Sussex History, Heritage and Culture and the Local Community

My cousin Colin De La Haye digging the early Jersey Royals with his Polish team
Rupert's cousin Colin De La Haye digging the early Jersey Royals with his Polish team

“Our Sussex history, heritage and culture are vital to the health and prosperity of our local community”

Our culture and heritage is vital because it provide us with a common narrative, a shared story. It gifts us with a sense of identity. It builds and makes strong and healthy communities.

Visiting my family in the Channel Islands I have been reminded how important my knowledge of Jersey history is to me. Limited as it is, it allows me to celebrate the island’s past and present and to belong.

Common narratives bind communities together. The story is on-going. It changes and evolves as people come and go. Jersey has long embraced migrant labour from across Britain, from Madeira and now from Poland especially in the finance industry and farming. Many of these peoples have returned home, many have stayed and made a life there.

Rupert Toovey and Frank Falle in conversation by Archirondel’s Jersey Round Tower
Rupert Toovey and Frank Falle in conversation by Archirondel’s Jersey Round Tower

My father-in-law, Frank Falle, is a passionate and well regarded Jersey historian. As we walk along a favourite beach in the October sunshine he reminds me that Jersey has often found herself under attack. The Vikings invaded and settled there under the leadership of Hasting. Some historians believe that he gave his name to the town of Hastings in Sussex. In the 18th century French invaders were defeated by Major Peirson whose death during the battle in the centre of St Helier was recorded in the oil painting by John Singleton Copley. The Jersey Round Towers, like the one at Archirondel, are forts which were designed to defend the island and are found around Jersey. In the Second World War the German’s invaded, occupied and fortified the Island.

For many years Frank has run courses on Jersey history and has built a community of historians. I ask him how many of them are from old Jersey families like his. He responds enthusiastically saying “Most of the people on my courses are people who have come to live in Jersey in recent times. They’re proud of Jersey’s history and the place where they have made their lives”. We go down to The Jersey Museum to see the ‘Jersey Hoard’ where we find Reg Mead who discovered this ancient hoard of coins with his colleague Richard Miles. Reg is a man gifted with humble enthusiasm. It is quickly apparent that he has a deep sense of service and responsibility to the Island he has called home since he moved to Jersey in 1976. “I came to the Island to teach having worked as a satellite systems electronics engineer” he explains. Reg is the past President of the Jersey Detecting Society. I ask Reg what drove him forward over all the years he has been a metal detecting enthusiast. He responds “It’s nothing to do with the money. This discovery represents thirty years of hard work often in the pouring rain! The coins were very deeply buried. We had to use a metal detector used to discover Hurricanes, Spitfires and deep finds” Reg’s skill with electronics and his love of history have been important to the success of this find. The reward for their dedication will be shared with the land owner, though the farmer’s name and the field are being kept a secret. But for now Reg is working with a team of archaeologists to preserve, identify and record the hoard using the latest three dimensional mapping technology. Reg explains “Once the hoard has been broken down into its component parts we will be able to show where each coin was located in the mass.” It is Europe’s largest discovered hoard of Celtic coins numbering some 70,000 examples.

Reg Mead with the ‘Jersey Hoard’ at the States funded Jersey Museum
Reg Mead with the ‘Jersey Hoard’ at the States funded Jersey Museum

Reg Mead and Richard Miles have written themselves into Jersey’s history and added to the richness of its future story. The work on the hoard is on full public view at the Jersey Museum. The Jersey Museum is funded by the Island’s government. The States of Jersey understand the importance of history, heritage and culture to the local community in terms of its identity and also the enormous, positive economic impact it has on their economy and employment.

Our Sussex history, heritage and culture are equally vital to the identity, health and prosperity of our local community. History, heritage and culture is a major contributor to our local economy and will continue to provide us all with a common narrative. Like me in Jersey it will allow those who move to West Sussex to belong and add to the richness of our evolving local identity. Our community and quality of life is something which should never be taken for granted. If we are to preserve our county’s distinctive identity and quality of life it is important that our local politicians continue to understand, value and support our museums and art galleries. It is work that only government can do and they are deserving of our thanks for their support and continuing investment.

By Revd. Rupert Toovey. Originally published on 12th November 2014 in the West Sussex Gazette.

The Library Collection of the late W. Leslie Weller MBE, DL, FSA

The Library Collection of the late W. Leslie Weller MBE, DL, FSA

Tuesday 2nd December 2014 at 11am

Toovey’s are proud to announce this additional sale to our 2014 calendar, which comprises the contents of the library of the late William Leslie Weller (1935-2014), consigned from his former home: Hobshorts House, Rookcross Lane, West Grinstead, West Sussex.

Hobshorts
Hobshorts

Leslie Weller, as he preferred to be known, was born in the Sussex village of Itchingfield. His father was a tenant farmer of some 100 acres close to the church. Leslie was educated at Collyer’s Grammar School in Horsham. His rural upbringing installed in him a love of the Sussex countryside and country pursuits but Leslie also developed strong interests in antiques and the fine arts and Sussex history and antiquities. All these passions would shape his life and work to come. Leslie went on to qualify as a chartered surveyor and in later life held the post of chairman of the Royal Institution of Chartered Surveyors Art and Antiques faculty.

Duke of Beaufort and Leslie Weller © Jim Meads
Duke of Beaufort & W. Leslie Weller © Jim Meads

Leslie enjoyed a long and illustrious career in the field of fine art auctioneering. It was his inspiration and dedication that created the first regional centre of expertise outside London for Sotheby’s. For many years he was chairman of Sotheby’s in Sussex and a director of the firm. His other interests led him to achieve the posts of President of the Sussex Archaeological Society and Master of the Worshipful Company of Ironmongers. He was a keen horseman and an active member of the Horsham and Crawley Hunt for many years.

Leslie's Garden Office at Hobshorts
Leslie in his Garden Office at Hobshorts

Leslie Weller was the first chairman of Chichester Cathedral Restoration Trust and over a period of thirty years played an important part in raising more than £10million for essential restoration work to the building and artworks within, including more recently the cathedral’s panel paintings by 16th century artist Lambert Barnard. For his services to the cathedral and contributions to the arts, Leslie was awarded an MBE in the New Year’s Honours List 2014.

Despite his numerous achievements, Leslie Weller was a modest man who will be remembered with great fondness by his many friends and acquaintances in our local community, Sussex as a whole and far beyond.

Leslie's Garden Office
Leslie's Garden Office

Company director Rupert Toovey comments: “Leslie was a generous friend and a great inspiration to me. He supported me in becoming a chartered surveyor in the specialist fields of fine art valuation and auctioneering and was delighted when I followed in his footsteps to become chairman of the R.I.C.S. Art and Antiques faculty. It was, therefore, a great honour to be asked by Leslie’s family to conduct this single-owner sale on their behalf.”

Sussex Horsfield extra-illustrated
Fine, extra-illustrated set of Horsfield's Sussex
EH Shepard Original drawing for sale
E.H. Shepard original drawing from Everybody's Pepys

Leslie lived at Hobshorts, a fine 17th century farmhouse in the West Grinstead countryside, with his wife, Brenda, and their dogs. His library was divided between two rooms in the main house and his private office, which was in a charming converted outhouse in the garden, offering a picturesque view across a pond to the South Downs. Leslie’s books reflect all his varied interests and they were very important to him indeed. The sale features a good selection of works on his beloved Sussex, including a fine copy of Thomas Walker Horsfield’s “The History, Antiquities, and Topography of the County of Sussex”, printed at the Sussex Press in Lewes in 1835. Usually in two volumes, this copy was extended to seven in 1892 with about 1500 extra illustrations. Bound in deep purple morocco by Zaehnsdorf, the set will carry a pre-sale estimate of £3000-5000.

An original drawing by the celebrated Sussex book illustrator Ernest H. Shepard leads a collection of other personal effects from Leslie’s library to be included in the sale. Originally published in “Everybody’s Pepys”, this 28 x 18cm pen and ink drawing will be offered with a pre-sale estimate of £600-1000. Other of Leslie’s possessions to be auctioned include maps, a barograph, a globe and two of his gavels.

The sale is on view on Saturday 29th November 2014, from 9.30am to 12noon, Monday 1st December 2014, from 10am to 4pm, and on the day of the auction, Tuesday 2nd December 2014, from 9am to the start of the sale at 11am.

The catalogue will be available in print and online at www.tooveys.com by mid-November.

The Call of the Sussex Downs

John Hitchens Downland View
‘March Colours, Downland View’, an oil on canvas by John Hitchens from 1970

The swiftly changing light on the Sussex Downs has always challenged artists seeking to capture the character of these ancient hills.

Rupert-Toovey
Rupert Toovey in his office at Toovey’s with Chanctonbury Ring in the distance
Edwin-Harris-watercolour-Chanctonbury-Ring
‘Chanctonbury Ring from Washington, Sussex’, a watercolour by Edwin Harris from 1945
Watercolour by Harry George Theaker
‘Summer on the Downs’, a watercolour by Harry George Theaker

As I sit writing, the rat-a-tat of the gavel falling and the rhythmic cry of the auctioneer rise from the saleroom up to my office at Toovey’s. The bustle and excitement of the fine art auction contrasts with the scene from my window. I can just see Chanctonbury Ring above a line of poplar trees. Along the ridge of the Downs, scudding clouds in a blue sky cause light and shadow to move across the landscape.

The scene before my eyes is reminiscent of the landscape shown here by Edwin Harris (1891-1961). Harris played first-class cricket for Sussex between 1922 and 1924, whilst working as an artist. In 1939, he married Mary Edwards and they lived in Washington until 1955. Titled ‘Chanctonbury from Washington, Sussex’, the watercolour drawing was painted in 1945, at the end of the Second World War. The Downs are depicted in those greyer hews that they acquire as autumn and winter approach. We sense the chill wind in the branches. But there is nothing chill about today; the Downs are a warm green hue, reflecting the start of an early summer’s day.

The illustrator Harry George Theaker (1873-1954) brings a graphic quality to his painting. His watercolour ‘Summer on the Downs’ uses these qualities to dramatic effect in displaying light, shade and movement. There is no doubt that this is a summer scene, reflected in the warmth displayed in the artist’s palette.

These two artists’ representational style grounds us in the familiar, reminding us of our Sussex landscape and the seasons of the year. However, the qualities in the oil by John Hitchens (b.1940), titled ‘March Colours, Downland View’, not only allow us to see the familiar dance of light and shade upon the Sussex Downs but also command our other senses. The painting captures the smell of the earth and crops, the sound of wind playing on cornfields and pasture, the deep blue of the ridge separating the landscape from the sky. John Hitchens, son of the famous Sussex artist Ivon Hitchens, invites us to engage all our senses, to inhabit the vitality of this scene in our imaginations. The picture is at once representational and abstract. It seeks to allow us to glimpse or give voice to what lies beyond our immediate perception, to enrich our experience of the scene. Today, John Hitchens’ works are abstract, though still inspired by landscape.

Although I travel to London and across the country valuing collections of fine art and antiques, my heart always races when I return and catch sight of the Downs. After thirty years, nothing delights me more than a day travelling down familiar Sussex lanes beneath the gentle folds of these ancient hills, visiting collectors across our beautiful county.

Scenes of the Sussex Downs like these remain accessible, with prices at auction ranging from hundreds of pounds to the low thousands.

Toovey’s next sale of fine paintings and prints will be held on Wednesday 10th September 2014. If you are considering the sale of your pictures, contact Toovey’s for free and confidential advice.

By Revd. Rupert Toovey. Originally published on 25th June 2014 in the West Sussex Gazette.

St Mary’s House, Bramber, Sussex

St Mary’s, Bramber, by Anthony Capo Bianco
St Mary’s, Bramber, photograph by Anthony Capo Bianco

With the exception of our churches, few buildings in Sussex reflect the rich tapestry of our county’s history over almost nine hundred years as well as St Mary’s House, Bramber.

Philip de Braose entered Jerusalem in 1099 to open up the Holy Places to Christian pilgrims. Out of this first crusade the Order of Knights of the Temple of Jerusalem was founded and on Philip’s death in 1125 his widow gave five acres of land to the Knights Templar. The house built there passed to the monks of Sele, whose parent abbey was in Samur, France. Despite the numerous pilgrims journeying on the routes to centres like Canterbury and Santiago de Compostela, by 1320 this monastic inn had fallen into disrepair. In about 1470 the Bishop of Winchester, William of Waynflete, built a new chapel house around a galleried courtyard. The origins of St Mary’s House, as we know it, are to be found in Waynflete’s work.

St Marys Bramber
Peter Thorogood and Roger Linton at the front of St Mary’s, Bramber

The fortunes of St Mary’s have continued to ebb and flow over time but this beautiful house and its grounds seem to have always found passionate and generous custodians at just the right time. In the 20th century St Mary’s found herself once again in disrepair and in 1941 was requisitioned by the Ministry of Defence to house soldiers, including the men from the Royal Canadian Artillery. In 1944 St Mary’s was put up for auction at the Old Ship Hotel, Brighton. By chance, Miss Dorothy Ellis spotted the advert and, against the advice of friends, determined to attend the sale. Miss Ellis was successful in her bidding, preventing a local builder from acquiring St Mary’s to demolish the house for her timbers! Miss Ellis did all in her power to preserve St Mary’s and ensured that it became Grade I listed.

In 1984 St Mary’s, yet again in some disrepair, found herself up for sale once more. On this occasion the house captured the imaginations of her current custodians and patrons, Peter Thorogood and Roger Linton, who purchased St Mary’s with the express wish to keep it open to the public. Their different gifts have blessed St Mary’s. Peter brought his experience at the British Council and his gifts as a writer and researcher to the task of preserving St Mary’s. Roger, with a background in design seeded at the Royal College of Art, brought his gifts as a conservator and set about restoring the property and designing the gardens. Peter’s love of music and theatre are given expression in the program of concerts and theatre which are at the heart of St Mary’s life.

These generous custodians have always wanted to share St Mary’s with others and this is reflected in the extraordinary community of gifted volunteers and Friends of St Mary’s, who have joined with Peter and Roger in their work. “They are our St Mary’s family,” Peter reflects.

St Marys Bramber Drawing Room
The Drawing Room, furnished with Peter’s and Roger’s own furniture and memories

It is quickly apparent that Peter and Roger are rooted in this place. Peter says, “We were both fascinated by timber-framed houses, even as boys.” Roger interjects, “We both knew this house as boys, thanks to our parents. I used to visit with my father, a Methodist minister, when we went to Steyning, which was part of his circuit.” I comment that there is a real quality of calling and vocation apparent in their life and work at St Mary’s. Peter’s face breaks into a smile and he replies, “Yes, calling and vocation in looking after the house, this place, its history and the people St Mary’s gathers. It’s always been for the benefit of others, the public, as well as ourselves.”

The Painted Room St Marys Bramber
The Painted Room with trompe l’oeil panel believed to date from Tudor times. The panels have landscape and sea-battle vignettes. Note also the wonderful 16th century ‘Nonsuch chest’, marquetry-inlaid with architectural panels

Although there is a grandeur to this wonderful old house, it is very much a home, informed by the passions and interests of Peter Thorogood and Roger Linton. They have not only preserved and restored this important landmark in the history of Sussex but also kept it alive, inspiring a team of volunteers and friends to join them in their adventure. Peter and Roger have a deep sense of dedication to this place and their vision to share St Mary’s with all of us. It has become their lives over the past thirty years and they deserve our thanks. Whether visiting for the first time or returning to an old friend, as I often do, St Mary’s has a particular gift of taking us out of the business of our own lives and allowing us to see ourselves in that broad procession of human history of which Sussex has so often been at the centre. St Mary’s House and Gardens opens to the public for the 2014 season this coming Sunday afternoon, 4th May, from 2pm to 6pm. For further details visit www.stmarysbramber.co.uk.

By Revd. Rupert Toovey. Originally published on 30th April 2014 in the West Sussex Gazette.

Medieval Easter Frescoes at St Mary’s, West Chiltington

The 13th century medieval cycle of Easter frescoes at St Mary’s
The 13th century medieval cycle of Easter frescoes at St Mary’s

The frescoes at St Mary’s parish church in West Chiltington, Sussex, were uncovered in 1882. Contemporary 19th century records note their excellent colour. Conservation work was not undertaken until the 1930s.

Frescoes are wall paintings, painted directly on to the plaster while it is still wet. The artist has to work quickly as the pigments and image are fixed as the plaster dries. This technique was used throughout the Renaissance in Italy and elsewhere.

Amongst the earliest paintings at St Mary’s is the cross motif, formed from an endless rope knot. This beautiful cross is easily missed and forms part of a circular medallion in the recess over the east end of the south aisle. Such crosses are known in Roman mosaics and wall paintings. In Sussex, the pavement at Fishbourne Roman Palace contains a similar emblem. However, its significance at West Chiltington remains unknown. This Celtic cross design has been reinterpreted for the 21st century in the new porch with its glass doors. The Reverend David Beale, Vicar of St Mary’s, remarks: “I love the way that the newest part of the church is linked with the oldest by this cross and bears witness to Christians in this building for almost 900 years.”

The Reverend David Beale, Vicar of St Mary’s, West Chiltington
The Reverend David Beale, Vicar of St Mary’s, West Chiltington
The 12th century cross at St Mary’s
The 12th century cross at St Mary’s

On the north side of the arcade in the nave is a cycle of frescoes, which tell the story from Jesus’ triumphal entry into Jerusalem on a donkey as the crowds lay palm leaves before him, to his resurrection on the first Easter Day. Illustrated here are depictions of the Last Supper, Christ washing the feet of his disciples, the betrayal of Jesus in the garden of Gethsemane by Judas Iscariot’s kiss, the flagellation of Christ, the carrying of the cross and the crucifixion. The scenes are portrayed within a series of three painted, lobed arches resting on slender columns and capitals. The influence of the Gothic can be seen in the figures, whose fluidity conveys genuine humanity. Compassion and suffering are clearly discernable in the depictions of Christ and contrast with the expressions on the faces of his tormentors. The directness of these paintings still powerfully communicate these familiar Gospel narratives in their now faded hues. I ask David what effect these medieval fresco drawings have on him and those who visit this place week by week to worship or pray. “They have a remarkable ability to connect people with their stories,” he answers. “This place is steeped in centuries of prayer; it is fascinating to observe how this and the pictures still cause people to pause in wonder. I suppose it should be unsurprising really in our visual age.”

We have become used to the soft hues of stone and white lime wash in the majority of our churches but St Mary’s, with her faded frescoes, allows us to experience something of the extraordinary effect that these Pre-Reformation paintings would have had on Sussex people some 800 years ago. David concludes, “It’s wonderful to glimpse how rich and colourful many of our churches would have been in the 12th and 13th centuries.”

This remarkable group of colourful frescoes reside in a working building at the heart of its community and speak of a narrative common to us all. St Mary’s, West Chiltington, is open every day and is one of my favourite places to stop and pray – a generous punctuation mark in a busy day. Treat yourself and try it! Easter services will be held at 2.00pm on Good Friday with Holy Communion on Easter Sunday at 8.00am and 10.00am. All are welcome. For more information go to www.stmaryswestchilt.co.uk

By Revd. Rupert Toovey. Originally published on 18th April 2014 in the West Sussex Gazette.