2020 – A Year Defined by Courage, Duty and Service

Sir David Attenborough with exhibition curator and Turner’s House Trustee Andrew Loukes (foreground) © Turner’s House Trust/Anna Kunst

2020 marked the 75th Anniversary of the end of the Second World War. We reflected on the courage, duty and sacrifice of a generation united by their common story. They worked and fought for what Winston Churchill described as “…the victory of the cause of freedom in every land”.

In the face of a global pandemic the men and women of our NHS reminded us that these qualities are still at the heart of our nation.

Our shared experience of Covid-19 has renewed our common story. A story of joys and sorrows. I have been humbled by the resilience of people and generosity of spirit towards those in need. Communities rose to the evolving challenges. In the face of adversity and separation from loved ones there was a sense of genuine care for others.

There can be no doubt that the government’s intelligent, fast and evolving action to support businesses will have preserved the corner stones of Britain’s economy and a huge number of families’ livelihoods and homes.

Amongst the silent majority there seems to be an intentional renaissance, a real shift towards the importance of supporting local shops, businesses and community.

A nation is defined by its history, heritage and the arts. This year has brought huge challenges to this important aspect of our lives. And yet there have been triumphs too. Andrew Loukes has won much acclaim for the National Trust through his curatorial flair at Petworth over many years. He once again attracted national attention with his sell out exhibition Turner and the Thames, at Turner’s House in Twickenham. David Beevers launched A Prince’s Treasure, an exhibition of international importance which continues at The Royal Pavilion, Brighton. The positive economic impact of the arts and heritage on our economy is often misunderstood. I hope that the government will continue to look to find imaginative ways to support this important sector of our economy which speaks into the nation’s very identity.

At Toovey’s we celebrated our 25th Anniversary with a Valentine’s night fund raiser for Chestnut Tree House Hospice – one of the many important local charities which we support.

Rupert Toovey with trademark bowtie on appointment in the downland village of Amberley, West Sussex

For me there is a joy to accompanying people through their art, collectors’ items and antiques. I have continued to be invited into people’s homes to value their treasures for auction and probate in a Covid-safe way.

We have gathered people at our specialist auctions, at times in person by appointment and at other points online, keeping people safe and supporting the government as the demands of Covid-19 evolves. Prices at our auctions have continued to rise throughout 2020.

Toovey’s re-opens on the 4th January 2021 with an exciting calendar of winter specialist auctions. I feel optimistic about the coming year and look forward to welcoming you in person or online.

It remains for me to wish you and those you love a Happy New Year.

Stories from a Tulip Field

George Hitchcock – ‘La Culture des Tulipes (Tulip Culture)’, oil on canvas, circa 1889

What a beautiful week it has been. The tulips in my garden have been so joyful in the spring sunlight, they remind me of a painting and a particular sale.

There is a stillness and beauty to an English country house interior which has remained unchanged over many years. That stillness and beauty was reflected in George Hitchcock’s ‘La Culture des Tulipes’. I remember seeing the painting for the first time. It was bathed in sunlight, hanging in a dining room as it had for some seventy years. The picture was part of the collection Toovey’s sold in 1998 from the Rusper home of the famous De la Rue family who printed money and stamps for the British Empire.

The American, George Hitchcock (1850-1913) came to London in 1879 to study art. In 1882 he enrolled at the Académie Julian, Paris where he was influenced by the artists Gustave Boulanger and Jules Lefebvre. By 1884 Hitchcock had settled in Egmond aan Zee on Holland’s North Sea coast where he established an art colony. Described as the ‘Painter of Sunlight’ Hitchcock painted en plein air.

‘La Culture des Tulipes’ depicts a field of tulips bathed in light. A woman wearing a blue coat stands with her back to us. She holds a tulip filled basket in her left hand. The spring sunlight plays on the tulips and warms her face. The artist’s handling of light, colour and paint is delicate, textured and impressionistic.

There is always an air of expectation and excitement when something extraordinary is about to happen in an auction. All day the De la Rue collection had been setting records and finally we arrived at the George Hitchcock painting. An American buyer had sent his agent. I opened the bidding at £30,000 and before long it was £100,000 quickly rising to £250,000. The bidding, now between the American and a London Gallery on the telephone, was conducted with perfect manners and at speed. The bidding slowed in front of the hushed saleroom – “three hundred, three-twenty at £340,000, fair warning” and the American said “Gee will you take another five”. I paused, “£345,000”, the London Gallery offered its congratulations, withdrew from the fray and my gavel fell. The saleroom burst into applause as the American walked quickly to reception to pay before heading back to Heathrow to catch his return flight on Concorde; he was keen to be back in time to read his two young daughters a bed time story.

Although the canvas was holed and in a poor state it broke all records for the artist at the time.

I had remarked on the holes in the canvas when I first saw the painting in the company of the family. The nephew, John, explained how his Uncle had been practising archery on the lawn. People who love each other very much can sometimes be cross with each other too. On this particular morning he and his mother had argued so he had marched into the dining room and shot at her favourite painting with arrows. Very soon after the young man De la Rue was called up to the Great War and was killed. His mother was heartbroken and forbade that the painting ever be restored. For many years the painting was displayed in America with a photograph of the young De la Rue in his uniform.

Art and objects can afford us such a powerful sense of our place in the procession of human history. So often the greater the human story the greater the price. It always seems rather a hopeful thing that the art world values people more than things.

The news of the sale was reported in the New York Times.

Chestnut Tree House Supported at Toovey’s Valentine’s Celebrations

Rupert Toovey with Patricia Woolgar, Chair of Trustees at Chestnut Tree House.
Image courtesy of Graham Franks Photography

Toovey’s 25th Anniversary Valentine’s Night celebrations brought hundreds of people together and raised more than £7000 for Chestnut Tree House hospice.

Chestnut Tree’s community team provide care for children and young people with life limiting illnesses to families in their own homes across Sussex and at Chestnut Tree House. The hospice was officially opened on 11th November 2003 by Her Royal Highness, Princess Alexandra. It is built in the vernacular of the English Manor House on land donated by the late Lady Sarah Clutton, a person who inspired and encouraged me in so many ways. The Land was given on a 125 year lease. The rent, a dozen mixed lilies (no white ones) and a £1 coin, falls due each year on Lady Sarah’s birthday.

The children and their families have access to wonderful countryside and nature through the hospice’s remarkable wheelchair accessible, interactive Woodland Walk and Meadow Garden.

Hospices are such a bright light in our communities. They allow those with life limiting illnesses to live well whilst also accompanying and tending to their families and loved ones. And they provide the opportunity for each of us to give expression to our care for others as they depend so heavily on our donations.

Chestnut Tree House’s extraordinary services cost more than £4 million every year. With only 6p in the pound funded by government this local charity is dependent on the financial support of the people and communities of Sussex which it serves.

Chestnut Tree House is a charity close to my own heart so I was delighted that Toovey’s 25th Anniversary Valentine’s Night celebrations allowed us to come together and raise funds for this remarkable Sussex charity.

Gary Shipton DL spoke in praise of Chestnut Tree House and Toovey’s.
Image courtesy of Graham Franks Photography

Gary Shipton DL and Patricia Woolgar, Chair of Trustees at Chestnut Tree House, spoke in praise of Toovey’s and Chestnut Tree House.

Andrew Bernardi and Maria Marchant with Rupert Toovey.
Image courtesy of Graham Franks Photography

Toovey’s celebrations included a charity auction. The evening raised over £7000 thanks to the generosity of all who came and concluded with a performance of Sussex music by Andrew Bernardi and his Stradivarius Trio.

Toovey’s Directors-Tom Rowsell, Rupert and Nick Toovey
Image courtesy of Graham Franks Photography

If you would like advice on how to fundraise, support, volunteer, or to find out more about Chestnut Tree House and its work visit www.chestnut-tree-house.org.uk.