Rupert Toovey’s Articles – Page 56

Goodwood Festival of Speed Celebrates Silver Jubilee

A 1974 Porsche 911 Carrera RSR Turbo on the hill climb at Goodwood

There was much to celebrate at this year’s Silver Jubilee Goodwood Festival of Speed.

I arrived on the Friday to be greeted by the wail of the Jaguar XJR-9. The sound of its 7.0 litre V12 engine at high revs is hugely evocative. I remember watching Martin Brundle, Andy Wallace and John Neilsen win the 1988 1000km at Brands Hatch. I’ve never forgotten the sound and the flames coming from the exhaust as the car raced through the woods of Dingle Dell.

Andy Wallace would go on to win Le Mans that same year in the Tony Southgate designed XJR-9 with fellow drivers, Johnny Dumfries and Jan Lammer. The scale of Jaguar’s achievement becomes apparent when you consider that between 1981 and 1987 Porsche had won seven consecutive Le Mans. Porsche first competed at Le Mans in 1951 and has won at the famous Circuit de la Sarthe on 19 occasions with 17 outright victories; more than any other manufacturer.

Rupert Toovey at the 2018 Goodwood Festival of Speed

Porsche celebrated 70 years of motorsport success at this year’s Festival of Speed. The magnificent installation on the lawns of Goodwood House suspended a number of icons of Porsche automotive design high above the crowds.

On the hill climb the crowds were treated to an array of racing Porsches which included an example of the Porsche 962C which won Le Mans in 1986 and 1987 at the hands of British Driver Derek Bell. Porsche GT racers, Rally cars and Single seaters were also keenly represented.

The Cosworth years were also celebrated. From 1968 the 3.0 litre V8 Cosworth DFV engine transformed the opportunities of numerous Formula 1 cars and teams. Amongst these was the Matra–Cosworth MS80 run by Tyrell which swept Jackie Stewart to victory in the 1969 World Championship. Stewart would win two more Formula 1 World Championships with the Tyrell–Cosworth 003 and 006 in 1971 and 1973. It was poignant to watch Jackie Stewart driving the Matra–Cosworth up the Hill followed by his two sons Paul and Mark in the Tyrells.
Interviewed at Goodwood after the drive with his sons Sir Jackie Stewart reflected fondly “Goodwood has a habit of bringing everyone together.” The weekend had the atmosphere of a huge motoring party.

As the exuberant sound of the racing cars and bikes at Goodwood Festival of Speed ended the cacophony of sound, the smell of racing oil and tyres and the spectacle of speed and colour faded to memory and thoughts turned to the evocative 2018 Goodwood Revival. This year’s three-day event will be held on the 7th – 9th September. The Goodwood Revival celebrates the halcyon days of motor racing with the accompanying glamour of the 1940s, ’50s and ’60s. For more information or to buy some of the few remaining tickets visit www.goodwood.com.

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.

British Motor Racing in Sussex

Automobilia specialist Gordon Gardiner with an array of motoring collectables at Toovey’s

With Lewis Hamilton’s heroic drive in the British Grand Prix alive in our imaginations I am looking forward to this coming weekend’s 2018 Goodwood Festival of Speed.

Lewis Hamilton made a less than perfect start from his pole position at Silverstone but it was Ferrari driver Raikkonen’s collision with the Briton’s Mercedes at Turn 3 which sent him spinning from the track. Hamilton’s drive from the back of the field to take second place will surely go down in Formula 1 history as one of the great drives.

I am in the company of Toovey’s Automobilia specialist and motoring enthusiast, Gordon Gardiner as I remark how the atmosphere at Goodwood Festival of Speed captures something of the an endurance road race from the 1950s as spectators line the course at close quarters and the cars speed up the climb.

Our conversation turns to a watercolour by Michael Wright. It depicts Mike Hawthorn flat out at the wheel of his Scuderia Ferrari 250 TR 58 which he drove with Wolfgang von Trips in the 1958 Targa Fiorio. In 1958 it formed the third round of the World Sportscar Championship. The car is being driven at great speed along the Sicilian roads which formed the 45 mile circuit of the Targa Fiorio where Hawthorn finished in third place.

Michael Wright’s late 20th century watercolour depicting Mike Hawthorn in his Ferrari, no. 102 titled '1958 Targa Florio' — Michael Wright’s late 20th century watercolour depicting Mike Hawthorn in his Ferrari, no. 102 titled ‘1958 Targa Florio’

The Targo Fiorio was an open road endurance race for automobiles held in the mountains of Sicily near Palermo which was started in 1906 by Vincenzo Florio.
Mike Hawthorn was noted for his speed and it was in 1958 that he became the first Englishman to win a Formula 1 World Championship.

I love objects and art which connect us with the past like this painting. Gordon comments “Automobilia connects the motor car enthusiast with motoring history and the vehicles themselves. Very few of us have the space or the funds to acquire the cars but by comparison Automobilia can be collected on a much more modest budget.”

Toovey’s next auction of Automobilia will be held on Friday 2nd November 2018 and entries are already being received. If you would like advice on collecting Automobilia you can contact Gordon Gardiner by telephoning 01903 891955 or emailing auctions@tooveys.com.

Gordon and I are looking forward to the 2018 Silver Jubilee Goodwood Festival of Speed celebrating the 25th anniversary of this remarkable motoring spectacle. No doubt motor racing enthusiasts will be out in force enjoying the spectacle and drama of this annual Sussex event in the company of the Duke of Richmond and the Goodwood team. To find out more visit www.goodwood.com.

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.

Nation’s Passion for Gardening Celebrated at Parham

Parham’s Garden Weekend is celebrating its 25th anniversary this coming weekend.

For me this quintessential celebration of our passion for gardening is one of the highlights of the Sussex summer calendar, thanks to Parham’s long gardening tradition and the national reputation of Head Gardener, Tom Brown.

Over the course of the weekend there will be garden tours, talks and demonstrations from leading experts. The Secrets of Head Gardeners session will be a particular highlight with the South’s most celebrated Head Gardeners including Fergus Garrett from Great Dixter, Troy Scott Smith from Sissinghurst, Sarah Wain from West Dean and Parham’s Tom Brown in conversation.

It’s a measure of Tom Brown’s reputation that many of the country’s leading horticulturalists, gardeners and designers choose to congregate at Parham for the Garden Weekend year after year.

Alongside all these events visitors will discover some of our leading nurseries.
It is the relational quality of this festival of gardening which never fails to delight me – passionate and knowledgeable people coming together at Parham to share their experiences and love of gardening.

Tom Brown, his garden team and volunteers, will once again be out in force to offer advice and to interpret the garden for visitors. It is rare for the public to have such unmediated, direct access to horticulturalists of this calibre.

The gardens themselves are exquisite. The swathes of summer flowers seem to dance in the gentle breeze framing the garden’s paths. I love the stillness that gathers you in the walled gardens at Parham. It transports you, separating you from the busyness of life. To create a garden of this subtlety, depth and beauty requires a sensitivity to place, light, the elements and the seasons.

A dog’s eye view of Parham’s celebration of gardening

Sheltered by the warm hues of the old brick garden walls covered in lichen these gardens have a remarkable ability to gather and engage people. Families find a gentle place to wander in conversation, their time in the garden informed by the beauty around them. Keen horticulturists will pause to explore the subtleties and effects of the planting, colour and compositions before them. But whatever your approach you cannot fail to walk in this beautiful place without being moved by it.

This generous and outward facing spirit pervades all that Parham does and at the heart of it are Lady Emma Barnard and her husband James who, together with their sons, bring such life and vitality to this timeless place. Their patronage and stewardship blesses us all.

I am looking forward to Parham House and Garden’s ‘25th Anniversary Garden Weekend’ this coming Saturday and Sunday, 7th and 8th July 2017, 10.30am to 5.00pm. For more information go to www.parhaminsussex.co.uk or telephone 01903 742021. I look forward to seeing you there!

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.

A Sussex Postcard Collector

A Homewood postcard of the Post Office at Battle in Sussex

The Brian Stevens Postcard Collection provides a remarkable insight into the topography and social history of the county of Sussex.

The collection reflects Brian’s fascination with the postcards published by Arthur H. Homewood. Arthur Homewood ran his successful stationers business in Burgess Hill between 1885 and 1919.

A Homewood postcard of Victoria Gardens, Burgess Hill

The belle époque of postcard sending was between 1899 and 1914. At the height of this craze, a reported average of more than 723,000 postcards were sent every day. Each card was delivered the following day and all for a halfpenny a time. As people posted cards they also started to collect them. With an estimated 264 million postcards delivered in a year, it is no surprise that photographers and publishers popped up in towns and villages across the British Isles to cash in on this boom.

Due to Post Office regulations, postcards started out smaller than the familiar size most of us would recognise today. These ‘court-size’ postcards were only allowed to have the address on one side, so any message would have to be shared with the publisher’s image. In 1902 the Post Office changed their rules, allowing for the more traditional postcard size. At the same time a dividing line was introduced on the reverse, allowing space for the address and, for the first time, a message too, freeing up the entire front for a pictorial design.

A Homewood postcard of Glynde Station in Sussex

Homewood was a keen photographer and businessman and quickly realised the opportunities of the booming demand for postcards. Brian says “Between 1903 and 1918 Arthur Homewood published a large range of topographical picture postcards. Apart from a few depicting the Kent and Surrey borders the rest were of Sussex.”

Homewood visited Amberley, Findon, Billingshurst and the villages around Horsham but he seems to have concentrated on the towns and villages in mid-Sussex and East Sussex. Brian explains “He would meet with competition from other local photographers which would decide whether or not it would be viable for him to stay or move on to the next village.”

A Homewood postcard of Gardeners at Parkyn’s Manor in Hurstpierpoint

Homewood published printed and photographic postcards. His photographic postcards provide an accurate and unedited view of our country’s past – familiar scenes, now changed, and social history a century ago. Take for example the scene of the Post Office at Battle beside Hunt’s tea room, the watch makers and the George Hotel, or the gardeners mowing the lawn at Pakyns Manor at Hurstpierpoint.

The Brian Stevens Collection of Homewood postcards reflects this remarkable collector’s specialist knowledge and passion for his subject. It will be offered for sale by auction at Toovey’s, Spring Gardens, Washington, West Sussex, RH20 3BS on Tuesday 10th July 2018.

If you would like more information on the Brian Stevens auction or advice on postcard collecting you can contact Nicholas Toovey by telephoning 01903 891955 or emailing auctions@tooveys.com.

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.

The Arts and Crafts Chair inspired by Sussex

A pair of late 19th Century ebonized Ash Sussex armchairs by Morris & Co, with turned spindle backs above rush seats, on turned legs

Sussex has many links to the Arts & Crafts Movement including the famous Sussex chair.

The Arts and Crafts Movement was named after the Arts and Crafts Exhibition of 1882 but its origins date back to the mid-1850s and are commonly attributed to the architect, Philip Webb, the writer, John Ruskin, and William Morris who famously said “Have nothing in your house that you do not know to be useful, or believe to be beautiful.”

The movement was deeply informed by the romantic socialism of John Ruskin and William Morris. John Ruskin’s writings inspired the principles of the movement. In response to the often harsh realities of 19th century industrialised work, he advocated a return to an age of ‘free’ craftsmen. The movement stood for traditional craftsmanship and simple forms.

William Rowsell with a Liberty & Co Arts and Crafts earthenware vase

As I admire a set of Sussex chairs Toovey’s Arts and Crafts specialist, William Rowsell, explains “These chairs were named after a country chair found in Sussex. Philip Webb designed this model for Morris & Co but other firms like Liberty & Co and Heals also produced their own versions.” I comment on how they bear such a similarity to late 18th and early 19th century chairs in the English vernacular tradition and William agrees.

William tells me “William Morris and his wife Jane had Sussex chairs in their first home, Red House in Bexley Heath in the 1860s, and at their later London home, Kelmscott House in Hammersmith.”

Toovey’s next specialist Arts and Crafts auction will be held on Friday 7th September and a set of eight Art and Crafts Sussex chairs have already been entered. As I sit in one of the armchairs it holds me perfectly. The influential writer and designer, Robert Edis was right when he described these chairs as ‘excellent, comfortable and artistic’. They appealed to artists too like the Pre-Raphaelite, Edward Burne-Jones who had Sussex armchairs in his studio.

William Rowsell describes how Morris & Co introduced the Sussex range in about 1864 “The armchairs and single chairs reflected the restrained design. On the strength of their success they introduced corner chairs, children’s chairs and settles. People loved the fact that they were made from English stained Ash.”

In the 1912 Liberty catalogue a single armchair was priced at 9s 9d (49p) but today it would realise hundreds of pounds, testament to the design’s enduring appeal.

William Rowsell is passionate about his subject and is often found in the company of collectors offering advice to buyers and sellers. Entries for Toovey’s next specialist auction of Arts and Crafts Furniture and Works of Art are still being accepted. William can be contacted by telephoning 01903 891955.

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.