Life as Art: Olivia Ferrier

Olivia Ferrier detail of 'Soldier Crow'
Detail of 'Soldier Crow', bronze, produced in an edition of 9, by Olivia Ferrier

Many artists invest their work with autobiographical elements; this becomes the artist’s voice that unites their body of work. Olivia Ferrier is an award-winning Brighton-based sculptor working predominantly in bronze. She draws on her own experiences travelling and living around the world to create her work. Nicholas Toovey tells us more

Olivia Ferrier: 'Horse Head', bronze on a reclaimed Sussex sea groin, produced in an edition of 9
'Horse Head' by Olivia Ferrier
Olivia Ferrier: 'Dryad', bronze, produced in an edition of 9
'Dryad' by Olivia Ferrier
Olivia Ferrier: 'Three Crows on a pair of gates', Bronze with gold plate on a teak and iron gate, unique
'Three Crows on a pair of gates' by Olivia Ferrier

Olivia grew up near Powys, Mid Wales. Her professional artistic career started with a Foundation course at Northbrook College, Worthing, followed by a three-year BA (hons) degree in Ceramics from Bath Spa University. A three month residency in India followed at the Sanskrit Kendra where she first was introduced to foundries and casting. During her three years in Australia she began to seriously exhibit and sell her work. A change in circumstances meant that in 2006 she decided to return to Britain and after a summer studying at the Florence sculpture academy she moved back to Wales. On her return she was still interested and curious about metal casting and worked for a local foundry ‘Castle Fine Arts’. The encouraging staff not only educated her but provided her the freedom to experiment out of hours on her own work, gaining techniques in casting, mould-making and patination (a tarnish that forms on the bronze to create various finishes).

In 2008 Olivia decided to move to Brighton, her brother and sister had lived there when she was younger but her siblings had since moved on. Knowing the town she was drawn to the sea and the creative air of the town. Instantly feeling at home in Sussex, Olivia cannot understand why anybody wouldn’t want to live in Brighton, she quips the weather is better in Brighton than in Wales too. Does Sussex inspire her? Olivia is inspired by everything, her eye often catches an otherwise disregarded object or source for a new idea, she purchased pieces of the collapsing West Pier which she hopes to turn into something at a later date. A work in progress is a bronze parrot that will finally be covered in bright spray paints inspired by the graffiti in Brighton’s North Laine. Her work is inspired by her travels and her attention to details that others may not see.

The majority of her work is still cast at ‘Castle Fine Arts’, combining creating the bronzes with visits to her family in Wales. Olivia’s work is chiefly based around figures and animals (predominantly birds) cast in bronze using a lost-wax casting technique in small editions. This allows her to incorporate found or sourced objects into her sculptures, such as feathers, flowers and other textural items. These forms are often skeletal-like as the artist wishes to capture the essence of the animal or bird. ‘Horse Head’, for example, uses castings of tack including a horseshoe to create the finished sculpture. ‘Soldier Crow’ incorporated castings of small army figures and a toy tank to create the overall bird form symbolising the premature loss of life through conflict. Crows are a recurring source of inspiration for the artist, a bird often associated with bad omens in the Western World. Inspired by her travels in India, particularly the holy city of Varanasi, which she describes as a “melting pot where death and life come together”. Her experiences here, created a different and more hopeful attitude towards mortality contrary to the European views of the subject “I have been inspired by the spirituality in India and the belief in the cycle of life, death, life”. These sculptures could be viewed as strange and macabre or, fragile and beautiful; to quote Aristotle “The aim of art is to represent not the outward appearance of things, but their inward significance”.

The sculptor, Olivia Ferrier

As an artist, her work is undoubtedly autobiographical, investing each piece with parts of her life, including her family, travels, reactions, feelings and histories expressed through shapes, forms and symbols. Olivia became a mother for the first time last year and her work will develop in excitingly different ways as a result. Since moving to Brighton her sculpture has been increasingly well-received gaining Olivia the Alec Trianti Special Sculpture Award, Falle Fine Art Award and the Art London Award reinforcing her status as a sculptor of note.

Olivia will be exhibiting new works in a group show with six other Sussex artists at The Gallery, Cork Street, London, between the 31st April and 5th May. Her work can also often be found at Will’s Art Warehouse in Putney, and at The Sculpture Park in Surrey.

For more visit www.oliviaferrier.com

Nicholas’ article was originally published in Sussex Life magazine in April 2012.

Click on an image below to enlarge

Henri Matisse Exhibition at Horsham Museum & Art Gallery

Henri Matisse - 'Tristesse du Roi (Sorrow of the King)', 1952 Gouache découpée, 292 x 386cm Copyright: DACS

Thanks to sponsorship by Toovey’s auction house and the Hayward Gallery, Horsham Museum and Art Gallery is able to host an exhibition of Matisse’s later work. Opened just two years ago the Art Gallery was a new venture for the Museum, with the hope that it would be able to offer visitors and the community of the district the opportunity to see, admire and become inspired by art. ‘MATISSE: Drawing with Scissors, Late Works 1950-1954 – A Hayward Touring Exhibition from Southbank Centre, London’  is an amazingly colourful exhibition that reveals how Matisse was one of the twentieth century’s leading artists and designers – even while bedridden he was able to create iconic work with his ‘drawing with scissors’ series. It will inspire those who find the brush and pencil a barrier to art.

As the Hayward Gallery notes, “The French painter, sculptor and designer, Henri Matisse (1869-1954) was one of the twentieth century’s most influential artists. His vibrant works are celebrated for their extraordinary richness and luminosity of colour. Matisse: Drawing with Scissors, a Hayward Touring exhibition from the Southbank Centre, London, features 35 lithographic prints of the famous cut-outs, produced in the last four years of his life, when the artist was confined to his bed. It includes many of his iconic images, such as The Snail and the Blue Nudes.”  Matisse continued creating highly original works into his eighties. For his cut-outs he used paper hand-painted with gouache, laid down in abstract or figurative patterns: “the paper cut-out allows me to draw in the colour… Instead of drawing the outline and putting the colour inside it… I draw straight into the colour.”  The colours he used were so strong that he was advised by his doctor to wear dark glasses.

The lithographic reproductions in this exhibition are taken from a special double issue of Verve, a review of art and literature, published by Tériade, a major publisher of fine art books in 1958.

Matisse began his working life as a lawyer, before going to Paris to study art in 1890. At first strongly influenced by the Impressionists, he soon created his own style, using brilliant, pure colours, and started making sculptures as well as paintings. In 1905 he and his colleagues were branded the Fauves (wild beasts) because of their unconventional use of colour, and it was during this time that he painted his celebrated Luxe, Calme et Volupté (Luxury, Tranquillity and Delight). “There is no gap between my earlier pictures and my cut-outs,” Matisse wrote “I have only reached a form reduced to the essential through greater absoluteness and greater abstraction.”

‘Matisse: Drawing with Scissors’ opens on 28 April and closes 26 May 2012. For further information contact Horsham Museum.

Brighton & Hove Albion Football Paper Collectables

Lot 3050: Brighton & Hove Albion Football Postcards
Lot 3205: Brighton & Hove Albion Football Programmes

Other than antiques, fine art and collectors’ items, one of the main topics of discussion in Toovey’s Sussex saleroom is football. With the performances, refereeing decisions, goals, managers, saves, fouls, form and transfers often debated, the saleroom has on occasions transformed into an arena of football punditry. Who will be managing England at the 2012 European Championships seems to be a current hot topic of conversation. It would appear that the forthcoming summer of football and the millions wasted on strikers who can’t find the net in the Premiership seem to be overshadowing the mighty performances of one of our local teams, Brighton & Hove Albion. The Seagulls were newly promoted into the Championship this season and appear to have settled into their much-awaited new home at the AMEX stadium.

The East Sussex team were founded in 1901 and originally played in the Southern League, before being elected to the Football League in 1920. Arguably their greatest spell was in the 1980’s, whilst playing in the top division they had a cup-run that took them to Wembley in the F.A. Cup where they played Manchester United, losing after a replay. The forthcoming sale of Paper Collectables on Tuesday 17th April includes Lot 3205, a large collection of football programmes mostly relating to Brighton and Hove Albion. Included in the lot is a series of programmes that follow the cup run of the 1982/83 season, including the semi-final, final and replay, these three all have the original ticket stubs for the matches included (see illustration, click for an enlarged image and again for further magnification), the lot carries a presale estimate of £100-150.

In the Postcard section of the same specialist sale is Lot 3050 (see illustration, click for an enlarged image and again for further magnification). This lot comprises a group of 10 photographic postcards of crowd scenes at the football matches of Brighton and Hove Albion. Dating from 1910 to circa 1929, the majority of the cards were published by the Hove-based photographer Thomas Walter Stephen Wiles, later Deane, Wiles & Millar, or the Brighton Camera Exchange. The postcards show a different era of football, the anonymous faces looking out are dressed in their Sunday best at a time when financial investment in the sport was considerably different.   It was also a different era for the Seagulls as these were taken at their former home, the Goldstone Ground. Amongst the supporters and collectors these postcards are always sought after, particularly those featuring cup-runs (as some of these do) or those against rival clubs. This lot carries the presale estimate of £50-80 and is offered alongside Stamps, other Postcards, Cigarette Cards, Autographs, Photographs and Printed and Manuscript Ephemera in Toovey’s Sale of Paper Collectables on the 17th April 2012. For viewing times for the auction please click here.

Under manager Gus Poyet, Brighton and Hove Albion are currently competing for a Play-off place in the Championship, and in the absence of any Crystal Palace supporters at Toovey’s, we wish them the very best of luck!

A Sense of Play: Paul Cox

'Sea saw' bronze by Paul Cox
'Sea saw' bronze by Paul Cox

The art world has been accused of taking itself too seriously, so it is refreshing to discover an artist whose work has a tongue-in-cheek approach. Nicholas Toovey meets Paul Cox, an award-winning sculptor whose work is based around play.

Paul Cox in front of 'Ahoy'
Paul Cox in front of 'Ahoy'
'Token' polychrome resin by Paul Cox
'Token' polychrome resin by Paul Cox
'Looking for the promise land' stoneware with glaze and oxides by Paul Cox
'Looking for the promise land' stoneware with glaze and oxides by Paul Cox
'City Cuts' corten steel and Polyurethane paint by Paul Cox
'City Cuts' corten steel and Polyurethane paint by Paul Cox
Detail of 'Colour of Shade' by Paul Cox
Detail of 'Colour of Shade' by Paul Cox

Paul was born in Sussex and lived in Partridge Green throughout his childhood. He recalls being painfully shy whilst attending Steyning Grammar School, but it was here that he was encouraged to explore art. Loving the hands-on approach he says “art was the only thing I excelled in”, perhaps the freedom of this subject acted as escapism for the young dyslexic student. With the support of his encouraging parents, Paul then fell onto an artistic path, relieved and pleased that there was a route he could explore. He attended a foundation course at Northbrook College before attending the Winchester School of Art leaving with a BA (hons) first class degree in Fine Art Sculpture. People soon started to talk about his work and through his art he had the voice to communicate without actually saying a word. With every new skill, material mastered or method of working came more enthusiasm and self-belief. A postgraduate MA followed at the Royal Academy Schools. Attributable to the great tutors and the knowledge and confidence they imbued upon him, Paul embraced his new visual vocabulary and was excited by it.

Having left the county for his education, Paul returned and settled in Newhaven and states “if you have ever lived near the Sussex coast something always brings you back to the area”. Here, his double garage is his studio and the front and back garden become an ever changing exhibition space. For Paul his sculpture is part of him and therefore it is not unusual to have it surrounding him, passers-by who gather around his front garden however, are obviously not quite as used to it. Does Sussex inspire him? Definitely, he loves the landscape, particularly the Downs, the fields with ploughed tracks forming natural patterns, the richness of colour, particularly in spring with the lime greens contrasting with the blue skies. He loves it all, including the more industrial side of Brighton which has a magical reflected light from the sea. Paul is a part-time tutor at Northbrook College where he teaches full-time foundation students and runs an evening course in sculpture techniques. Becoming a teacher proved to himself that his childhood inhibitions of speaking in public are pretty much a distant memory.

Paul works in a very visual way, “I collect my everyday experiences in notebooks in the form of drawings, notes and scraps of paper. I believe it is important to ‘play’, physical or intellectual play is involved in anything that is created. With an open mind to materials and a persistent investigative attitude anything is possible. I like to be surprised; many great things have come from mistakes and accidents”. Always wanting to see a sculpture in three-dimensions he makes small models which he can later scale-up. Using cardboard, bubble wrap and paper, Paul creates the moulds for his final vision, turning ephemeral material into valuable works of art. From such small beginnings works such as ‘City Cuts’ have begun, the finished version reaching over 2 meters high and weighing literally a tonne. His largest work to date was ‘Ahoy’ a 6.5 meter high bulbous ‘toy’ boat perched on a table beside a chair, this 6 tonne sculpture has travelled across land to its new home in the Cafesjian Center for the Arts in Yerevan, Armenia.

Paul’s sculpture and drawings generally have underlying humour portrayed in varying degrees of subtlety. Even those that may seem serious might have been made in a quirky way or have a twist of sorts. One of his main stimuli for creating is this injection of humour – it makes him smile to bring visions from his own world into ours. His offbeat approach is a considered contradiction to some other art that leaves him cold, mainly due to its dry and sometimes uninviting facade. Paul has produced corporate commissions since leaving the RA Schools, but recently he has been asked to produce commissions for private individuals. ‘Colours of Shade’ was a sculpture for one such project and he enjoyed the challenges of working to a “down-to-earth” realistic budget yet still creating a sculpture that fulfilled the collectors requirements.

Art should provoke emotions and enrich our lives. Paul offers sculpture with an undeniable boyish charm that is infectious to the onlooker. It is virtually impossible not to smile at, or interact with, his idiosyncratic style. Paul’s sculpture thrives on a sense of play, but his work should not be disregarded as a novelty. He is a dedicated artist who consciously chooses not to take himself too seriously, providing a breath of fresh air to the contemporary art market.

For more visit www.paul-cox.co.uk

Nicholas’ article was originally published in Sussex Life magazine in March 2012.

Kings, Queens and Prints

Portrait of King Henry VIII
Lot 235: Engraving by Cornelis Massijs, Portrait of King Henry VIII

The Sale of Selected Fine Oil Paintings, Watercolours and Prints on the 21st March 2012 includes a Single-owner Collection of Portrait Prints.  The collection offers works printed in the 16th, 17th, 18th and 19th centuries and relates chiefly to the royalty, nobility and notable figures of the eras.

The 75-lot collection includes an engraving by Cornelis Massijs of King Henry VIII (Lot 235).  Massijs (or Massys, as his surname is sometimes spelt) was born in Antwerp but was banished from the city later in life.  While living in exile in England he produced this print in 1544, which was reprinted in the year of the King’s death.  It is a contemporary image of the Tudor King late in life, portraying Henry VIII with emphasis on his authority.  Massijs shows his imposing figure and carefully designed clothes, wearing an elegantly embroidered doublet and a sumptuous fur collar. The full-frontal pose is probably loosely based on Hans Holbein’s portrait of the sitter a decade earlier.

Another impressive engraving in the sale (Lot 240) depicts Queen Elizabeth I standing full length, holding an orb and sceptre.  Anthony Griffiths in The Print in Stuart Britain states: “This is the finest of the engraved portraits of Queen Elizabeth.  It was published soon after her death in 1603, as is shown by the chronogram in the upper left.”  The engraving is after Isaac Oliver, a miniaturist born in Rouen and brought to England as a child (for a portrait of the artist, see Lot 232).  This print is the culmination of the partnership between Hans Woutneel in London and Crispijn van de Passe I, then in Cologne.

Portrait of Queen Elizabeth I
Lot 240: Engraving by Crispijn van de Passe after Isaac Oliver, Portrait of Queen Elizabeth I

Crispijn van de Passe the Elder was a Dutch printmaker and founder of a dynasty of engravers.  The second generation of van de Passe engravers – Simon, Crispijn II, Willem and Magdalena – are all also represented in the private collection, including famous images of Princess Pocahontas (Lot 251) and the Gunpowder Plot Conspirators (Lot 259).  The Single-owner Collection of Portrait Prints serves almost as a Who’s Who of the 1500s onwards.  The majority of the collection centres around kings, queens and their families, represented from Henry VIII to Queen Victoria.  Other notable figures are also depicted in the portrait engravings, such as Richard [Dick] Whitington and his cat (Lot 233), the Elizabethan explorer Francis Drake (Lots 248, 249 & 250), Robert Dudley (Lot 246), Francis Bacon (Lot 260) and depictions of the curious character of Old Tom Parr (Lot 269), who reputedly lived to the age of 153!

This immensely interesting collection will be offered at Toovey’s Spring Gardens salerooms, just off the A24 between Worthing and Horsham, on 21st March. To view the online catalogue for the sale, or to find out viewing times, visit www.tooveys.com