Inspired by the Landscape

Rupert Toovey at Petworth Park
Rupert Toovey at Petworth Park

Inspired by the Horsham Museum & Art Galleries latest exhibition of local landscapes I have been trying to walk off my Christmas indulgence, with my terrier Bonnie in the beauty of the Sussex countryside. And what strikes me is how influential and important human stewardship and industry has been to the appearance and beauty of our landscape.

A great favourite of ours is the circular walk at the top of Chantry Hill at the back of Storrington. From the car park you follow the footpath to the west. The views carry your eye across the undulating hills of the Angmering Park Estate to the sea at Worthing and the Isle of Wight. Leaving the main path and heading North the ground steadily rises until the view opens onto the Sussex Weald. A few hundred yards to the east between Kithurst Hill and Chantry Hill you come upon a late Bronze Age / Iron Age cross dyke. The deep ditch and steep embankment still defines its boundary and affords the most wonderful views with Storrington below. As you walk in this man made earthworks you have a real sense of the ancient and your place in the procession of history. It is farming which has created and preserved the Downland landscape which surrounds it.

At Petworth Park the qualities of the picturesque are alive in Capability Brown’s man made landscape, preserved and maintained by The National Trust.

Bonnie delighted to be on the Bronze Age cross dyke on Chantry Hill

Bonnie and I love to walk through the park and around the lake. The house and park are united in the landscape. Here you come upon a series of constructed, vignette views onto sweeping areas of grass, curving lakes and beautifully conceived woodland clumps of trees. It is as though you are walking in a series paintings.

This aesthetic was born out of the rococo in reaction to the formal straight lines and topiary of the French royal gardens designed by André Le Notre (1613-1700), which had been made popular in England in the late 17th and early 18th centuries by George London (d.1714) and Henry Wise (1653-1738). Together they had created the parterres not only at Petworth but also at Hampton Court Palace, Chatsworth and Longleat.

In early 18th century England there was a political desire, held by both the Whig government and Hanoverian King George I, to distance themselves from the excesses of the French Court at Versailles. This combined with a fascination for ‘unbounded nature’. In this climate Capability Brown’s park landscapes evolved in dialogue with his patrons. Perhaps this is why his idealised landscapes speak into the hearts and imaginations of the English and, in part, define us.

Sussex and her landscape continues to inspire successive generations of artists, writers and composers as she has over the centuries. I look forward to exploring the Sussex landscape and the continuing contribution of its contemporary stewards to the identity and heritage of the county.

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.

Celebrating Heritage and Arts in West Sussex in 2018

From left to right: Toovey’s Director, Nicholas Toovey, artist, Humphrey Ocean., RA, and Jeremy Knight in conversation at the Horsham Museum & Art Gallery

As 2018 draws to a close it provides a moment to reflect on what an exceptional year it has been for Heritage and the Arts in West Sussex and to look forward to 2019.

West Sussex is blessed by its rich history, culture and artistic offering which is made possible by the inspiration, dedication and hard work of a number of key individuals.

The Horsham Museum & Art Gallery’s reputation continues to grow under the leadership of Jeremy Knight whose outstanding contribution to heritage and the arts was marked this year with a High Sheriff’s Award. This growing reputation attracted the attention of the Royal Academy in its 250th anniversary year and the artist Humphrey Ocean., RA. The Horsham District Council’s continued commitment to the Horsham Museum and Art Gallery is deserving of praise.

Sheep handling at The 2018 West Grinstead Agricultural and Ploughing Match Show

The West Grinstead Annual Plough Match and agricultural show celebrates the work of our farmers and their important contribution, through their stewardship of the countryside, to our county’s rural landscape. At the heart of the Society which runs it is its Honorary Secretary Rowan Allan of H. J. Burt. He has spent his life celebrating and professionally supporting the work and life of the countryside.

Parham House and its gardens are amongst the most beautiful in all England. Lady Emma Barnard is the house’s current custodian and celebrated 70 years since her family first opened the house in 1948 to share it with the public. This generous tradition continues today.

The high point of this year’s Shipley Arts Festival for me was the world premiere of the Shipley Psalms at Steyning Parish Church. The inspiration for this commission came out of a conversation between myself, Andrew Bernardi and the composer Malcolm Singer. We were discussing the American composer Leonard Bernstein and his choral work, The Chichester Psalms. This new commission was made possible by the generous patronage of The Shipley Arts Festival and Mr John Snelling.

These artistic, cultural and heritage threads preserve and add to the evolving identity of our county and its rich tapestry of life in town and country.

My brother Nicholas and I are delighted that through Toovey’s we have been able to play a part in bridging these artistic and heritage communities together, adding weight to their vision and work, whilst also offering financial support and professional advice.

These individuals along with so many others are deserving of our thanks. They enrich the quality of our lives whilst contributing enormously to our economy through the visitors and businesses they draw to our county.

I am looking forward to celebrating with you the best artistic, cultural and heritage events our county has to offer in 2019, and wish you all a very happy and peaceful New Year.

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.

A Voyage of Discovery at Horsham Museum

The Maori Poi dancer, Whakarewarewa, published by the New Zealand photographer Thomas Pringle in 1907

Horsham Museum & Art Gallery’s latest exhibition ‘Voyages to the Pacific’ is inspired by the 250th Anniversary of the departure of Captain James Cook’s first voyage to Tahiti in 1768.

The exhibition draws on the museum’s remarkable collection of ethnographic material. The show highlights the interactions and exchanges that have taken place between the peoples of Europe and the Pacific over the last 250 years, including Horsham’s residents whose objects are displayed telling the story.

A collection of Pacific ethnographical objects framed against Horsham’s Causeway

Assistant Curator Rhiannon Jones says “The exhibition shows how the people of Horsham have encountered the people of the South Pacific. These objects were brought back by diplomats, sailors and wealthy people.”

“In the summer of 1768 Captain James Cook set sail from Plymouth for Tahiti hoping to track the transit of Venus. Cook’s techniques in surveying, astronomy and timekeeping were revolutionary, as was his care for his crew and the measures he took to prevent scurvy.”

There was a second charge to Cook to discover the as yet only imagined great southern continent. Cook would sail tantalisingly close, within 75 miles of Antarctica.

Rhiannon explains how this first expedition and Cook’s two subsequent voyages changed European perceptions of world geography leading to trade and colonisation.

The exhibition provides an introduction to the sociocultural anthropology of the peoples of the Pacific through objects and photographs.

My eye is caught by a photograph of the Maori Poi Dancer, Whakarewarewa. It is taken from the book ‘Maori Studies’ published by the New Zealand photographer Thomas Pringle in 1907. The Poi is a traditional Maori dance where weights are swung in rhythmic patterns on the end of tethers.

A rare 19th century Tongan or Samoan Tapa barkcloth panel

On the opposite side of the gallery a series of 19th century Tapa barkcloth panels with striking geometric abstract designs are displayed. These cloths are produced from the inner bark of young shrubs and trees by the process of soaking and beating. They are commonly found across the Pacific and Africa. Barkcloth is still used for clothing, bedding, flooring and ceremonial objects. It is short lived and old examples like this Tongan or Samoan panel are rare.

Rhiannon enthuses about a case filled with ethnographical pieces which include an 18th century pot stand from Papua New Guinea modelled as a head, wooden combs and necklaces, and a small jade totem intended to enhance fertility. I remark that this fascinating array is displayed against the backdrop of Horsham’s famous Causeway which seems to emphasise the town’s connection with the exhibition’s story and objects and she agrees.

Entrance to the Horsham Museum & Art Gallery, The Causeway, Horsham, RH12 1HE, is free with permanent displays and exciting shows. Voyages to the Pacific runs until 26th January 2019. There are plenty of family Christmas activities too. For more information visit www.horshammuseum.org.

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.

East Meets West Across the Centuries

A fine Chinese export reverse mirror glass painting, Qianlong period (1735-1796)

In the 17th and 18th centuries mercantile trade exposed the West to Chinese decorative art and, perhaps most importantly, Chinese porcelain. It had a profound influence on English tastes.

In England Chinese motifs were often incorporated into our own decorative schemes like those at the Royal Pavilion in Brighton.

The £34,000 fine 18th century Chinese export reverse mirror glass painting illustrates this taste and has just been sold at Toovey’s. It is exceptionally well painted with a lady seated on a rock beside a lotus pond with conjugal pairs of pheasants, mandarin ducks and chickens; beyond a pleasure barge processes up the river with an opulent residence on the far shore.

Reverse glass paintings occupy a special position in Chinese art bringing together the genres of Chinese export art, glass working and the painting of idealised beauty. The strong use of colours and exotic flavour ensured their fashionable place in English country house collections during the 18th and later centuries.

In the 20th century Chinese export porcelain and objects from the 17th and 18th centuries once again drew the attention of western collectors.

These interests were reflected in the important single-owner collection from London which has just realised hundreds of thousands of pounds at Toovey’s. One of the features of the collection were a number of fine, rare export porcelain colourful animal, bird and human figures.

A fine, rare pair of Chinese famille rose enamelled export porcelain figure groups of seated maidens with spaniels and phoenixes, early Qianlong period (1735-1796)

Amongst these was a pair of Chinese famille rose enamelled export porcelain figure groups depicting maidens seated in a typical pose with spaniels and marvellous pink phoenixes. 21.5cm high they realised £19,000. They dated from the early Qianlong period (1735-1796) and were fitted with gilt brass candle holders and drip pans. The phoenix, or fenghuang, was the Empress of Birds in Chinese mythology signifying beauty, grace, virtue and the unity of yin and yang.

To understand the importance of this pair of figures it is perhaps helpful to note that a similar pair of figures are to be found in the exceptional Copeland Collection at The Peabody Museum, Salem, USA. The Copeland Collection is known internationally for the superb quality and impressive variety of its many rare pieces. It was put together from 1937 by the American collector, Mrs Lammot du Pont Copeland.

These figures are superb aesthetic objects expressing the form, proportion, detailed decoration, and distinctive modelling that characterize the work of a master potter. They represent the cross-cultural influences and trade between East and West giving a valuable insight into Chinese perceptions of western taste in the 18th century. Being expensive to make and ship these fragile figures were primarily made to order for wealthy private collectors and are therefore rare.

Demand for export pieces like these remains as strong amongst western collectors as it does amongst Chinese. If you would like advice on your Chinese objects Toovey’s Asian Art specialist, Tom Rowsell, can be contacted on 01903 891955 or by emailing auctions@tooveys.com.

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.

Goodwood’s Motorsport Events a Winning Combination

Katarina Kyvalova in the 1954 Cooper Jaguar T33 approaching Woodcote at the 2018 Goodwood Revival

I am really excited, I’ve just booked my tickets for the 2019 Goodwood motor racing season’s 77th GRRC Members’ Meeting, Festival of Speed and Revival. Goodwood’s quintessential British motorsport events celebrate not only the best of historic racing but also the cutting edge and contemporary in the automotive world. It’s a winning combination here in heart of West Sussex.

Once again the historic racing season will open with the 77th GRRC Member’s Meeting on the weekend of 6th and 7th April 2019. The GRRC spring Members’ Meeting captures the atmosphere of the motorsport meetings at Goodwood in the 1950s and 1960s. This celebration of motor racing is exclusively for members of the Goodwood Road Racing Club (GRRC), and the GRRC Fellowship. It has its own unique atmosphere.

This member only event allows enthusiasts, drivers and car owners to mingle in the paddocks amongst the automobiles sharing what the Duke of Richmond describes as ‘a common passion’.

The reputation of the Goodwood’s Festival of Speed continues to grow attracting many of the world’s leading racing drivers and marques. As testament to this Tesla chose to debut its hugely influential Model 3 in the UK at the 2018 Festival of Speed against the backdrop of exotic machines hurtling up the famous hill climb. The best of British was also on display with Jaguar Land Rover, Aston Martin, McLaren and Rolls Royce all much in evidence. The 2019 Festival of Speed is scheduled for the 4th to the 7th July.

Rupert Toovey at the 2018 Goodwood Revival

September’s Goodwood Revival has a unique and special quality to it attracting vintage outfits as well as cars. With my love of bowties, sports jackets and cords as my everyday attire I fit right in! The Revival celebrates the halcyon days of motor racing with the accompanying glamour of the 1940s, ’50s and ’60s.

At this year’s Revival Katarina Kyvalova, herself no stranger to Goodwood and historic motor racing, was once again driving her 1954 Cooper Jaguar T33 in the 25 minute Freddie March Memorial Trophy for sports cars made between 1952 and 1955. It’s the longest race of the weekend and Katarina’s performance once again provided a welcome reminder of the Cooper team’s competiveness and important place in sports car and Formula 1 motor racing. I love the purposeful, clean lines of the Cooper Jaguar T33, especially in British racing green.

Next year’s Revival will take place from the 13th to the 15th September 2019.

To find out more about the benefits of membership of the GRRC and GRRC Fellowship, how to join, and this year’s Festival of Speed, Goodwood Revival, and to book tickets go to www.goodwood.com/sports/motorsport. The 2018 Goodwood motoring season quickly sold out so don’t delay!

By Rupert Toovey, a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington. Originally published in the West Sussex Gazette.