The Familiar Faces of the Contemporary Art Auctions

Lot 96: 'Red Landscape' by Alison Milner-Gulland

Nicholas Toovey, event organiser of the Contemporary Art Auctions, every year selects an eclectic mix of works from both emerging and established artists working in a range of different media.  The auction is now in its sixth year and is fast becoming the annual event for contemporary art enthusiasts.  In the introduction to this year’s catalogue Nicholas states that ‘it is a great privilege to be in a position whereby I can promote contemporary art in Sussex.  Over the years I have met some fascinating, eccentric, humble, intelligent and exceptional artists.’  This year two-thirds of the participants have featured in previous sales, but it might come as some surprise that only four artists have entered work in each of the six Contemporary Art Auctions at Toovey’s.

Washington-based artist, Alison Milner-Gulland, is one of these four regular participants.  Alison’s paintings, prints and ceramics all reflect the beautiful rural countryside surrounding her studio, infused with classical, mythical or natural inspirations.  Her rich, earthy palette also reflects her Sussex surroundings, and is exemplified in ‘Red Landscape‘ and her two other works entered this year.  She works in a variety of media, including oil paintings, prints and ceramics. The media often dictates her subject matter, while her subject matter informs how she uses the chosen media.  The variety in media and style means her art fits into almost all interiors, from country cottages to feature walls in contemporary spaces.  At first glance her work is accessible and uncomplicated, but over time, the layers, subtle details and evolving depths of the art come to the fore, highlighting the talent of this artist.

Lot 61: 'Event Horizon' by Susie Jenkins

Arundel-based photographer Susie Jenkins has also entered work every year.  Susie has a different viewpoint to the rest of the world when she looks through the lens of a camera.  Examining the minute details of the bottom of boats or other ‘found’ objects she immerses viewers into a different world, as seen in ‘Event Horizon‘ or, creates a striking abstracted view, like ‘Purple Abstract‘  – challenging the onlooker of her photographs to look at images in a different way.  Nicholas Toovey featured Susie in the August 2011 issue of Sussex Life magazine.

Lot 9: 'Engine House Bottle' by Ben Barker
Lot 25: 'Loose Chickens' by Josse Davis

Ceramicists Ben Barker from Steyning and Josse Davis from Arundel make up the other two artists who have entered work in every auction. Regular followers of the auction will see how Ben’s work has developed from his highly precise geometric work in porcelain offered in previous years to the freer ‘Engine House Bottles‘. These bottles reflect his childhood in Cornwall and draws its inspiration from the Cornish landscape.  He states: ‘The form of the bottles is influenced by the architecture of the pump houses for the now discarded tin mines.  Different clays are combined to create the impressions of rockfalls, decorative geometric marks refer to industrial activity and the use of clay slips and metal oxides echo the colour and texture of the landscape. Some bottles are dark and threatening, as in wet cliffs and caves, and others suggest reflected light from the sea.’

Josse is the son of the famous ceramicist and artist Derek Davis and the painter Ruth Davis. Having been born into a world of colour and form, Josse was always destined to be creative. Every year he showcases a different range of work at the sale.  In previous auctions he has shown his whimsical tin-glazed flat-back figures of animals and work depicting aliens undertaking everyday tasks on earth.  This year Josse is showing three examples of his hand-decorated stoneware in blue and white including ‘Loose Chickens‘.  This work shows his confidence and a freedom in the brush-drawn depiction of chickens.  Also included in the sale by Josse is ‘Frolics‘, a thrown stoneware teapot and cover with a cane loop handle. Fully functional and probably the perfect size for tea for two – although it may not be suitable for tea with the grandparents or in-laws as it is decorated with nude figures ‘frolicking’ amongst hearts!

The catalogue for this year’s Contemporary Art Auction is available to view online here although it does not include the insightful question-and-answer feature with every artist which is only available in the printed catalogue. So if you want to find out which one of the above artists favourite quote is Gary Player’s “The more I practise the luckier I get”, purchasing the catalogue is the only way to find out! The auction is held on July 21st at 6pm, for more information visit our previous blog post (listing all the participating artists) or the Contemporary Art Auction page on the Toovey’s website.

2012 Contemporary Art Auction: Artists Announced

Toovey’s are pleased to announce their sixth Contemporary Art Auction on Saturday 21st July 2012 at 6pm. 50 emerging and established artists have been selected, offering a total of 150 works at the sale. The majority of the entries will be exhibited from 1st June to 7th July at Horsham Museum & Art Gallery in their exhibition Off The Wall.  Prior to their auction at their Spring Gardens salerooms near Washington, West Sussex, all works of art will be on view on Friday 20th July from 12noon to 5pm, and on Saturday 21st July from 3pm until the start of the sale at 6pm. The fully-illustrated catalogue will be available soon (£6 at our salerooms, £8 by post) with more information on each artist.

The list of artists represented in this year’s Contemporary Art Auction is as follows:

(Click on an image for full view and again for further magnification)

A Summer of Art at Horsham Museum & Art Gallery

“We saw this at Frankfurt; we never expected to see it at Horsham!” was one such exclamation from a delighted visitor last Saturday after the successful launch of ‘Matisse: Drawing with Scissors’―the new month long exhibition at Horsham Museum & Art Gallery. Thanks to support from Toovey’s auctioneers and in association with Horsham District Arts, the Museum should be hearing further exclamations of delight as this summer sees a showcase of truly great and remarkable art.

From May to mid-September Horsham Museum and Art Gallery has pulled together a fantastic exhibition programme. After a year of discussions and networking, using the connections brought together by Horsham District Arts working with Toovey’s and University of Chichester Bishop Otter Gallery,  the public have the chance to see great contemporary art with a focus on British art of the 20th and 21st centuries.

Following on from the riot of colours and shapes that is the Matisse exhibition, the Museum hosts ‘Off The Wall’ where 50 artists and craftspeople display their finest work in a preview show for the best Contemporary Arts Auction to be held in the South East. Using his contacts and a great deal of persuasion Nicholas Toovey has curated an exciting showcase, which Horsham Museum & Art Gallery is delighted to host. With artists of the calibre of Chris Kettle, Christine Tongue, Eve Shepherd and Muju, we know the public will value the opportunity to see, debate and be inspired by this fantastic collection, and perhaps dip their toes in the Contemporary Art market. With 150 works on display it will be an exciting and rewarding time. Some may even decide to bid for a work at the auction on the 21st July and take it ‘Off The Wall’ and home to their own interior.

From July to September the Museum & Art Gallery has engineered a once in a lifetime opportunity to see name-dropping art that for many a year has lain awaiting discovery by art lovers. Works by Henry Moore, Jacob Epstein, Paul Nash, Stanley Spencer, Ivon Hitchens and other great artists will be on show at Horsham Museum. The exhibition ‘A Summer of Great British Art’ is only possible because The University of Chichester Otter Gallery is closing this summer for refurbishment and Toovey’s Auction House has generously helped support this exhibition.

‘Matisse: Drawing with Scissors’ runs from 28 April – 26 May; ‘Off The Wall’ runs from 1 June to 7 July; and ‘A Summer of Great British Art’ runs from 17 July to 15 September.

Life as Art: Olivia Ferrier

Olivia Ferrier detail of 'Soldier Crow'
Detail of 'Soldier Crow', bronze, produced in an edition of 9, by Olivia Ferrier

Many artists invest their work with autobiographical elements; this becomes the artist’s voice that unites their body of work. Olivia Ferrier is an award-winning Brighton-based sculptor working predominantly in bronze. She draws on her own experiences travelling and living around the world to create her work. Nicholas Toovey tells us more

Olivia Ferrier: 'Horse Head', bronze on a reclaimed Sussex sea groin, produced in an edition of 9
'Horse Head' by Olivia Ferrier
Olivia Ferrier: 'Dryad', bronze, produced in an edition of 9
'Dryad' by Olivia Ferrier
Olivia Ferrier: 'Three Crows on a pair of gates', Bronze with gold plate on a teak and iron gate, unique
'Three Crows on a pair of gates' by Olivia Ferrier

Olivia grew up near Powys, Mid Wales. Her professional artistic career started with a Foundation course at Northbrook College, Worthing, followed by a three-year BA (hons) degree in Ceramics from Bath Spa University. A three month residency in India followed at the Sanskrit Kendra where she first was introduced to foundries and casting. During her three years in Australia she began to seriously exhibit and sell her work. A change in circumstances meant that in 2006 she decided to return to Britain and after a summer studying at the Florence sculpture academy she moved back to Wales. On her return she was still interested and curious about metal casting and worked for a local foundry ‘Castle Fine Arts’. The encouraging staff not only educated her but provided her the freedom to experiment out of hours on her own work, gaining techniques in casting, mould-making and patination (a tarnish that forms on the bronze to create various finishes).

In 2008 Olivia decided to move to Brighton, her brother and sister had lived there when she was younger but her siblings had since moved on. Knowing the town she was drawn to the sea and the creative air of the town. Instantly feeling at home in Sussex, Olivia cannot understand why anybody wouldn’t want to live in Brighton, she quips the weather is better in Brighton than in Wales too. Does Sussex inspire her? Olivia is inspired by everything, her eye often catches an otherwise disregarded object or source for a new idea, she purchased pieces of the collapsing West Pier which she hopes to turn into something at a later date. A work in progress is a bronze parrot that will finally be covered in bright spray paints inspired by the graffiti in Brighton’s North Laine. Her work is inspired by her travels and her attention to details that others may not see.

The majority of her work is still cast at ‘Castle Fine Arts’, combining creating the bronzes with visits to her family in Wales. Olivia’s work is chiefly based around figures and animals (predominantly birds) cast in bronze using a lost-wax casting technique in small editions. This allows her to incorporate found or sourced objects into her sculptures, such as feathers, flowers and other textural items. These forms are often skeletal-like as the artist wishes to capture the essence of the animal or bird. ‘Horse Head’, for example, uses castings of tack including a horseshoe to create the finished sculpture. ‘Soldier Crow’ incorporated castings of small army figures and a toy tank to create the overall bird form symbolising the premature loss of life through conflict. Crows are a recurring source of inspiration for the artist, a bird often associated with bad omens in the Western World. Inspired by her travels in India, particularly the holy city of Varanasi, which she describes as a “melting pot where death and life come together”. Her experiences here, created a different and more hopeful attitude towards mortality contrary to the European views of the subject “I have been inspired by the spirituality in India and the belief in the cycle of life, death, life”. These sculptures could be viewed as strange and macabre or, fragile and beautiful; to quote Aristotle “The aim of art is to represent not the outward appearance of things, but their inward significance”.

The sculptor, Olivia Ferrier

As an artist, her work is undoubtedly autobiographical, investing each piece with parts of her life, including her family, travels, reactions, feelings and histories expressed through shapes, forms and symbols. Olivia became a mother for the first time last year and her work will develop in excitingly different ways as a result. Since moving to Brighton her sculpture has been increasingly well-received gaining Olivia the Alec Trianti Special Sculpture Award, Falle Fine Art Award and the Art London Award reinforcing her status as a sculptor of note.

Olivia will be exhibiting new works in a group show with six other Sussex artists at The Gallery, Cork Street, London, between the 31st April and 5th May. Her work can also often be found at Will’s Art Warehouse in Putney, and at The Sculpture Park in Surrey.

For more visit www.oliviaferrier.com

Nicholas’ article was originally published in Sussex Life magazine in April 2012.

Click on an image below to enlarge

A Sense of Play: Paul Cox

'Sea saw' bronze by Paul Cox
'Sea saw' bronze by Paul Cox

The art world has been accused of taking itself too seriously, so it is refreshing to discover an artist whose work has a tongue-in-cheek approach. Nicholas Toovey meets Paul Cox, an award-winning sculptor whose work is based around play.

Paul Cox in front of 'Ahoy'
Paul Cox in front of 'Ahoy'
'Token' polychrome resin by Paul Cox
'Token' polychrome resin by Paul Cox
'Looking for the promise land' stoneware with glaze and oxides by Paul Cox
'Looking for the promise land' stoneware with glaze and oxides by Paul Cox
'City Cuts' corten steel and Polyurethane paint by Paul Cox
'City Cuts' corten steel and Polyurethane paint by Paul Cox
Detail of 'Colour of Shade' by Paul Cox
Detail of 'Colour of Shade' by Paul Cox

Paul was born in Sussex and lived in Partridge Green throughout his childhood. He recalls being painfully shy whilst attending Steyning Grammar School, but it was here that he was encouraged to explore art. Loving the hands-on approach he says “art was the only thing I excelled in”, perhaps the freedom of this subject acted as escapism for the young dyslexic student. With the support of his encouraging parents, Paul then fell onto an artistic path, relieved and pleased that there was a route he could explore. He attended a foundation course at Northbrook College before attending the Winchester School of Art leaving with a BA (hons) first class degree in Fine Art Sculpture. People soon started to talk about his work and through his art he had the voice to communicate without actually saying a word. With every new skill, material mastered or method of working came more enthusiasm and self-belief. A postgraduate MA followed at the Royal Academy Schools. Attributable to the great tutors and the knowledge and confidence they imbued upon him, Paul embraced his new visual vocabulary and was excited by it.

Having left the county for his education, Paul returned and settled in Newhaven and states “if you have ever lived near the Sussex coast something always brings you back to the area”. Here, his double garage is his studio and the front and back garden become an ever changing exhibition space. For Paul his sculpture is part of him and therefore it is not unusual to have it surrounding him, passers-by who gather around his front garden however, are obviously not quite as used to it. Does Sussex inspire him? Definitely, he loves the landscape, particularly the Downs, the fields with ploughed tracks forming natural patterns, the richness of colour, particularly in spring with the lime greens contrasting with the blue skies. He loves it all, including the more industrial side of Brighton which has a magical reflected light from the sea. Paul is a part-time tutor at Northbrook College where he teaches full-time foundation students and runs an evening course in sculpture techniques. Becoming a teacher proved to himself that his childhood inhibitions of speaking in public are pretty much a distant memory.

Paul works in a very visual way, “I collect my everyday experiences in notebooks in the form of drawings, notes and scraps of paper. I believe it is important to ‘play’, physical or intellectual play is involved in anything that is created. With an open mind to materials and a persistent investigative attitude anything is possible. I like to be surprised; many great things have come from mistakes and accidents”. Always wanting to see a sculpture in three-dimensions he makes small models which he can later scale-up. Using cardboard, bubble wrap and paper, Paul creates the moulds for his final vision, turning ephemeral material into valuable works of art. From such small beginnings works such as ‘City Cuts’ have begun, the finished version reaching over 2 meters high and weighing literally a tonne. His largest work to date was ‘Ahoy’ a 6.5 meter high bulbous ‘toy’ boat perched on a table beside a chair, this 6 tonne sculpture has travelled across land to its new home in the Cafesjian Center for the Arts in Yerevan, Armenia.

Paul’s sculpture and drawings generally have underlying humour portrayed in varying degrees of subtlety. Even those that may seem serious might have been made in a quirky way or have a twist of sorts. One of his main stimuli for creating is this injection of humour – it makes him smile to bring visions from his own world into ours. His offbeat approach is a considered contradiction to some other art that leaves him cold, mainly due to its dry and sometimes uninviting facade. Paul has produced corporate commissions since leaving the RA Schools, but recently he has been asked to produce commissions for private individuals. ‘Colours of Shade’ was a sculpture for one such project and he enjoyed the challenges of working to a “down-to-earth” realistic budget yet still creating a sculpture that fulfilled the collectors requirements.

Art should provoke emotions and enrich our lives. Paul offers sculpture with an undeniable boyish charm that is infectious to the onlooker. It is virtually impossible not to smile at, or interact with, his idiosyncratic style. Paul’s sculpture thrives on a sense of play, but his work should not be disregarded as a novelty. He is a dedicated artist who consciously chooses not to take himself too seriously, providing a breath of fresh air to the contemporary art market.

For more visit www.paul-cox.co.uk

Nicholas’ article was originally published in Sussex Life magazine in March 2012.