. Most of us read each headline and note the huge price tag but read no further, failing to discover the subtleties of why that particular stamp made thousands of pounds.

Despite its iconic status, the Penny Black is not a particularly rare stamp. Owing to its popularity, over 68 million were printed, a large number considering it was only in circulation for just under a year before the arrival of the Penny Red/Brown. It was short-lived largely because of practicality. A ‘cancellation’ (or postmark as it would be called by many) was introduced to stop stamps being reused. Starting as a black Maltese cross, the cancellation was, for obvious reasons, hard to see. It then changed to red for quicker identification, but amid fears that this cancellation could be washed off, the Penny Red stamp was conceived and put into production and the black Maltese cross cancellation reintroduced.

Crushing the hopes of many, Toovey’s stamp specialist states that most Penny Black stamps are actually only worth £20-30, if you’re lucky! The reason, he says, is that Penny Blacks were not produced on perforated sheets, unlike modern day stamps. Instead, you were reliant on the stamp being cut from the sheet by hand with scissors, and generally by someone who wasn’t that fussy about the end result! The stamps were also very close together on the sheet, so it’s not surprising that about nine out of ten were cut out badly. Even those stamps with slightly better margins will often have one edge trimmed a bit too close. So with a wider, nicely cut margin, a Penny Black is likely to realise between £70 and £120, depending on condition. The ones illustrated above feature in Toovey’s next Paper Collectables Auction, which includes a selection of these somewhat above-average examples. A little bit more would be paid if the stamp had been sent on 6th May 1840, becoming the first-ever first day cover. Mint, i.e. unused, Penny Blacks are rare and with decent margins would achieve a four-figure sum. Rarer still is a block of two or more unused Penny Blacks, still joined together. Mint examples are rare mainly because stamp collecting didn’t start until the 1860s. The majority of early stamps were, therefore, disposed of as ephemeral items. Many of the examples seen today were salvaged when solicitors cleared out their document boxes, as the envelopes had been kept for the senders’ details, but the majority of these had obviously been used. As stated earlier, the record prices are only achieved for unique rarities, which, by their very nature, seldom come onto the market. One such abnormality is the use of different coloured inks for the cancellation, a local example is that yellow ink was used in Horsham. For more information on the Postal Reform and the development of the Penny Black visit the website for the British Postal Museum.

Toovey’s forthcoming auction on 12th August 2014 includes eighty-nine lots of stamps, including some fine single collectors’ stamps and some interesting larger collections.

If you would like a valuation of a single stamp or an entire collection, Toovey’s are happy to provide free, no-obligation valuations at their Spring Gardens salerooms. Toovey’s employ a specialist consultant for stamp valuations and operate a report valuation service for stamps, rather than providing on-the-spot valuations. This enables our specialist to spend sufficient time formulating a considered, expert opinion on your stamps. Please telephone our offices on 01903 891955 or email auctions@tooveys.com to find out more or to make any other valuation enquiry.

Five Lot Preview of the Toovey’s August Auction

Lot 2200
A pair of late 19th century Louis XV style kingwood marquetry and parquetry card tables at Toovey's August Auction
Lot 3023

Ahead of Toovey’s auction on the 12th, 13th, 14th & 15th August, we look at five lots that will feature in the summer sale.

The Specialist Sale of Paper Collectables is the largest to date and boasts some fantastic quality items, including the Great Britain 1882 5 shilling rose on blued paper Plate 4, used. Offered as Lot 3023, this single stamp carries a presale estimate of £500-600.

Lot 1025
Lot 1050

The Asian & Islamic Ceramics & Works of Art Specialist Auction includes two interesting highlights: Lot 1025 is a large Chinese archaistic bronze hu vase, in the Han style but 16th century, height 42.5cm, estimate £2000-3000. Lot 1050 is a Chinese white jade vase and cover, probably late Qing dynasty, height 15.8cm, estimate £800-1200.

Lot 1494

A Troika pottery two-face mask, Lot 1494, is one of the highlights of the British & Continental Ceramics & Glass auction. Each side is decorated with a relief mask motif and was produced circa 1970-1983. It carries a pre-sale estimate of £300-500.

The Furniture auction includes a pair of late 19th century Louis XV style kingwood marquetry and parquetry card tables. This pair, Lot 2200, is estimated at £2000-4000.

The catalogue for the auction will be available online by 7th August at www.tooveys.com

Viewing for the August Auction as follows:

Saturday 9th August: 10am to 4pm
Monday 11th August: 10am to 4pm
Tuesday 12th August: 10am to 4pm (10am to 1pm for the Paper Collectables)
Wednesday 13th to Friday 15th: 9am to the start of each session.

Order of sales for the August Auction as follows:

Sale of Paper Collectables

Tuesday 12th August
At 1.30pm Stamps. Postcards. Cigarette Cards.
Autographs, Photographs & Ephemera.

Sale of Antiques, Fine Art & Collectors’ Items

Wednesday 13th August
At 10am Decorative Art.
At 1pm Silver & Plate. Jewellery. Objects of Virtu.

Thursday 14th August
At 10am Asian & Islamic Ceramics & Works of Art.
At 1pm British & Continental Ceramics & Glass.

Friday 15th August
At 10am
Furniture.
At 1.30pm Tea Caddies, Boxes & Diminuitive Furniture.
Collectors’ Items, Works of Art, Metalwork & Light Fittings.
Needleworks & Textiles. Rugs & Carpets.

Dinky Toy Vehicles for Sale at Toovey’s Auction

Dinky Toys 'Weetabix' Guy Van No. 514 at Toovey's
Dinky Toys 'Weetabix' Guy Van No. 514 at Toovey's

Just weeks after the introduction of driving tests in Great Britain, the No. 23a racing car became the first model vehicle to bear the brand Dinky Toys when it rolled off the production line in April 1934. However, the history of this household name of toy manufacturing already had its foundations firmly laid prior to the production of this little car. Meccano had been produced at the same Liverpool factory since the early 1900s, created by toy pioneer Frank Hornby. In Mike and Sue Richardson’s book Dinky Toys & Modelled Miniatures 1931-1979, Hornby is described as:

Tooveys Lot 3009 Dinky Toys
Dinky Toys No. 505 Foden Flat Truck with Chains, boxed. £150-250

“A man in the great English tradition of entrepreneur and inventor mixed with a Scottish trait of emphasis on sound educational values and improvement of the mind. He was a true turn-of-the-century Briton…”

Tooveys Lot 3012 Dinky Toys
Dinky Toys No. 531 Leyland Comet Lorry, boxed. £100-150
Tooveys Lot 3057 Dinky Supertoys
Dinky Supertoys No. 918 'Ever Ready' Guy van, boxed. £100-150

Not content with creating a best-selling construction toy, Hornby continued on the logical path from Meccano to develop a new product in the form of an ‘O’ gauge train set, intended to rival the tinplate tradition of Germany (see an earlier blog post on Bing tinplate toys by clicking here). Since the 1920s these trains have been the inventor’s namesake. Quickly realising that the toy train enthusiast wanted to make their railway layouts as realistic as possible, various accessories were added to production. Meccano Limited expanded their output to include a range of vehicles to accompany the ‘O’ gauge series, perhaps influenced by the arrival of the American ‘Tootsie Toy’ vehicles. This first group of six vehicles did not bear the Dinky Toy name but were instead called Hornby Series ‘Modelled Miniatures’. Toovey’s sold two of these early Modelled Miniatures in our specialist auction of Toys on 25th March 2014. No. 22a an open sports car, finished in red and cream, sold for £100, and No. 22b a sports coupe, finished in yellow and green, sold for £380. They are particularly prized among collectors as they are still deemed among the first Dinky Toys, despite the different branding. Hornby soon dismissed ‘Modelled Miniatures’ and ‘Meccano Miniatures’ in favour of the more catchy ‘Dinky Toys’. From then on, generations of children enjoyed playing with ‘Dinkies’. Dinky derives from the Scottish and literally means attractively small and neat, a perfectly apt description of the vehicles produced by the firm.

Tooveys Lot 3058 Dinky Supertoys
Dinky Supertoys No. 942 'Regent' Foden 14-ton tanker, boxed. £100-150
Tooveys Lot 3059 Dinky Supertoys
Dinky Supertoys No. 934 Leyland Octopus wagon, boxed. £100-150

The Second World War halted production of toys at the ‘Binns Road’ factory in Liverpool with attention turning to war work. They even raised funds for a ‘Meccano’ Spitfire by creating a special pendant to purchase the aircraft. Immediately after the war, the government insisted on Meccano focusing on their export market to help pay off the war debt. It was after the war years that Dinky Toys really enjoyed a renaissance period. In 1947 Dinky ‘Supertoys’ were launched to great success. Dinky Supertoys were a larger scale than that previously offered and were produced for nearly two decades. The entire range of Dinky vehicles included planes, military vehicles, cars, vans and lorries. In their striking boxes and bold colours, these are as prized among collectors today as they were coveted by children of the day. The brand enjoyed great success until the Liverpool factory closed its doors in November 1979. The brand name was later purchased by Matchbox but, after various mergers, it was eventually swallowed up by Mattel’s ‘Hot Wheels’ brand.

Toovey’s forthcoming specialist auction of Toys, Dolls and Games on 15th July 2014 features the usual fantastic selection of Dinky Toys and other die-cast metal vehicles.  Among the offerings in the auction is this post-war Dinky Toys No. 514 ‘Weetabix’ Guy van with first type cab and second type wheels. Offered with the all-important original box, it carries a pre-sale estimate of £300-500. A good selection of other Dinky Toys and Dinky Supertoys vehicles included in the sale are also illustrated.

Viewing for the sale is on Saturday 12th July between 9.30am and 12 noon; Monday 14th July between 10am and 4pm; and on the day of the auction, Tuesday 15th July, between 10am and 1pm. The auction commences at 1.30pm. Click here to view the online catalogue.

Preview of Toovey’s June Select Fine Art Auction

Lot 71 William Russell Flint's 'The Model with the Fringe'
Lot 71 William Russell Flint's 'The Model with the Fringe'

On the 18th June, Toovey’s will host their second Select Painting Sale of 2014. Prior to the printed catalogue landing on doorsteps around the world and in advance of the online catalogue being uploaded to Toovey’s website, we thought a preview of five of the highlights might be in order.

Firstly we look at the £3000-5000 sanguine drawing above, it is by an artist who needs no introduction, William Russell Flint (1880-1969). While most people are familiar with his colour prints, his original works are not often seen for sale at auction. This sanguine comes with a letter from the artist dated 9.12.68 which states ‘the rubbing must be my own unless the drawing has been taken from its frame and smeared’, referring to the minor smudging to some lines. Having no sign of being taken out of its frame, this can no longer be seen as a condition flaw, instead it is part of the drawings character. The work on paper measuring 38cm x 56.5cm is titled ‘The Model with the Fringe’. Other works by Flint in the auction include three drypoint etchings and a scarce line block.

Lot 27 Henry Ryland's 'Calm of Evening'
Lot 27 Henry Ryland's 'Calm of Evening'
Annie French original watercolour and ink
Lot 123 Annie French's 'A Lady with a Bouquet'

Another painting included in the sale is an original watercolour by Henry Ryland (1856-1924), which in subject matter is certainly similar to that of Flint, albeit a little bit earlier. The soft quality and palette reflects the tradition of classical scenes of the late 19th Century, popularized by the likes of Lawrence Alma-Tadema and Albert Moore. ‘Calm of Evening’ by Ryland measures 38cm x 56cm and is offered with a pre-sale estimate of £1000-1500.

An original watercolour and ink by Annie French (1872-1965) is included in the June auction of Select Fine Art. Titled ‘A Lady with a Bouquet’ this beautiful work measures 25cm x 8cm. The labels on the back show that it has previously been retailed by Kaye Michie and the Maas Gallery prior to being offered in Toovey’s auction. It is presented in a bespoke mount with ink stylized flowerheads to reflect the artist’s hand. This work by a leading member of the Glasgow School and talented book illustrator carries a pre-sale estimate of £2000-3000.

‘It’s all in the name’ is a phrase often associated with the Fine Art market. Perhaps the inclusion of two works by Noël Coward (1899-1973) in the sale reflects this. The works by the English playright, composer, director and singer show an amateur charm. In his diary Coward wrote: “Compared with the pretentious muck in some London galleries… my amateur efforts appear brilliant.” Many of Coward’s paintings feature in a work by Sheridan Morley, who wrote:

“In his lifetime, Noël always reserved his own paintings as first-night or birthday gifts, allowing only one or two to go for the very occasional charity auction and fearing, as he once wrote, that a kind of ‘celebrity snobbism’ might otherwise make them valued more for their autograph than for their intrinsic worth.”

Lot 101 Noël Coward's View of a Villa
Lot 101 Noël Coward's View of a Villa, one of two works by Coward included in the June Auction
Alfred Oliver's depiction of children picking flowers
Lot 70 Alfred Oliver's depiction of children picking flowers

The view of a villa above, presumably depicts an unidentified home in Jamaica. It is estimated at £800-1200, but will the purchaser be associating the value to the picture or the autograph? Hopefully a bit of both!

The final work in our preview is a tondo view of two children picking flowers in a landscape. It is by Royal Academician Alfred Oliver who flourished between 1886 and 1921. From this period is the oil on canvas shown here. Measuring 38.5cm in diameter, this work had previously been retailed by the Macconnal-Mason gallery, today, it carries a pre-sale estimate of £500-800.

Toovey’s Select Sale of Fine Art starts at 10.00am on Wednesday 18th June and is the opening session of Toovey’s June specialist auctions. Viewing times for the select painting sale is as follows:
Saturday 14th June 9.30am to 12.00 noon
Monday 16th June 10.00am to 4.00pm
Tuesday 17th June 10.00am to 4.00pm
and on the day of the auction, Wednesday 18th June, 9.00am to 10.00am (the start of the auction).

The Eric James Mellon Studio Pottery Collection at Toovey’s

Eric James Mellon (1925-2014)

Lots 1549 to 1597 in our forthcoming auction of British & Continental Ceramics & Glass are from the personal collection of the internationally acclaimed, Sussex-based ceramic artist, painter, printmaker and educator Eric James Mellon, who died on 14th January this year.

Two Bernard Forrester items from the collection
Two flower-bricks by Sarah Walton from the collection

Eric was born in Watford, Hertfordshire, in 1925.  At the age of 13 he won a place at Watford Technical and Art Institute, where he studied until 1944, also attending weekend classes at Harrow School of Art. From 1944 to 1947 he studied at the Central School of Arts and Crafts, London. In the early 1950s he set up an artistic community at Hillesden, Buckinghamshire, with fellow artists Derek Davis, John Clarke, Mary Mansfield, Ruth Lambert and his wife-to-be, Martina Thomas. Eric married Martina in 1956 and they moved to Bognor Regis, West Sussex. He set up his pottery at their home in 1958 and there he worked for the next fifty-six years.  Always an enthusiastic and generous teacher, Eric ran summer art schools for some thirty years in Cornwall and at Slindon College, West Sussex, where he was head of art for twenty years. Eric Mellon’s work has been exhibited around the world and is held in many public collections, including the Victoria & Albert Museum, London, and Pallant House Gallery, Chichester.

The collection includes two Pablo Picasso white earthenware dishes, and works by Josse Davis, Kitty Shepherd, Ursula Mommens, Bernard Forrester, Seth Cardew, Phil Rogers, Clare Sutcliffe, Yolande Beer, Denis Moore and others.