Preview of Toovey’s June Select Fine Art Auction

Lot 71 William Russell Flint's 'The Model with the Fringe'
Lot 71 William Russell Flint's 'The Model with the Fringe'

On the 18th June, Toovey’s will host their second Select Painting Sale of 2014. Prior to the printed catalogue landing on doorsteps around the world and in advance of the online catalogue being uploaded to Toovey’s website, we thought a preview of five of the highlights might be in order.

Firstly we look at the £3000-5000 sanguine drawing above, it is by an artist who needs no introduction, William Russell Flint (1880-1969). While most people are familiar with his colour prints, his original works are not often seen for sale at auction. This sanguine comes with a letter from the artist dated 9.12.68 which states ‘the rubbing must be my own unless the drawing has been taken from its frame and smeared’, referring to the minor smudging to some lines. Having no sign of being taken out of its frame, this can no longer be seen as a condition flaw, instead it is part of the drawings character. The work on paper measuring 38cm x 56.5cm is titled ‘The Model with the Fringe’. Other works by Flint in the auction include three drypoint etchings and a scarce line block.

Lot 27 Henry Ryland's 'Calm of Evening'
Lot 27 Henry Ryland's 'Calm of Evening'
Annie French original watercolour and ink
Lot 123 Annie French's 'A Lady with a Bouquet'

Another painting included in the sale is an original watercolour by Henry Ryland (1856-1924), which in subject matter is certainly similar to that of Flint, albeit a little bit earlier. The soft quality and palette reflects the tradition of classical scenes of the late 19th Century, popularized by the likes of Lawrence Alma-Tadema and Albert Moore. ‘Calm of Evening’ by Ryland measures 38cm x 56cm and is offered with a pre-sale estimate of £1000-1500.

An original watercolour and ink by Annie French (1872-1965) is included in the June auction of Select Fine Art. Titled ‘A Lady with a Bouquet’ this beautiful work measures 25cm x 8cm. The labels on the back show that it has previously been retailed by Kaye Michie and the Maas Gallery prior to being offered in Toovey’s auction. It is presented in a bespoke mount with ink stylized flowerheads to reflect the artist’s hand. This work by a leading member of the Glasgow School and talented book illustrator carries a pre-sale estimate of £2000-3000.

‘It’s all in the name’ is a phrase often associated with the Fine Art market. Perhaps the inclusion of two works by Noël Coward (1899-1973) in the sale reflects this. The works by the English playright, composer, director and singer show an amateur charm. In his diary Coward wrote: “Compared with the pretentious muck in some London galleries… my amateur efforts appear brilliant.” Many of Coward’s paintings feature in a work by Sheridan Morley, who wrote:

“In his lifetime, Noël always reserved his own paintings as first-night or birthday gifts, allowing only one or two to go for the very occasional charity auction and fearing, as he once wrote, that a kind of ‘celebrity snobbism’ might otherwise make them valued more for their autograph than for their intrinsic worth.”

Lot 101 Noël Coward's View of a Villa
Lot 101 Noël Coward's View of a Villa, one of two works by Coward included in the June Auction
Alfred Oliver's depiction of children picking flowers
Lot 70 Alfred Oliver's depiction of children picking flowers

The view of a villa above, presumably depicts an unidentified home in Jamaica. It is estimated at £800-1200, but will the purchaser be associating the value to the picture or the autograph? Hopefully a bit of both!

The final work in our preview is a tondo view of two children picking flowers in a landscape. It is by Royal Academician Alfred Oliver who flourished between 1886 and 1921. From this period is the oil on canvas shown here. Measuring 38.5cm in diameter, this work had previously been retailed by the Macconnal-Mason gallery, today, it carries a pre-sale estimate of £500-800.

Toovey’s Select Sale of Fine Art starts at 10.00am on Wednesday 18th June and is the opening session of Toovey’s June specialist auctions. Viewing times for the select painting sale is as follows:
Saturday 14th June 9.30am to 12.00 noon
Monday 16th June 10.00am to 4.00pm
Tuesday 17th June 10.00am to 4.00pm
and on the day of the auction, Wednesday 18th June, 9.00am to 10.00am (the start of the auction).

Scarce James II Silver Footed Salver at Toovey’s

James II Silver Chinoiserie Footed Salver at Toovey's Auction
James II Silver Chinoiserie Footed Salver to be offered at Toovey's Auction

Toovey’s forthcoming Specialist Sale of Silver on Wednesday 21st May 2014 includes a James II silver footed salver or tazza, flat-chased with a chinoiserie scene. This salver measures 34cm in diameter and is among the largest of its type. It is hallmarked for London 1688 by Benjamin Yate and carries a pre-sale estimate of £30,000-50,000.

Side View of Footed Salver
Side View of Footed Salver
Detail of Chinoiserie Decoration
Detail of Chinoiserie Decoration
Detail of Chinoiserie Decoration
Detail of Chinoiserie Decoration
Detail of Chinoiserie Decoration
Detail of Chinoiserie Decoration
Hallmarks on James II Tazza
Hallmarks on James II Salver

Contextually, this piece was produced just twenty-two years after the Great Fire of London, following which an estimated four fifths of the city had to be rebuilt and, more importantly, countless homes refurnished. This is only five years after the English East India Company nearly went bankrupt after a ferocious price war with the Dutch East India Company (Vereenigde Oostindische Compagnie) over market share. It is also  the same year as the so-called ‘Glorious Revolution’, with Prince William of Orange arriving with his army in November 1688. The footed salver was created during a period often referred to as England’s ‘Silver Age’. The higher production and quality of the pieces produced at the time ensure that items from the last quarter of the seventeenth century survive in surprisingly large numbers, spared from the melting pot for over four centuries.  The indulgence in the precious metal of the era was a reaction to and a celebration after the uncertain times preceding the reign of Charles II.

The influence of items originally imported from Asia by the Dutch East India Company had a huge impact. The fashion for anything Chinese swept across Europe, leaving a disparity between supply and demand. Manufacturers producing faux Chinese or ‘chinoiserie’ designs on pieces, including furniture and ceramics, became increasingly common. This piece is scarce because of its ornament; it is in stark contrast to the abundant embossed decoration more typical of the period. This distinctive chinoiserie decoration on silver is largely considered to have been undertaken at a single workshop between 1680 and 1688. It is speculated that only a few hundred pieces would have been decorated in this particular chinoiserie style. Perhaps the craftsman died, which would explain the small numbers and the distinct cut-off at the same date as this salver. Flat-chasing resembles the appearance of engraving but its creation uses the pressure of tools to make the delicate line, rather than digging away at the metal.

Today, it is largely believed that the designs were derived from a book written by Johan Nieuhoff, titled ‘Legatio Batavica Ad Magnum Tartariae Chamum Sungteium…’, first published in Amsterdam in 1668 with over 100 plates, plans and illustrations. It is certain that the decorator of the salver never travelled to Asia and probably used this book as inspiration, because the figures show the same ethnographic inaccuracies as Nieuhoff’s work.

While silver of this date does survive, examples of this type and quality are few and far between and seldom come to auction, unless part of an important silver collection. The consignment of this salver has a different story to tell. It was brought to Toovey’s reception with a few plated toast racks and valuer Will Rowsell recalls that the vendor did not even realize the salver was silver, let alone the importance of the piece. After consulting with Toovey’s silver specialist Tom Rowsell, the two brothers decided further research was required before offering a definitive opinion. Both were confident that the salver had all the indications of being an important piece of silver. The vendor had inherited the item from his father, an antiques dealer active in the middle part of the 20th century, but had never considered its value until recently. When reporting back to the vendor on the telephone, Tom recalls making sure they were sitting down before discussing the pre-sale valuation of £30,000-50,000!

The James II silver footed salver will be offered as Lot 350 in Toovey’s Specialist Sale of Silver on Wednesday 21st May 2014, commencing at 1pm. If you would like to have your silver valued, please contact our offices to discuss your requirements and the best way to proceed. This salver is proof that it is always worth checking an item’s value with the specialists at Toovey’s.

Amber: Liquid Gold

0641 - Amber Beads at Auction
A single row necklace of amber beads. Sold for £7,000

As documented in our previous blog posts on amber, the market for amber is undeniably incredibly buoyant.

Among the offering of amber beads in Toovey’s February auction was a single row necklace of nineteen large and thirty small vari-coloured oval and spherical butterscotch coloured opaque amber beads (gross weight approx 175.5g, total length approx 88cm). This necklace (illustrated right) sold under the gavel for £7,000. The prices for this fossil tree resin which starts out in a liquid form are about twice the current price for gold per gram for the right example.

The February auction included a number of other examples, a selection of which can be seen below.

Toovey’s jewellery auction on the 26th March 2014 includes another good selection of amber.

Green Light for Amber Beads at Auction!

Detail of Amber Beads sold at Tooveys
Detail of Amber Beads sold at Toovey's in January

Further to our blog post ‘Amber Beads in Fashion at Toovey’s‘ and Rupert Toovey’s article in the West Sussex Gazette ‘Prehistoric Treasure in Demand Today‘. We wanted to share some of the prices achieved for amber beads in our January auction on the 29th January. Highest price was £10,000 for a single row necklace of thirty-eight slightly graduated oval vari-coloured opaque and semi-translucent butterscotch coloured amber beads, total weight approx 255g, total length approx 110cm, length of smallest bead approx 2cm, length of largest bead approx 2.7cm.

More amber beads are consigned in our Specialist Sale of Jewellery on 26th February 2014. See lot numbers 640-664. If you would like your amber beads valued for possible inclusion into a forthcoming auction please contact our offices, pre-sale valuations are free of charge at our Spring Gardens salerooms.

Jewellery Collection to be Sold at Toovey’s

A diamond and pink beryl brooch
Lot 675

TOOVEY’S April auction this month includes an impressive collection of jewellery consigned for sale by a single local private vendor.

Lots 660-705 inclusive are all the property of a local lady collector and commences with a pair of brilliant cut diamond single stone earrings (Lot 660), each stone being approx 3cts. The pair or earrings carry a pre-sale estimate of £12,000-18,000. The collection continues with a £7,000-10,000 platinum and diamond single stone ring (Lot 661), the brilliant cut diamond measuring approx 2.80cts. Other highlights include a gold, emerald and diamond ring (Lot 665) estimated at £8,000-12,000 and two diamond bracelets (Lots 667 and 668) estimated at £4,000-6,000 and £3,000-5,000 respectively.

Lot 670 is another fine piece sure to attract attention, being a single row necklace of ninety graduated natural saltwater pearls on a diamond set clasp containing approx 2.50cts of diamonds, the principal diamond being approx 1.65ct of the total weight. The necklace is offered with The Gem and Pearl Laboratory pearl report (No. 07496, dated 6th April 2013) which states that the largest ‘pearl’ is 8.3-8.4mm in width, the smallest ‘pearl’ 2.6mm in width and the gross weight being approximately 20.25g. The necklace carries a pre-sale estimate of £5,000-8,000.  Another star of the collection is a diamond and pink beryl pendant brooch (Lot 675), circa 1900, with the large cushion shaped pink beryl in a surround of sixteen pinched collet set circular old cut diamonds with a similar set single stone suspension offered with an estimate of £10,000-15,000.

The collection is offered for sale on the afternoon of Wednesday 17th April, for viewing times and to view the entire collection please click here. We’re sure you’ll agree the sparkly array is enough to dispel any gloom caused from the occasional April shower!

Click on a thumbnail image for the full view and again for further magnification.